Etree - Holden Caulfield - 1483 shows
Last Update: Friday Jan 05, 2018

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Bobby & the Midnites  
  Date Venue - City, State Media  
1. 06/09/82 Warner Theatre - Washington, DC Unknown AUD (low gen) provided by Dennis C. Maxell UD-XLII's > Sony TC-D5M (no Dolby) > Audiophile 2496 analog in > Soundforge > CD-Wave >TLH > FLAC, July 2007 by Andrew F.  

Brent Mydland  
  Date Venue - City, State Media  
1. ??/??/82 Unreleased Solo Album - Unknown, CA  

The Dead http://www.dead.net
  Date Venue - City, State Media  
1. 07/29/03 Office Depot Center - Sunrise, FL FOB B&K 4023's -> Modified Sonosax pre-amp->Apogee MiniMe -> Sony Vaio/SoundForge 6 via SIRMick  

Diga Rhythm Band  
  Date Venue - City, State Media  
1. 05/30/75 Golden Gate Park - San Francisco, CA SBD > Rm > Cass > Reel > CD > WaveLab > Gems Edit Station > Flac  

Furthur http://www.furthur.net/
  Date Venue - City, State Media  
1. 09/20/09 Fox Theater - Oakland, CA DSBD  

Garcia  
  Date Venue - City, State Media  
1. ??/??/39 LoloYodel Garcia's Greatest Moments - Compilation, Compilation  
2. 07/??/61 Boar's Head Coffeehouse - San Carlos, CA Garcia, Leicester & Hunter: MA? (Probably MAR taped by Rodney Albin, mics onstage) > ? > CD > EAC (secure) > Cool Edit > CDWAV > mkwact > SHN(seekable), EAC>SHN by Matt Vernon.  
3. 10/02/66 San Francisco State University - San Francisco, CA recieved in a snail-mail trade from Ed Perlstein (in one large wav file) who recovered the Master Reel. MR>Remastered DAT>CDR>CDR1>EAC>FLAC  
4. 03/??/67 710 Ashbury Street - San Francisco, CA  
5. 05/21/68 Carousel Ballroom (Tuesday Night Jam) - San Francisco, CA "Tuesday Night Jam": Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v.20 -> SHN (2 Discs Audio / 1 Disc SHN) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net, 2/17/04.  
6. 05/21/68 Carousel Ballroom (Tuesday Night Jam) - San Francisco, CA Tuesday Night Jam: MSR > DAT > CD > EAC > WAV > SHN.  
7. 07/28/68 Rancho Olompali - Marin County, CA Garcia, Casady & Hart: MS?>?>CD>EAC>FLAC, via David Gans.  
8. 10/08/68 The Matrix - San Francisco, CA Hartbeats; flac24, most likely lineage of these are MR>R @ 7.5 ips>R @ 7.5 ips>?>flac24. This is a mix down of the line feed left channel, and the more ambient miced right channel  
9. 10/21/68 Jefferson Airplane House - San Francisco, CA SBD > MR > Cass > DAT > CDR > WAV > CDR; via EAC/trade from Morgan Evans; EAC > minor wav editing> CDWAV > seeking SHN by Rick Lepley; Uploaded by Andy Lepley; note shn set is labelled as 10/28/69, but material typically circulates as 10/21/68  
10. 10/30/68 The Matrix - San Francisco, CA flac2496; GEMS; MR (Abrams) > R @ 7.5 ips (Kafer) > R @ 7.5 ips (Will Boswell); playback on Akai GX636 - Direct tape head out >> custom built Bottlehead tube tape preamp with a pair of Tesla 6922 tubes >> Apogee Mini Me/Mini Dac 24/96 >> Lynx One soundcard >> FLAC by Matt Smith. Mixed and Mastered by Jamie Waddell.  
11. 10/30/68 The Matrix - San Francisco, CA flac24: sbd unknown gen reel, Jerry Moore's copy, transfer/seeded by Rob Berger  
12. 12/16/68 The Matrix - San Francisco, CA SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); DAE/shnv3/ftp via neo_levo, from Charlie Miller seed  
13. 12/16/68 The Matrix - San Francisco, CA Hartbeats: MSR (Abrams) > R (Peter Kafer) > R @ 7 1/2 ips (Will Boswell); Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16.  
14. 12/24/68 The Matrix - San Francisco, CA SBD>MR>PCM>WAV>SHN Transferred from PCM via SEK'D Prodif96Pro & Samplitude This was the source info bundled with the original shns. Alternate possible source info could be: SBD>MR>??>DAT>CDR>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin  
15. 12/24/68 The Matrix - San Francisco, CA Jerry Garcia, Harvey Mandel & Elvin Bishop: SBD > unknown generation cass > wav > shn. Posted to abgd 12/2002. Notes: d2t01 has a sector boundary error.  
16. 12/24/68 The Matrix - San Francisco, CA Garcia, Harvey Mandel & Elvin Bishop: MSR > PCM > SHN. Uncertain how, if at all, this relates to existing .shn sets listed under Garcia (#15051) and Grateful Dead (#9475).  
17. 12/24/68 The Matrix - San Francisco, CA "Harvey Mandel Band w/ Garcia": soundboard 4-track reel master > 2-track reel > CDR/0 > CDR/1 > CDR/2 > iMac > SHN. Editing (Sound Studio for Macintosh) and shn compression (Shorten for Macintosh) by Jeff Tiedrich on 24 and 28 April 2002.  
18. 12/24/68 The Matrix - San Francisco, CA 30 minute jam; See info file for details; SBD>MR>??>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon  
19. 02/19/69 Matrix - San Francisco, CA Garcia, Nelson et al; via Teddy GoodBear to alt.binaries.gdead  
20. 02/19/69 Matrix - San Francisco, CA High County(Garcia & Nelson Sitting in):SBD> Mreel> Reel> Dat >Wav>Shn  
21. 02/19/69 Matrix - San Francisco, CA Jerry Garcia (banjo), David Nelson, and Frank Wakefield: SBD > ? > PCM > WAV > CDR; transfer Sony PCM-601ESD (electrical) > SEK'D ProdifPro96 > Samplitude > Wav; some edits, see info file for details.  
22. 02/19/69 Matrix - San Francisco, CA High Country w/ Garcia & Nelson: MSR > ? > DAT > CD.  
23. 02/19/69 Matrix - San Francisco, CA High Country w/ Garcia & Nelson: SBD (orAUD?) > Mreel > Reel > Dat > CD > EAC > wav > flac.  
24. 08/28/69 Family Dog at the Great Highway - San Francisco, CA Hartbeats; flac1644; SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
25. 08/28/69 Family Dog at the Great Highway - San Francisco, CA Hartbeats; flac1644; SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
26. 09/06/69 Family Dog at the Great Highway - San Francisco, CA JG sitting in w/ Jefferson Airplane: Sbd, A0D1, Cass M->Dat 1, 44k; Ampex C-90 Master Cass/no dolby->3700 x 0->3800 x 1; FOLLOWED BY: CD > EAC > FLAC, via Teddy Goodbear.  
27. 10/28/69 2400 Fulton Street - Jefferson Airplane House - San Francisco, CA Source: SBD > MR > Cass > DAT > CDR > WAV > CDR; via EAC/trade from Morgan Evans > EAC > CDWAV > SHN; via Rick Lepley Notes: Great disc! The sound quality is exceptional IMO, it almost sounds like it was recorded in a studio setup. The lineup is reportedly the following: Jerry Garcia - Guitar Jorma Kaukonen - Guitar Jack Cassady - Bass Mickey Hart - Percussion Spencer Dryden - Percussion Known Flaws: A high pitched tone which was present on my CDR copy at roughly 0:12 - 0:23 of track 01 was edited out using EAC's wave editing function. A 1-second pause at about 14:19-14:20 on the master dt06 was edited out also using EAC. Much thanks to Morgan Evans for putting this gem into my hands! Uploaded and distributed by Andy Lepley These shn files are seekable in your shnamp. Please forward any information/corrections to lepleyr@hotmail.com - Thanks!  
28. 10/21/70 Matrix - San Francisco, CA Garcia & others: Supposed MSR > DAT > CD. This material travels under many different names, including "Hot Dead Messenger Service", though the info file's identification of this as a "Matrix Tuesday Night Jam Session" seems implausible, since 10/21/70 was a Wednesday.  
29. 10/21/70 Matrix - San Francisco, CA Matrix Jam Session (Garcia and others): 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac.  
30. 11/20/70 WBCN-FM Studios - Boston, MA Garcia, Weir & Duane Allman: MFR > 2nd gen (?) reel > M-Audio Transit > Cool Edit > CD Wave Editor > FLAC, via Dave Tamarkin.  
31. 11/20/70 WBCN-FM Studios - Boston, MA Garcia, Weir & Duane Allman: FM > ? > remastering > FLAC encoding, by Pink Robert.  
32. 11/21/70 WBCN-FM Studios - Boston, MA Garcia, Weir, and Duane Allman: MFC > 2C > SHN, via Chuck Kiefe, Jeff Cotsman.  
33. 11/21/70 WBCN-FM Studios - Boston, MA Garcia, Weir & Allman: FM MASTER REEL > 2ND GEN (?) REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC, via Dave Tamarkin.  
34. 12/15/70 The Matrix - San Francisco, CA David & the Dorks: sbd > mr > ? > dat > xa2 > cdr > shn > wav > flac, fixing and seeding by Sir Mick; see info file for more details.  
35. 12/15/70 The Matrix - San Francisco, CA David & the Dorks: sbd > Reel(?) > ? > DAT(?) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav, via Todd Evans.  
36. 12/15/70 The Matrix - San Francisco, CA David & the Dorks: SBD>MR>?>DAT>ZA2>CD  
37. 12/17/70 The Matrix - San Francisco, CA David & the Dorks: SBD>MR>?>DAT>ZA2>CD  
38. 12/20/70 The Matrix - San Francisco, CA David and the Dorks: David Crosby, Jerry Garcia, Mickey Hart, Phil Lesh; mSR>Rn?>DAT>CD>EAC>SHN; via G. Tremblay  
39. 12/27/70 KPPC Studios - Pasadena, CA "Sunday Quartet" (Garcia, Weir, Nelson, Dawson): pre-FM master reels > cassette > digital. See info text for extensive notes.  
40. ??/??/70 Studio Jam - Unknown, Unknown Garcia and Friends: MSR? > ? > DAT > CD > Eac > cool edit > shntool > cdwav > shnv3.  
41. ??/??/70 Studio Jam - Unknown, Unknown Garcia, Weir, Cipollina & Sears: 1st gen analog tape > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac. Seeded by '38f' to Dimeadozen as part of compilation "JOHN CIPOLLINA - ULTRA RARE TRACKS, HOME RECORDINGS AND DEMOS 1970/1985, volume two".  
42. 05/20/71 The Matrix - San Francisco, CA JGMS: MSR @ 7.5ips > reel @ 7.5ips > reel @ 7.5ips > Apogee Mini ME 24/96 > Apogee Mini DAC (monitoring) > Wavelab 5.0 (dithered to 20/44) > CD > EAC > FLAC. Transfer by Matt Smith, FLAC encoding by ecocats.  
43. 01/26/72 Symphony Hall - Boston, MA Howard Wales & Friends featuring Jerry Garcia: FMSBD>RR>CD>EAC>SHN  
44. 03/02/73 The Record Plant - Sausalito, CA Old & In the Way: FM MSR>R>D>CD; appears to be identical to /shninfo_detail.php?shnid=11886 seed but with different md5s; obtained from tol.  
45. 04/16/73 Boarding House - San Francisco, CA Old & In The Way, set I: Unknown source FM-SBD (WBAI Morning Dew show) > ? > CD > EAC > SHN.  
46. 04/21/73 The Record Plant - Sausalito, CA Old & In The Way: Possible MFR > D > CD > EAC > SHN.  
47. 06/05/73 Orpheum Theater - Boston, MA OAITW: allsoundz's mono master audience cassette (unknown mic > Sony deck) > Tascam 122MKIII playback > Numark 20 Band Equalizer > HHB CDR 830 Tracked and slight editing in CD Wave > cdr > eac (secure mode) > flac (level 6).  
48. 06/08/73 Lake Whippoorwill - Warrenton, VA Old & In The Way: MAC (Taped by Jerry Moore, Sony 126 w/ built-in mic, right in front of stage) > ? > digital cleanup > CD. NB this originally circulated as "unknown aud" but has been confirmed to be from the Moore master.  
49. 07/08/73 Record Plant - Sausalito, CA Source: KSAN FM > MR > DAT > CD  
50. 07/21/73 Lion's Share - San Anselmo, CA Old & in the Way: This was a rehearsal session in a back room at The Lion Share. SBD> ???> Cass> cdr  
51. 07/23/73 Boarding House - San Francisco, CA Old & In The Way: Possible MSR > ? > D > CD > SHN.  
52. 07/24/73 Homer's Warehouse - Palo Alto, CA Old & In The Way: Possible MSR > D > CD > EAC > SHN.  
53. 09/30/73 Community Center - Stinson Beach, CA Old & In The Way: Possible FOB MAR > D > CD > EAC > SHN.  
54. 10/??/73 Unknown - Unknown, Unknown Old & In The Way: MSR > 2R > DAT > CD [> SHN]  
55. 11/04/73 California State College Sonoma - Cotati, CA OAITW: SB REEL MASTER > CD > EAC > WAVE > FLAC, via Dave Tamarkin.  
56. 11/28/73 Palace of Fine Arts Theatre - San Francisco, CA Garcia & Hart; flac1644; MOTB 0153; Robert Castelli's Sony ECM 270 >> Sony TC-110 (mono)  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] [>> FLAC1644]. Transfer By: Bob Menke; Mastering By: David Minches.  
57. ??/??/73 Unknown - Unknown, Unknown OAITW: unknown sbd; MA-R 90 Cassette Transfer: Tascam mkII > Korg MR1000 at 1bit/5.6mHZ > Korg Audio Gate Software > 32 bit float/96kHz > GEMS Edit Station > Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz TLH for FLAC8 SBE FREE Transfers and Mastering by Jamie Waddell.  
58. ??/??/73 The Record Plant - Sausalito, CA Old And In The Way; Two discs containing two seperate rehearsal sessions on two unknown dates in 1973; Session One (disk 1) SBD M?>?>D>CD; Session Two (disk 2) M?>?>D>CD  
59. ??/??/73 Unknown-Rehearsal Session - Unknown, Unknown Old & in the Way. Rehearsal Session, date unknow. This source is the seek tables appended version of shnid 21855. The date as "197x" but is listed as 01/01/1973 to facilitate listing the .shns. Information from other sources suggest that the actual date is sometime later in 1973.  
60. 04/27/74 Golden State College - San Rafael, CA incorrect dating and lineage"Old & In The Way: AUD - MA? > ? > D >CD". See admin note.  
61. 04/09/75 Bottom Line - New York, NY Legion Of Mary early show; SBD/AUD matrix of 2 previously circulating sources: SBD - (shnid=30942) and AUD - (shnid=14606); edited, mixed and converted by Chris Chappell (Sick Bits vol. 19)  
62. 04/09/75 Bottom Line - New York, NY Legion Of Mary early show; SBD/AUD matrix of 2 previously circulating sources: SBD - (shnid=30942) and AUD - (shnid=14606); edited, mixed and converted by Chris Chappell (Sick Bits vol. 19)  
63. 05/30/75 Golden Gate Park - San Francisco, CA Diga Rhythm Band: Master Soundboard Reel > Cassette > Reel > CD > Ultra Safe Mode in Wavelab 6.0 at 32bit float/44.1kHz for Montage Adjustments. Source from Steve Martin-Editing and Mastering on the GEMS Edit Station by Jamie Waddell.  
64. 06/06/75 Dominican College - San Rafael, CA Garcia, Hart, Lesh & Lagin: MS? > DAT > CDR > EAC > WAV > SHN.  
65. 01/27/76 Keystone - Berkeley, CA Jerry Garcia Band: MSR (2 track 7" reels @ 15ips) > cassette (TDK SA-X100) > NAK-CR-7a playback > Lucid AD9624 24-bit A/D > Fostex D5 master DAT > Sony CDR-W33 master CD > EAC > SHN (non-seekable) > patching using Sound Forge Studio 6.0 > sector boundary verification using shntool > .shn encoding (seekable) using mkwACT.  
66. 02/14/76 Keystone - Berkeley, CA Jerry Garcia Band: Bertha Remaster of the Master Reel > Cassette source (SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > FLAC > DAW(Bertha) > CDA/SHN).  
67. 08/22/76 Keystone - Berkeley, CA JGB: flac16; Matrix 2 Source Mix; SBD (shnid 15672) MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD; Unknown AUD (shnid 80165) > ? > CD; mixed by Kevin Tobin.  
68. 03/18/78 Warner Theater - Washington, DC Jerry Garcia Band, Late Show: July 2003 Oade seed (shnid 18733) patched with FMSBD > 2C >(C?) > CDR by gcsadoti. See info file for extensive editing notes.  
69. 05/05/82 Oregon State Prison - Salem, OR Garcia & Kahn: "SBD> dat> cd> wav> shn", too early for a master DAT. Supposedly lacks the overload distortion characteristic of most circulating copies of this show.  
70. 06/04/82 Neighbors Of Woodcraft - Portland, OR Source: SBD>CM>DAT>CDR>WAV>SHNv3. Minor flaws - see info file.  
71. 11/25/83 Cleveland Music Hall - Cleveland, OH JGB: Matrix (SBD/AUD mix). See info file for details.  
72. 08/18/85 Dunsmuir House And Gardens - Oakland, CA JGJK 16/44.1: Recorded by Greg Holtz using 2 Nakamichi CM100 mics with CP-4 Shotgun capsules > Sony D-5 cassette tape deck. All transfers and mastering by Jamie Waddell on the GEMS Edit Station  
73. 10/11/85 River Theater - Guerneville, CA JGJK: Source: 1st Gen Soundboard Cassette TDK MA-X 90 Transfer: Playback on azimuth adjusted Nakamichi CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to hard drive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves X-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8), via Green Mountain Brothers.  
74. 05/15/86 Berkeley Community Theater - Berkeley, CA low gen vhs>s-video>canopus advc100>firewire>vegas6 4:3, ntsc, 8,200 kbps  
75. 10/28/87 Lunt-Fontanne Theatre - New York, NY JGAB, early show: DSBD, pitch fix for shnid 82275 via FLAC > WAV > Vegas 6.0d > FLAC by mattman.  
76. 12/07/91 Warfield Theater - San Francisco, CA partial  

Garcia & Kahn  
  Date Venue - City, State Media  
1. 06/06/82 South Eugene High School Auditorium - Eugene, OR JGJK: Recorded by Don Eggiman and Tom Navarre using Mark Severson's equipment; 2 Nak 700s w/ 6 DB eq> Sony TC-D5M (2 Maxell MX cassettes); Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding.  

Go Ahead  
  Date Venue - City, State Media  
1. 08/01/87 Comptche Fire Dept Barbecue - Comptche, CA Master>1st gen> Sony D6-C>HD>Audacity>CDWave>TLH>torrent 1st gen SBD  

Grateful Dead http://www.dead.net
  Date Venue - City, State Media  
1. 11/03/65 Golden State Studios - San Francisco, CA Autumn Records Demo, The Warlocks; SBD> MR> ??> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon  
2. 01/29/66 Sound City Acid Test - San Francisco, CA part of Acid Test compilation; via Alan Bershaw, Thomas Wulf; md5s and txt shown are for whole set and for this date  
3. 01/29/66 Sound City Acid Test - San Francisco, CA flac16; vinyl>7" reel @ 7.5 ips Rob Berger transfer  
4. 02/25/66 Ivar Theater - Los Angeles, CA MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such  
5. 03/12/66 Danish Center - Los Angeles, CA ??> CD> EAC> CDWave> SHN; EAC (secure mode, offset corrected), track spliting, and shorten encoding (MKW) by D.Winters, with Thanks to T.Doherty for the seed disc  
6. 03/12/66 Danish Center - Los Angeles, CA part of supplement Acid Test compilation; md5s and txt shown are for material listed on this date  
7. 03/19/66 Carthay Studios - Los Angeles, CA flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac
EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton
 
8. 03/25/66 Trouper's Hall - Los Angeles, CA with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots  
9. 05/19/66 Avalon Ballroom - San Francisco, CA flac16; SBD > Reel > DAT > Sonic Solutions > DAT > DAT > CDR > EAC > CD Wave > FLAC  
10. 05/19/66 Avalon Ballroom - San Francisco, CA mr> dat> fm broadcast> cdr> shn; via lestatkatt; Cream Puff War filler  
11. 05/19/66 Avalon Ballroom - San Francisco, CA flac16; Recording Info:SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v11.03 -> FLAC; Original Transfers and Mastering By David Gans; Additional Transfers and Mastering By Charlie Miller; Upgrade in circulation  
12. 06/??/66 Scorpio Studio Outtakes - San Francisco, CA Scorpio studio outtakes; SBD> MR> DAT> CDR; Conversion: CDR > EAC (secure) > CDWav (retracking) > mkwact (seekable) by Matt Vernon, with thanks to Raoul Duke; via The Music Never Stopped Project  
13. 07/01/66 Unknown (perhaps Fillmore Auditorium) - San Francisco, CA Source: MSR>DAT>CDR via Andy Lemieux and Kingbee encoded by Matt Vernon  
14. 07/03/66 Fillmore Auditorium - San Francisco, CA with 3/25/66; see notes in info file; to abgd, later to etree  
15. 07/16/66 Fillmore Auditorium - San Francisco, CA SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAC -> SHN; Converted To SHN By Charlie Miller. Upgrade now in circulation.  
16. 07/16/66 Fillmore Auditorium - San Francisco, CA SBD > RTR > PCM > SSSB; via Jay Serafin to gdlive  
17. 07/17/66 Fillmore Auditorium - San Francisco, CA SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller  
18. 07/17/66 Fillmore Auditorium - San Francisco, CA SBD > RTR @ 15 I.p.s. > PCM > D > SSSB; via Jay Serafin to gdlive  
19. 07/29/66 P.N.E. Garden Auditorium - Vancouver, BC SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon  
20. 07/29/66 P.N.E. Garden Auditorium - Vancouver, BC flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac  
21. 07/29/66 P.N.E. Garden Auditorium - Vancouver, BC probably MR> C> DAT> CDR> EAC> WAV> SHN; from pre-FM David Gans seed; may circulate with or without DSO filler  
22. 07/29/66 P.N.E. Garden Auditorium - Vancouver, BC flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac  
23. 07/30/66 P.N.E. Garden Auditorium - Vancouver, BC SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon  
24. 07/30/66 P.N.E. Garden Auditorium - Vancouver, BC flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac  
25. 09/16/66 Avalon Ballroom - San Francisco, CA flac16; Source: SBD>MR>?>LP>WAV>WAV>FLAC Transfer: Lyra Helikon phono cartridge, Linn LP12/Lingo turntable, Linn Ittok tonearm, Audioquest LeoPard tonearm cable, PS Audio PS2 preamplifier, Kimber PBJ interconnect, M-Audio Audiophile USB A/D converter.  
26. 09/16/66 Avalon Ballroom - San Francisco, CA Soundboard> Vinyl (Vintage- Historic Dead); Seeded to abgd by Tzuriel  
27. 09/16/66 Avalon Ballroom - San Francisco, CA SBD> MR> ??> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; Note- There are two shn sets listed for this show, one 'original' and one 'de-popped'. ONLY 'de-popped' versions circulate for the last two tracks.  
28. 10/02/66 Commons, S.F. State College - San Francisco, CA part of supplement Acid Test compilation; md5s and txt shown are for "disc 6"  
29. 10/07/66 Winterland Arena - San Francisco, CA sbd 3 songs originally part of the SF Nights compilation noted here separately  
30. 11/19/66 Fillmore Auditorium - San Francisco, CA flac16; Speed corrected version of liberated bootleg sbd: shn id 41  
31. 11/19/66 Fillmore Auditorium - San Francisco, CA flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
32. 11/19/66 Fillmore Auditorium - San Francisco, CA SBD; liberated bootleg source; extraction/SHN by Jon Seff  
33. 11/29/66 The Matrix - San Francisco, CA SBD of unknown lineage. This is the previous seed (shnid=4940) with the missing tracks added.  
34. 11/29/66 The Matrix - San Francisco, CA flac16; SBD MR>?>Bill Graham Archive>Reel>CDR>CDR>EAC>FLAC  
35. 11/29/66 The Matrix - San Francisco, CA flac16; SBD MR>?>Bill Graham Archive>Reel>CDR>CDR>EAC>FLAC  
36. 12/01/66 The Matrix - San Francisco, CA SBD> Rm> Reel> Dat> CD> wav> shnv3; DAE(EAC)> boundary check (SHNTOOL)> SHN (MKWACT)> FTP via neo_levo; with thanks to Charlie Miller  
37. 12/05/66 Studio: 1st album outtakes - San Francisco, CA Source: sbd>mc>cass>cd>eac>shn by Teri Kimbro. This is an sbefix of shnid 21295.  
38. ??/??/66 Acid Tests - Various, CA Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate  
39. ??/??/66 Acid Tests - Various, CA Acid Test material, labelled with numbers 5,6 in supplement to previous 4 disc set; additional or alternate material from 2/12/66, 3/12/66, 10/2/66  
40. ??/??/66 Viola Lee Blues Rehearsals - Unknown, CA January 1966 (?) - Viola Lee rehearsals; 47 minutes from unknown generation cassette played back on Nak CR7E; via Uli Teute and Hanno Bunjes  
41. ??/??/66 Various - Various, Compilation flac16; SMRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC  
42. ??/??/66 Compilation - Compilation, CA SBD; 1st Gen FM GDH 557; FM>CD transfer: STB Systems, Inc. PCI DesktopTV Tuner Card, Model number DTV3F > Turtle Beach Montego A3D 64 Voice PCI Sound Card > WAV > CD; note this material is tentatively labeled 2/25/66 in a separate shn set  
43. ??/??/66 Compilation - Compilation, CA SBD:MR> ?> CD; via Jools; venue unknown  
44. 01/14/67 Polo Field, Golden Gate Park - San Francisco, CA SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon  
45. 01/27/67 Avalon Ballroom - San Francisco, CA AUD C/? cleaned up & patched, 67:40 total time, via Hanno Bunjes & Uli Teute  
46. 02/12/67 Fillmore Auditorium - San Francisco, CA 2 songs most likely from studio (see notes)  
47. 03/18/67 Winterland Arena - San Francisco, CA MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks; upgrade now in circulation  
48. 03/18/67 Winterland Arena - San Francisco, CA SBD > MR > ? > CD; Seeded to etree by A.J. Fink  
49. 04/??/67 KMPX Radio Show - San Francisco, CA Pre-FM-MR> R> DAT> CDR; Conversion: CDR > EAC(secure) > Cool Edit(remove gaps) > CDWav (retrack) > mkwact(seekable) by Matt Vernon  
50. 05/05/67 Fillmore Auditorium - San Francisco, CA SBD> unknown analog gens> D; via Ben Yerys  
51. 06/18/67 Monterey County Fairgrounds - Monterey, CA SBD: MR> Cass> DAT> ZA2> CD; exception: Alligator -> Caution has no cassette gen, and may not even be from same show; CD seed via D. Hollister; original to abgd, to etree 6/00; upgrade now in circulation  
52. 06/18/67 Monterey County Fairgrounds - Monterey, CA SBD> MR> ? > DAT x 2> Sonic Solutions> cd Note: There seems to be no cassette generation between the MR and DAT, which is present on the previously circulated version of this show. Remastered by ?Mandrake?  
53. 06/18/67 Monterey County Fairgrounds - Monterey, CA flac16; Lineage: SBD Master Reels > DAT (Panasonic 3700) > Delta DiO 2496 > PC hard drive > CDR > CDWAV > Cool Edit > Traders Little Helper  
54. 08/04/67 O'Keefe Center - Toronto, ON SBD MR>?>2R>C>CD; slight upgrade; via Hanno Bunjes and Uli Teute  
55. 08/04/67 O'Keefe Center - Toronto, ON Includes JA Set; Stereo SBD MR>R>DAT(3)>CDR; via Stu Hanson; Seeded to etree by Greg Hurwitt; upgrade now in circulation  
56. 08/05/67 O'Keefe Center - Toronto, ON SBD MR>?>2R>C>CD; more complete and slightly better-sounding version; via Hanno Bunjes and Uli Teute  
57. 09/03/67 Dance Hall - Rio Nido, CA previous shn set with "original mix Midnight Hour" via Terrapin Station  
58. 09/15/67 Hollywood Bowl - Hollywood, CA AUD>MC>R>R>NR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon  
59. 10/20/67 American Studios - North Hollywood, CA  
60. 10/22/67 Winterland Arena - San Francisco, CA SBDmR> Cass> DAT> Sonic Solutions via D. Gans> CDR; via Ben Yerys; upgrade now in circulation  
61. 10/22/67 Winterland Arena - San Francisco, CA SBD -> Rm -> Cass -> Dat via Charlie Miller  
62. 10/22/67 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
63. 11/10/67 Shrine Exposition Hall - Los Angeles, CA MR> R> R> DAT> CD> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; with 7/23/67 Cassady rap filler; note source updated with extra reel gen, based on info from Rob Bertrando  
64. 11/10/67 Shrine Exposition Hall - Los Angeles, CA flac24; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe  
65. 11/11/67 Shrine Exhibition Hall - Los Angeles, CA MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando  
66. 11/11/67 Shrine Exhibition Hall - Los Angeles, CA flac24; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe  
67. 11/14/67 American Studios - North Hollywood, CA MSR>C(1)>DAT>WAV>SHN. The circulating versions of these songs are different from the versions on the single and on "What a Long Strange trip It's Been" (which are the same) and therefore are listed separately. The md5's differ from the previous shn set listed.  
68. 11/14/67 American Studios - North Hollywood, CA Source: Healy SBD  
69. 11/14/67 American Studios - North Hollywood, CA flac24; SBD > ? > FLAC The Shrine Reels Taped by: Dan Healy Transfer By: Matt Smith & Bob Menke Mastering By: Derek McCabe  
70. 01/17/68 Carousel Ballroom - San Francisco, CA SBD>MR>C>D>CD; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman  
71. 01/17/68 Carousel Ballroom - San Francisco, CA MSR> cass> dat> cdrs, eac> wav> cooledit2000> wav> shn; via Jeff "notimetohate"; see info file for listening notes  
72. 01/17/68 Carousel Ballroom - San Francisco, CA MSR> cass> dat> cdrs, eac> wav> cooledit2000> wav> shn; via Jeff "notimetohate"; see info file for listening notes; same as previous shn set through d1t09. d1t10 through d2t04 now circulate with an unexplained 'fix'.  
73. 01/20/68 The Eureka Municipal Auditorium - Eureka, CA via Julian (Jools) Elliott  
74. 01/20/68 The Eureka Municipal Auditorium - Eureka, CA circulated as half of a single CD with a version of 2/3/68; via Abe  
75. 01/20/68 The Eureka Municipal Auditorium - Eureka, CA via Scott Clugston  
76. 01/20/68 The Eureka Municipal Auditorium - Eureka, CA fragment; unconfirmed: SBD > MReel > DAT > CD-R > EAC > SHN; pre-FM GDH?; via R. Ward  
77. 01/20/68 The Eureka Municipal Auditorium - Eureka, CA flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
78. 01/22/68 Eagles Auditorium - Seattle, WA SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN; plus patches- see notes in info file; patching and cleanup by Noah Weiner; to abgd via Charlie Connor  
79. 01/22/68 Eagles Auditorium - Seattle, WA flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
80. 01/23/68 Eagles Auditorium - Seattle, WA Uploaded 2003/ 02/ 15 by Julian (Jools) Elliott  
81. 01/23/68 Eagles Auditorium - Seattle, WA Soundboard > MC > R > DAT > CDR; via David Finney, stemming from Merry Prankster tree; 9/20/68 filler  
82. 01/23/68 Eagles Auditorium - Seattle, WA flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
83. 01/27/68 Eagles Auditorium - Seattle, WA 1 track (all that circ); SBD:MR> DAT> PCM> DAT> CD; EAC > SHN from audio CD by David Hollister; upload by Julian (Jools) Elliott  
84. 01/27/68 Eagles Auditorium - Seattle, WA flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
85. 02/02/68 Crystal Ballroom - Portland, OR No source info; Seeded to etree by Jools;  
86. 02/02/68 Crystal Ballroom - Portland, OR Shntool fix of previous Julian (Jools) Elliott seed  
87. 02/02/68 Crystal Ballroom - Portland, OR flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
88. 02/03/68 The Crystal Ballroom - Portland, OR SBD:MR>DAT>Sonic Solutions>CD ? shntool fixed and seekable version of set uploaded to tol.etree.org Feb.1/03  
89. 02/03/68 The Crystal Ballroom - Portland, OR circulated as half of a single CD with a version of 1/20/68; via Abe  
90. 02/03/68 The Crystal Ballroom - Portland, OR flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
91. 02/14/68 Carousel Ballroom - San Francisco, CA Source: SBD>MR>DAT>CD>EAC>SHN
+ Midnight Hour patched with: FM>Reel>Reel>DAT>CDR
 
92. 02/14/68 Carousel Ballroom - San Francisco, CA flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material)  
93. 02/14/68 Carousel Ballroom - San Francisco, CA MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com  
94. 02/14/68 Carousel Ballroom - San Francisco, CA flac16; Lineage: SBD>MR>DAT>CD>EAC>SHN>WAV>Cool Edit Pro v2.0>FLAC via D. Winters (note: this source contains officially released, copyrighted material)  
95. 02/14/68 Carousel Ballroom - San Francisco, CA SBD 8 track MR>D>CD with some alternate SBD patches; See info file for details; patches by H.B. 12/01 from tapes supplied by Konstantin and Uli  
96. 03/03/68 Haight Street - San Francisco, CA AUD: Uher RR>DAT>DALCardDeluxe>WAV>CDR; via Raoul Duke; Seeded to etree by matt vernon  
97. 03/03/68 Haight Street - San Francisco, CA Deadhead Hour pre-FM; via David Finney  
98. 03/16/68 Carousel Ballroom - San Francisco, CA SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon  
99. 03/16/68 Carousel Ballroom - San Francisco, CA flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
100. 03/26/68 Melodyland Theater - Anaheim, CA AUD> MR> D> PCM> D> CD> EAC> SHN; circulates as filler for 5/7/69; via J. Cotsman to vine  
101. 03/29/68 Carousel Ballroom - San Francisco, CA AUD > ?? > CDR; via Raoul Duke; seeded to etree by Matt Vernon  
102. 03/29/68 Carousel Ballroom - San Francisco, CA flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
103. 03/29/68 Carousel Ballroom - San Francisco, CA AUD> MR> D> PCM> D> CD> EAC> SHN; circulates as filler for 5/7/69; via J. Cotsman to vine  
104. 03/30/68 Carousel Ballroom - San Francisco, CA AUD>MR>D>PCM>D>CD>EAC>SHN; the most complete form of this show in circulation; Thanks to Andy Lemieux, edits/encoding JCotsman  
105. 03/30/68 Carousel Ballroom - San Francisco, CA Partial; AUD>MR>D>PCM>D>CD  
106. 03/30/68 Carousel Ballroom - San Francisco, CA flac16; Recording Info:Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
107. 03/31/68 Carousel Ballroom - San Francisco, CA AUD>MR>D>PCM>D>CD>EAC>SHN; excerpt (all that circulates); Thanks to Andy Lemieux; edits/encoding JCotsman  
108. 03/31/68 Carousel Ballroom - San Francisco, CA flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
109. 05/03/68 Low Library Plaza, Columbia U. - New York, NY mpeg2 with stereo audio from "columbia revolt" film black and white possibly audio is different from video. 9 minutes  
110. 05/18/68 Santa Clara County Fairgrounds - San Jose, CA flac 16; Source: Jorma's AUD Master > 3rd Gen Cassette > Soundforge Extraction > Cool Edit > CD Wave Editor, except first few seconds of Alligator, which are AUD Master > Reel > CD > Soundforge Extraction > Cool Edit > CD Wave Editor  
111. 05/18/68 Santa Clara County Fairgrounds - San Jose, CA flac16; Source: Jorma Kaukonen’s On Stage Mic > Reel to Reel Master > DAT x 1 Transfer: playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard > HD as 24 bit/96 KHz WAV Mastering: WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer by Chris Ladner July 2007, Mastering Bill Koucky September 18, 2008 Green Mountain Bros  
112. 05/18/68 Santa Clara County Fairgrounds - San Jose, CA Audience Master > ? > SHN  
113. 05/18/68 Santa Clara County Fairgrounds - San Jose, CA AUD?; filler on 11/22/68; via Teddy Good Bear to abgd; view info; view poster  
114. 05/18/68 Santa Clara County Fairgrounds - San Jose, CA AUD>?>CD>SHN; Unknown seeder  
115. 05/??/68 Unknown - Unknown, Unknown Vault Reel> DAT> CD> EAC> SHN; via J. Currier to gdlive  
116. 06/14/68 Fillmore East (Late Show) - New York, NY AUD>MC>R>R>PCM>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman  
117. 06/14/68 Fillmore East (Late Show) - New York, NY aud> mics?> master cassette> reel> reel> PCM> CDR; via Mike Lai; note info file lists as early show, but Deadlists and elsewhere list as late show  
118. 06/19/68 Carousel Ballroom - San Francisco, CA SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com  
119. 08/21/68 Fillmore West - San Francisco, CA MSR> DAT> DAT> WAV> SHN; DAT> SHN conversion by Cousinit; see notes in info file  
120. 08/21/68 Fillmore West - San Francisco, CA SDB>MR>C>D>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin  
121. 08/21/68 Fillmore West - San Francisco, CA sdb> reel master> cassette> dat> cdr; via Mike Lai  
122. 08/22/68 Fillmore West - San Francisco, CA SBD portion via Jools, see info file for possible lineage.  
123. 08/22/68 Fillmore West - San Francisco, CA SBD>MR>C>D>CD>EAC>SHN; (two cassette sources, one in mono, one in stereo); see info file regarding confusion over this date; Thanks to David(s) Litfin, Sorochty, Gans, et al; edits/encoding JCotsman  
124. 08/22/68 Fillmore West - San Francisco, CA flac16; Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Korg MR-1 DSD [1 Bit/2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > AudioGate to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 8, 2008  
125. 08/23/68 Shrine Exposition Hall - Los Angeles, CA updated lineage: 8 track multitrack Reels> "Sonic Wizardry"> DAT> Cassette> DATs> CDRs> EAC> SHN;? via Darrin Sacks, who reports: "Not a note of this material appears on Two From The Vault.?It turns out that TFTV is composed exclusively of 8.24.68" (go buy that); with unknown (8/29/68?) filler  
126. 08/23/68 Shrine Exposition Hall - Los Angeles, CA flac16; SBD > Various Transfers / Edits (see original info attached) > .flac  
127. 08/28/68 Avalon Ballroom - San Francisco, CA SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon  
128. 08/28/68 Avalon Ballroom - San Francisco, CA SBD>??>R>PCM>CD>EAC>SHN; pitch corrected re-shn of previous Vernon seed  
129. 09/02/68 Betty Nelson's Organic Raspberry Farm - Sultan, WA Recording Info: SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN); Transfered and Edited By Charlie Miller 2/5/04  
130. 09/02/68 Betty Nelson's Organic Raspberry Farm - Sultan, WA SBD> Reel> DAT> WAV via ZA2> CD> EAC> SHN; via Pat Volkerding  
131. 09/02/68 Betty Nelson's Organic Raspberry Farm - Sultan, WA flac16; Recording Info: SBD -> Master Reel (1/2-inch 4-track reels recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
132. 09/20/68 Berkeley Community Theater - Berkeley, CA flac16; SBD > Master Reel > Cassette > Dat > CD > Adobe Audition v1.5 > CD Wave > FLAC; Transfer and Mastering by Charlie Miller  
133. 09/20/68 Berkeley Community Theater - Berkeley, CA may circulate as filler on other discs (has been seen with 1/23/68); info file compiled by Matt Vernon  
134. 09/20/68 Berkeley Community Theater - Berkeley, CA flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC  
135. 10/08/68 The Matrix - San Francisco, CA Hartbeats; SBD MR->Reel (x2?)->CDR; EAC> SHN by Evan Bellaff, with thanks to Glenn Gillis  
136. 10/08/68 The Matrix - San Francisco, CA Disc 1 only; optimal composite source free of diginoise. SBD MR>2R>D>CD; via Jens Tilsner and Hanno Bunjes  
137. 10/10/68 The Matrix - San Francisco, CA Hartbeats; note date corrected from previous 10/9/68 listing- see Deadlists; ?> DAT> ZA2> wav> (sound forge for cutting to track size)> shn; DAT> ZA2> wav? by David Hollister; SF by Konstantin; recut on sector boundaries by Jeff Hoelter; jam in set 2 is complete; set 1 sounds different than set 2; some NR applied (see info file for details)  
138. 10/10/68 The Matrix - San Francisco, CA SBD> Rm> Reel> CD (May Be SBD> Rm> Reel> Reel> CD); thanks to c.miller for seeds; DAE/shnv3 by neo_levo  
139. 10/12/68 Avalon Ballroom - San Francisco, CA SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr)  
140. 10/12/68 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
141. 10/12/68 Avalon Ballroom - San Francisco, CA MSR> DAT> Sonic Solutions> CD; via David Gans; Charlie Miller; seeded to etree by Michael Owen  
142. 10/12/68 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
143. 10/13/68 Avalon Ballroom - San Francisco, CA SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr)  
144. 10/13/68 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
145. 10/13/68 Avalon Ballroom - San Francisco, CA via John Oleynick, Lee Revell; tracked for 1x80 min; Lee comments: "sound's a bit rough... but we're fairly certain that this is the best available source"; see info file for misc flaw notes  
146. 10/13/68 Avalon Ballroom - San Francisco, CA SBD: MR> DAT> CD> DC-Art Millennium> CD> SHN; tracked for 1x80; stemming from VTree Round 4, Michael Owen, Charlie Miller; see info file for flaw notes  
147. 10/13/68 Avalon Ballroom - San Francisco, CA MSR> DAT> Sonic Solutions> CD; via David Gans; Charlie Miller; seeded to etree by Michael Owen; Note- This shn set is identical to the previous Owen/Miller entry, except for differing md5's on the first and last track.  
148. 10/13/68 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
149. 10/20/68 Greek Theatre, U. Of California - Berkeley, CA SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD Charlie Miller charliemiller87@earthlink.net shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated.  
150. 10/20/68 Greek Theatre, U. Of California - Berkeley, CA Complete; SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; via Charlie Miller  
151. 10/30/68 The Matrix - San Francisco, CA Hartbeats; most complete version; documented 1st gen reel on revox A-77 r2r deck> digitized @ 96khz/24 bits> downsampled to 44.1k/16bits for CD> EAC> SHN; transfer by Jim Wise; eac/shn by Darrin Sacks; note minor addition of tuning to d3 track list  
152. 11/01/68 Armory Building, Silver Dollar Fairgrounds - Chico, CA SBD>MR>C>D>CD>EAC>SHN; patched with "barely listenable portion"; Thanks to J. Powell, S. Martin, D. Litfin; edits/encoding by JCotsman  
153. 11/01/68 Armory Building, Silver Dollar Fairgrounds - Chico, CA 2nd Set; SBD>MSR>C>DAT>CDR; via Raoul Duke and Mike Axelrod; Seeded to etree by Matt Vernon  
154. 11/01/68 Armory Building, Silver Dollar Fairgrounds - Chico, CA MSR > R > D > CD by Jim Powell EAC > SHN by J.Barnes (heyitsmejess@aol.com) Track 5a edited by Seth Kaplan (alligator69@optonline.net) Uploaded to tol 06/21/2003 by Seth Kaplan  
155. 11/01/68 Armory Building, Silver Dollar Fairgrounds - Chico, CA MSR > R > D > CD by Jim Powell EAC > SHN by J.Barnes (heyitsmejess@aol.com) EAC log files are included  
156. 11/01/68 Armory Building, Silver Dollar Fairgrounds - Chico, CA MSR>C>D>CD; Seeded to etree by Seth Kaplan  
157. 11/06/68 Pacific High Recording - San Mateo, CA flac16; Reel> PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell  
158. 11/22/68 Columbus Veterans Hall - Columbus, OH AUD>MR>C>C>C>CD>SHN This is an edited shn set direct from the previously seeded shn set from Teddy Goodbear. The pitch has been corrected with Sound Forge and the recording has been normalized and retracked. shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated.  
159. 11/22/68 Columbus Veterans Hall - Columbus, OH AUD>MR>C>C>C>CD; 'Edited' version (speed correction, normalization, etc) of original Goodbear seed; See info file for details; Seeded to etree by J Cotsman  
160. 12/07/68 Bellarmine College - Louisville, KY SBD> CM> C1> DAT> CDR; see info file for details; seeded to etree via D Litfin; shn encoding by Wilbur Haines  
161. 12/07/68 Bellarmine College - Louisville, KY SBD>CM>C1>DAT>CDR>CDR via Mike Lai  
162. 12/07/68 Bellarmine College - Louisville, KY flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller  
163. 12/20/68 Shrine Exhibition Hall - Los Angeles, CA SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check  
164. 12/20/68 Shrine Exhibition Hall - Los Angeles, CA flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller  
165. 12/21/68 Shrine Exhibition Hall - Los Angeles, CA SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check  
166. 12/21/68 Shrine Exhibition Hall - Los Angeles, CA flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller  
167. 12/24/68 The Matrix - San Francisco, CA Garcia, Bishop, Mandel, Hart & Miller: SBD > 1st generation reel to reel > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac, seeded by 38f. Longer version, correct speed.  
168. 12/29/68 Gulfstream Park Racetrack - Hallandale, FL flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller  
169. 12/29/68 Gulfstream Park Racetrack - Hallandale, FL MSC> D> CD> EAC> SHN; Dropouts d2 7:22, d3 7:17; via Steve Barbella with thanks to Seth Kaplan  
170. 12/29/68 Gulfstream Park Racetrack - Hallandale, FL SBD> MC> D> CD> EAC> SHN; via J. Cotsman to mail distribution;  
171. ??/??/68 Unknown or Various - Unknown, Unknown Hartbeats "Mystery Fragments", via Michael Parrish.  
172. ??/??/68 Unknown or Various - Unknown, Unknown Alembic rehearsals, composite of sources; via Tzuriel to abgd; upgrade now in circulation  
173. ??/??/68 Unknown or Various - Unknown, Unknown 7 undated '68 fragments circulating together; 5 Vault reels> 4 CDs- see info file for available details; via Music Never Stopped shn project  
174. ??/??/68 Unknown or Various - Unknown, Unknown flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
175. ??/??/68 Unknown or Various - Unknown, Unknown Mickey Hart And The Heart Beats (Grateful Dead) Living On The Edge 1968 California" LPs ->Sound Forge ->Click and crackle removal tool -> FLAC via TLH level 6, sectors aligned and verified, FLAC integrity checked. See Notes.  
176. 01/17/69 Robertson Gym, U.C.S.B. - Santa Barbara, CA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller  
177. 01/18/69 Playboy Club - West Hollywood, CA flac16; Source: PCM wav audio from U.K. Mutt's DVD release  
178. 01/18/69 Playboy Club - West Hollywood, CA  
179. 01/18/69 Playboy Club - West Hollywood, CA flac16; Source: PCM wav audio from U.K. Mutt's DVD release  
180. 01/24/69 Avalon Ballroom - San Francisco, CA MSR> C> DAT> CD; via Seth Kaplan; same as other fixed shn set except a couple of md5s differ; [DSH note- not sure if this is pre-fixed or separately fixed version]; noted at easywind and at gdlive  
181. 01/24/69 Avalon Ballroom - San Francisco, CA Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan  
182. 01/24/69 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation  
183. 01/24/69 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller, this is a cleaned up version of source ID 109640  
184. 01/24/69 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller, this is a cleaned up version of source ID 109640  
185. 01/25/69 Avalon Ballroom - San Francisco, CA set 2; SBD:MR> Cass> DAT> ZA2> CD; via David Hollister, Jeff Sachs to abgd; 12/00: noted at gdlive.com  
186. 01/25/69 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
187. 01/26/69 Avalon Ballroom - San Francisco, CA MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries; tracked for 1x80; see flaw notes in info file; note material from this date also appeared on Live Dead- go buy it  
188. 01/26/69 Avalon Ballroom - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
189. 01/??/69 Aoxomoxoa Outtakes - San Mateo, CA Aoxomoxoa Studio Sessions Outtakes 1969; Tracks 1-11: Sandy Troy's TC366 3.75ips Reel> DAT2> CDR; Tracks 12-13: Alan Bershaw's A1040SL 7.5ips Reel> DAT> CDR; Discs kindly provided by Stu Hanson; Cd > eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd  
190. 02/02/69 Labor Temple - Minneapolis, MN SBD>MR>?>D>CD; via David Litfin; Seeded to etree by J. Cotsman  
191. 02/02/69 Labor Temple - Minneapolis, MN flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
192. 02/04/69 The Music Box - Omaha, NE SBD> CM> C> D> CD; EAC> SHN (seekable) transfer by Steve Barbella  
193. 02/05/69 Soldiers & Sailors Memorial Auditorium - Kansas City, KS SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon  
194. 02/06/69 Kiel Auditorium - St. Louis, MO SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman  
195. 02/07/69 Stanley Theater (Early, Late) - Pittsburgh, PA Late Show ; SBD> MC(Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb>CDR ; Seeded to Etree by T. Wiley  
196. 02/07/69 Stanley Theater (Early, Late) - Pittsburgh, PA Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley  
197. 02/07/69 Stanley Theater (Early, Late) - Pittsburgh, PA flac16; Source: Soundboard > master cassette (recorded by Bear (Owsley) on a "Concord" cassette deck model unknown > Ampex 90-minute cassette > Restoration & Preservation by Rob Eaton; Transfer: Playback on a Tascam 122 mk111 (azimuth adjusted) > db 926 a/d converter > db 3000 s sample rate converter (variable speed) > panasonic 3800 DAT @ 44.1 kHz By Rob Eaton > DAT > Sony PCM R-500 > Digital Audio Labs Card Deluxe > Adobe Audition C.C.2014 > wav 16/44.1; Lineage: wav 16/44.1 >Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick  
198. 02/12/69 Fillmore East (Late Show) - New York, NY SBD> Cassette Master> DAT> CD; More complete version of original Kaplan seed, see info file for details; Seeded to etree by Seth Kaplan  
199. 02/14/69 Electric Factory - Philadelphia, PA SBD> MC> C> C(?)> D> CD> SHN; edited (see notes in info), shned, vined by J. Cotsman; with thanks to Jim Hale  
200. 02/15/69 Electric Factory - Philadelphia, PA MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters.  
201. 02/15/69 Electric Factory - Philadelphia, PA SBD MR>C1>DAT; via Teddy Goodbear to abgd  
202. 02/21/69 Dream Bowl - Vallejo, CA Speed corrected SBD >MR> ?> DAT> CDR; via The Owen Brothers Vault; See info file for details  
203. 02/21/69 Dream Bowl - Vallejo, CA flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
204. 02/22/69 Dream Bowl - Vallejo, CA SBD>MR>DAT>CDR; Mastering by The Owen Brothers Vault; see info file for details  
205. 02/22/69 Dream Bowl - Vallejo, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC  
206. 02/27/69 Fillmore West - San Francisco, CA SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it  
207. 02/27/69 Fillmore West - San Francisco, CA 16 track RTR (multiple decks) > MCS Master Mixdown D > SSSB; see notes in info file; to gdlive by Jay Serafin  
208. 02/27/69 Fillmore West - San Francisco, CA flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape; Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz) circa 1995?; DAT x ONE by Dick Latvala- DAT x TWO via either Dick or Rob Bertrando; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever  
209. 02/28/69 Fillmore West - San Francisco, CA 16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks  
210. 02/28/69 Fillmore West - San Francisco, CA flac16/48kHz; Ampex MM-1000 16 Track Master Reels Two Inch Wide Tape @ 15 ips; Multi Track Mix-down To a Sony PCM 1630 By Dan Healy @ 44.1KHz); Set #1 DAT x ONE by Dick Latvala-DAT x TWO; Set #2 DAT x ? by Rob Bertrando-DAT x; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversion(r8brain); This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some pitch correction implemented Jim Wise  
211. 03/01/69 Fillmore West - San Francisco, CA Jay Ashley (Bertha) remaster of previous multi-track source; SBD>>MTMR>>DAT>>CDA>>DAW(Bertha)>>CDA  
212. 03/01/69 Fillmore West - San Francisco, CA flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape- Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO(Mine); Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some Pitch Correction Implemented  
213. 03/02/69 Fillmore West - San Francisco, CA Jay Ashley (Bertha) remaster of previous multi-reel source; SBD>>MTMR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A Show A  
214. 03/02/69 Fillmore West - San Francisco, CA Multi-track reel master > DAT > CD > EAC > SHN; via Seth Kapln, Darrin Sacks; see info file for relation to previous seeds  
215. 03/02/69 Fillmore West - San Francisco, CA flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape-Multi Track Mix-down By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)by Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever  
216. 03/15/69 Hilton Hotel - San Francisco, CA SBD> ?> boot CD> retrack> SHN; significant hiss, splice in Eleven; via thecore@core.com  
217. 03/15/69 Hilton Hotel - San Francisco, CA MSC> C> D> CD; This tape is sourced from Bear's cassette master; Pitch correction was performed via Cool Edit 2000; WAV's >.shn by Seth Kaplan  
218. 03/22/69 Rose Palace - Pasadena, CA SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke  
219. 03/28/69 Student Center, Modesto Jr. College - Modesto, CA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller  
220. 03/29/69 Ice Palace - Las Vegas, NV SBD> ?> BOOT CD> CDR; EAC> WAV> SHN by Dan Vinson, seed via Greg Mohr; End of Lovelight is cut on the boot cd; fits on 1x80  
221. 03/29/69 Ice Palace - Las Vegas, NV flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
222. 04/04/69 Avalon Ballroom - San Francisco, CA MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Darrin Sacks, from Rango Keshavan seed; see info file for setlist/tracklist commentary  
223. 04/04/69 Avalon Ballroom - San Francisco, CA Source: SBD>FM>MR>C1>DAT>CD  
224. 04/05/69 Avalon Ballroom - San Francisco, CA Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN Conversion By Charlie Miller  
225. 04/06/69 Avalon Ballroom - San Francisco, CA SBD>FM>MR>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman  
226. 04/12/69 Student Union Ballroom, University of Utah - Salt Lake City, UT SBD>MC>C>D>CD>EAC>SHN; pitch corrected & normalized; edits/encoding by JCotsman  
227. 04/13/69 Ballroom, U. of Co. - Boulder, CO flac16; SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller  
228. 04/15/69 The Music Box - Omaha, NE flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed by dan am-dig; see info file for details  
229. 04/15/69 The Music Box - Omaha, NE flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD; Flaw in d2t05 fixed on November 15, 2005 Remastered by Charlie Miller  
230. 04/15/69 The Music Box - Omaha, NE flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD patched with SBD>Cm>Cass>Dat>CD. Remastered by Charlie Miller  
231. 04/18/69 Memorial Union Ballroom, Purdue U. - Lafayette, IN flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller  
232. 04/20/69 Clark University - Worcester, MA complete; Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700> DAT(1)> DAT(2)> WAV via Sony SDT9000 DDS drive using VDAT0.6f> Soundforge 4.0 (see edits in info file); Source DAT from Rob Eaton, DAT> SHN by Jamie Lutch  
233. 04/21/69 The Ark - Boston, MA flac16; SBD -> Master Reel -> Dat -> CD All Transfers and Mastering By Charlie Miller  
234. 04/21/69 The Ark - Boston, MA Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN  
235. 04/21/69 The Ark - Boston, MA flac16; Remastered version of the SBD -> Master Reel -> Dat -> CD -> Samplitude Professional v9.12 -> FLAC source by TomP; see Info File for details  
236. 04/22/69 The Ark - Boston, MA flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller  
237. 04/23/69 The Ark - Boston, MA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller  
238. 04/23/69 The Ark - Boston, MA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade of 98892  
239. 04/25/69 Electric Theater - Chicago, IL Source: mR> D> Sonic Solutions> CDR  
240. 04/25/69 Electric Theater - Chicago, IL flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller  
241. 04/26/69 Electric Theater - Chicago, IL flac16; Source: Soundboard Cassette x 1 > DAT Encore Source: 7 inch Master Reels @ 7.5ips 1/2trk > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab Mastering: In WaveLab with Nomad Factory Plugins > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 20, 2008, Green Mountain Bros.  
242. 04/26/69 Electric Theater - Chicago, IL flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller  
243. 04/27/69 Labor Temple - Minneapolis, MN SBD> MR> D> CD> SHN; EAC/shn encoding/minor Sound Forge edits by J. Cotsman, with thanks to Jeff Krakowka  
244. 05/03/69 Winterland Arena - San Francisco, CA all that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying  .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match  
245. 05/03/69 Winterland Arena - San Francisco, CA flac16; SBD/PA Reel: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification  
246. 05/03/69 Winterland Arena - San Francisco, CA flac16; This is a matrix recording using two sources: SBD Reel shnid 124067: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification and Audience shnid 000733: Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn  
247. 05/07/69 Polo Field, Golden Gate Park - San Francisco, CA retracking and edit of previous shn set, by J. Cotsman: SBD> MR> C> D> CD> EAC> SHN; with 3/26/68 filler; via J. Cotsman to vine  
248. 05/10/69 Rose Palace - Pasadena, CA mC> C> DAT> Sonic Solutions> CDR; via Ben Yerys; stemming from Tzuriel Kastel tree; d1 contains misc pre-filler  
249. 05/11/69 Aztec Bowl, San Diego State U. - San Diego, CA FM SBD> ?> CDR; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file  
250. 05/16/69 Campolindo High School - Moraga, CA Master Soundboard Cassette > Cassette > DAT (speed corrected) > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston  
251. 05/16/69 Campolindo High School - Moraga, CA SBD> MC> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman (see info file); with thanks to Paul Hartman  
252. 05/23/69 Seminole Indian Village - Hollywood, FL partial Dew>>11//; Reel> PCM> DAT; conversion:Tascam DA-20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/3/69; via Phunk1; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match  
253. 05/23/69 Seminole Indian Village - Hollywood, FL complete show from compilation of reel master and what is believed to be the cassette master; Source 1: SBD> MR> PCM> D> CD> EAC> SHN ; Source 2: SBD> MC> R> C> D> CD> EAC> SHN (?); See info file for details; via Jim Hale; Seeded to etree by Seth Kaplan & JCotsman  
254. 05/23/69 Seminole Indian Village - Hollywood, FL flac16; Source: Soundboard Master Reels > PCM > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky January 1, 2009, Green Mountain Bros.  
255. 05/24/69 Seminole Indian Village - Hollywood, FL Cass>DAT> DAT> SONIC SOLUTIONS> CD> CD> EAC[secure] >SHN from 2003 KPFA Dead Marathon  
256. 05/30/69 Springer's Inn - Portland, OR flac16; SBD -> Cassette Master (Ampex C-90) -> Dat (48k) All Transfers and Mastering By Charlie Miller  
257. 05/31/69 McArthur Court, University of Oregon - Eugene, OR SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes  
258. 06/05/69 Fillmore West - San Francisco, CA SBD>MC>C>D>CD>EAC>SHN; pitch corrected; patch in Cryptical Reprise from alt sbd; edits/encoding by JCotsman  
259. 06/06/69 Fillmore West - San Francisco, CA SBD>MC>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman  
260. 06/07/69 Fillmore West - San Francisco, CA MR > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD > SHN; via A.J. Fink; Seeded to etree by Seth Kaplan  
261. 06/07/69 Fillmore West - San Francisco, CA flac16; Composite from 3 different source reels; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)-Processing (izotope oZone 6) by Jim Wise  
262. 06/08/69 Fillmore West - San Francisco, CA set 1: SBD> MR> C> D> CD> EAC> SHN; set 2: SBD> MC> C> D> CD> EAC> SHN, pitch corrected via J. Cotsman  
263. 06/08/69 Fillmore West - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
264. 06/13/69 Fresno Convention Center - Fresno, CA Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD; via Steve Barbella  
265. 06/14/69 Monterey Performing Arts Center - Monterey, CA SBD: MCass> Cass> DAT> ZA2> SF> CD; normalized and pitch-shifted; seeded by Jeff Tiedrich, transfer and mastering by David Hollister, SHN by Jim Skinner  
266. 06/20/69 Aoxomoxoa original mix - San Mateo, CA This is the original mix of Aoxomoxoa, which was released commercially between June 1969 and late 1971. In September, 1971, Jerry Garcia did a major remix of the entire album, eliminating a considerable amount of the backing material and trimming the beginning and end of a few songs. The LPs, cassettes, and CDs available commercially since that time contain the remix. There appear to be no plans to commercially release this original mix, so it is being made available to the broader community.  
267. 06/21/69 Fillmore East (Early) - New York, NY early show; AUD> MR> C> R> R> R> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook  
268. 06/21/69 Fillmore East (Late) - New York, NY early and late; Early Show: AUD> MR> C> R> R> R> D> CD> EAC> SHN; Late Show: SBD> MC> C> D> CD> EAC> SHN; via Jeff Cook, encoded by Jeff Cotsman  
269. 06/21/69 Fillmore East (Late) - New York, NY late show; BDMC(Bear's) > Dick's C > DAT > CDR; via Frank Bove, stemming from MerryPrankster tree; note d2t2 is labeled as "fixed"  
270. 06/22/69 Central Park - New York, NY AUD low gen (complete show), plus alternate SBD MC> C> D> CD (only 20 minutes circulate); via Hanno Bunjes (see notes in info file); with thanks to Julian and Uli  
271. 06/22/69 Central Park - New York, NY SBD>MC>C>D>CD>EAC>Cool Edit 2000>CD Seeded by Seth Kaplan, only the first 22 minutes of the show  
272. 06/27/69 Veterans Auditorium - Santa Rosa, CA SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano  
273. 06/28/69 Veterans Auditorium - Santa Rosa, CA SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano  
274. 06/??/69 Home Recordings - San Francisco, CA misc "Home recordings"; AUD> cheap mic> portable recorder; via Tzuriel to abgd  
275. 07/04/69 Electric Theater - Chicago, IL sbd > mc > d >cd > shn > wav > shn; SHN by SirMick  
276. 07/05/69 Electric Theater - Chicago, IL SBD>MC>D>CD; see listening notes in info file; via thecore@core.com  
277. 07/07/69 Piedmont Park - Atlanta, GA Master Soundboard Cassette > Cassette > DAT > CDR; EAc'ed / SHN'ed by Scott Clugston  
278. 07/07/69 Piedmont Park - Atlanta, GA flac16; Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
279. 07/11/69 NY State Pavilion, Flushing Meadows Park - Queens, NY flac16; SBD Recording Info: Pat Lee from Dick Latvala MC > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith  
280. 07/11/69 NY State Pavilion, Flushing Meadows Park - Queens, NY flac16; Recording Info: SBD Master Cassette > DAT (Panasonic 3700) > Transfer Info: Delta DiO 2496 sound card > HD > CD-R > Mastering Info: CD WAV > Cool Edit > xACT 2.25 FLAC 8; Mastering by Seth Kaplan March 02, 2014  
281. 07/12/69 NY State Pavilion, Flushing Meadows Park - Queens, NY d1: low-gen AUD; d2: SBD MC> C> D> CD; via Hanno Bunjes to BUDD offer; Hanno's notes  
282. 07/12/69 NY State Pavilion, Flushing Meadows Park - Queens, NY flac16; Partial SBD Recording Info: Pat Lee from Dick Latvala 1985; Technics 1506> Yamaha K2000 MSC > R > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith  
283. 08/02/69 Family Dog at the Great Highway - San Francisco, CA flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller  
284. 08/16/69 Max Yasgur's Farm - Bethel, NY flac16; Source: 8 Track Master Reels @ 15ips > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with L3 Waves Multimaximizer Rate Conversion with r8brain to [16bit/44.1 khz] > TLH > Flac transfer and mastering by Bill Koucky (This source fixes errors in the previous source)  
285. 08/16/69 Max Yasgur's Farm - Bethel, NY  
286. 08/21/69 Aqua Theater - Seattle, WA SBD>MC>C>D>CD>EAC>SHN; complete show; edits/encoding by JCotsman  
287. 08/23/69 Pelletier Farm - St. Helens, OR sdb> Master Cassette> Cassette> Dat> CD; via Mike Lai with thanks to Wayne Gucwa; d2 tracked for 80 min  
288. 08/28/69 Family Dog at the Great Highway - San Francisco, CA SBD > CM > Cass > DAT > CDR > WAV; via EAC/Trade from Morgan Evans > CDR > EAC > CDWAV > seekable SHN; via Rick Lepley  
289. 08/29/69 Family Dog at the Great Highway - San Francisco, CA SBD> MR> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook  
290. 08/29/69 Family Dog at the Great Highway - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=123075 (Easy Wind fixed)  
291. 08/30/69 Family Dog at the Great Highway - San Francisco, CA Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella  
292. 08/30/69 Family Dog at the Great Highway - San Francisco, CA flac16; Matrix 2 Source Mix - SBD (shn id 8594) Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella + AUD (shn id 122231) AUD > 4th Gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 - matrix mixing by Kevin Tobin  
293. 08/30/69 Family Dog at the Great Highway - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
294. 09/01/69 Baton Rouge International Speedway - Prairieville, LA Source: MSC (Ampex C-90 cassette) > DAT > CD-R via Andy Lemieux and Kingbee encoded by Matt Vernon  
295. 09/06/69 Family Dog at the Great Highway - San Francisco, CA Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD; CD->EAC->SHN By Joe Samaritano. Includes Airplane Set.  
296. 09/07/69 Family Dog at the Great Highway - San Francisco, CA SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney  
297. 09/26/69 Fillmore East - New York, NY AUD C/?, early show, minor upgrade compared to the previous version, from Uli Teute & Hanno Bunjes  
298. 09/27/69 Fillmore East (early) - New York, NY early show; A:?>C>CD; via Jack Warner; Seeded to etree by j jupille  
299. 09/27/69 Fillmore East (early) - New York, NY AUD C/?, early show, upgrade compared to the previous version, from Uli Teute & Hanno Bunjes  
300. 09/29/69 Cafe au Go-Go - New York, NY early show; AUD> ?> Reel> Cass (Maxell UD w/dolby B, playback on Sony TCK-909ES) > DAT (SV-3700 w/Oade +15dB input gain mod) > ZA2 > DiamondCut Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers  
301. 09/30/69 Cafe au Go-Go - New York, NY early show; AUD> ? > Cass X 2 > XLR into SV-3700 > ZA2 > SoundForge Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers  
302. 10/24/69 Winterland Arena - San Francisco, CA Low generation audience > CD via Jools  
303. 10/25/69 Winterland Arena - San Francisco, CA SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell , edited by David Gans; via R. Jagla  
304. 10/26/69 Winterland Arena - San Francisco, CA SBD : MR > C1 > DAT > CD; via Douglas Ferguson; Seeded to etree by Alan Fink  
305. 10/31/69 San Jose State University - San Jose, CA SBD: MC> C1> DAT> CDR; see info file for flaw notes; via Mike Lai  
306. 11/01/69 Family Dog at the Great Highway - San Francisco, CA SBD>MC>C>D>CD>EAC>SHN; edited, shned, vined by J. Cotsman (see info file); vith thanks to Paul Hartman  
307. 11/02/69 Family Dog at the Great Highway - San Francisco, CA Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star.  
308. 11/07/69 Fillmore Auditorium - San Francisco, CA Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation) sbe fixed 2004-01-18 with shntool same as /shninfo_detail.php?shnid=19783 with sbe fixed.  
309. 11/07/69 Fillmore Auditorium - San Francisco, CA flac16;Recording Info:SBD -> Master Reel -> Dat; Transfer Info:Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
310. 11/08/69 Fillmore Auditorium - San Francisco, CA This is the same source as the previous one with the "c" md5s. Filenames have been changed to reflect the correct tracking per etree convention. Note complete show is released as Dick's Picks 16- go buy it  
311. 11/08/69 Fillmore Auditorium - San Francisco, CA flac16; AKG190E> Uher 400L, Recorded by Marty Weinberg; Audience master reel > (possibly one extra reel gen?) > modified Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; EAC > FLAC by Jack Warner  
312. 11/15/69 Lanai Theater - Crockett, CA SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set via Nathan Scott, fixed separately by disc; alternate fix (as whole set) also circulates with slight difference  
313. 11/21/69 Cal Expo, Building A - Sacramento, CA mixed source: SBD> MR> (C in set 1, not set 2)> D> CD> EAC> SHN; vined by J. Cotsman  
314. 11/21/69 Cal Expo, Building A - Sacramento, CA flac16; Set 2 only; Source: Soundboard Master Reels > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 28, 2008, Green Mountain Bros.  
315. 12/04/69 Fillmore West - San Francisco, CA Owlsley's Cassette (SBD: MC>DAT>DAT>CD>EAC>DC5>CD) ; Owen Brother Vault. The Wizard 05/08/04  
316. 12/05/69 Fillmore West - San Francisco, CA Harry Ely Sony F995 > Sony TC-124 > Master Cassette > PCM > DAT > CD; Seeded to etree by Seth Kaplan  
317. 12/07/69 Fillmore West - San Francisco, CA SBD> MC> DAT> CDR> EAC> DCart Millennium> CDR; CD's From Julian Elliott; CD Editing and mastering by The Wizard - Owenbrothersvault; see editing notes in info file  
318. 12/10/69 Thelma Theater - Los Angeles, CA MSR > D > CD, plus MSR > ? > D > CD; via Deadlists Poject, circulated with 12/11,12/69- see notes and credits in info file  
319. 12/11/69 Thelma Theater - Los Angeles, CA flac16; MOTB Release: 0063 16/44.1 Analog Audience Source: FOB Master Cassette (MAC) Medium Stock Brands: MAC = Maxell C-90 Analog Lineage: 1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rion Brady Transfer By: Aadm Egert Mastering By: Derek McCabe  
320. 12/11/69 Thelma Theater - Los Angeles, CA flac16; MOTB Release: 0064 16/44.1 Stereo Source, Analog Audience Source: FOB Master Cassette (MAC) Medium Stock Brands: MAC = Maxell C-90 Analog Lineage: 1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rion Brady Transfer By: Adam Egert Mastering By: Derek McCabe This is a synthesized stereo version of original monaural source  
321. 12/11/69 Thelma Theater - Los Angeles, CA MSR > R > PCM > CD, plus MSR > ? > Beta PCM > D > CD, plus MSR > R > C > D > CD; via Deadlists Poject, circulated with 12/10,12/69- see notes and credits in info file  
322. 12/12/69 Thelma Theater - Los Angeles, CA MSR > R > D > CD, plus MSR > R > C > D; via Deadlists Poject, circulated with 12/10,11/69- see notes and credits in info file  
323. 12/13/69 Swing Auditorium - San Bernardino, CA 7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston  
324. 12/19/69 Fillmore Auditorium - San Francisco, CA 7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston  
325. 12/19/69 Fillmore Auditorium - San Francisco, CA previous Clugston seed, with AUD patches added by Hanno Bunjes, with thanks to Uli Teute (see info)  
326. 12/21/69 Fillmore Auditorium - San Francisco, CA Source: MR > C > D > CDR(s) via Raoul Duke. Shn conversion Matt Vernon. partial show  
327. 12/26/69 McFarlin Auditorium, Southern Methodist Univ. - Dallas, TX flac16; Source: Soundboard ; Lineage: MSR> CASS> DAT> CDR> EAC> FLAC; Patched & remastered by Jack Warner; DAE and FLAC encoding by Marc Evans  
328. 12/28/69 International Speedway - Hollywood, FL mixed source SBD> (MC or MR>C)> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to David Litfin & Jay von Lehe; note d1t1-7 same, later tracks differ from previous Cotsman seed  
329. 12/28/69 International Speedway - Hollywood, FL flac16; Source: Soundboard master Reels > Cassette > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac  
330. 12/29/69 Boston Tea Party - Boston, MA SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR  
331. 12/29/69 Boston Tea Party - Boston, MA SBD>MR>C>D>CD>EAC>SHN; Likely reDAE of 6302  
332. 12/30/69 Boston Tea Party - Boston, MA Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN  
333. 12/30/69 Boston Tea Party - Boston, MA SBD> MC> C> D> CD> EAC> SHN via T.S. Cotsman; edits/encoding JCotsman; pitch corrected (see notes)  
334. 12/30/69 Boston Tea Party - Boston, MA SBD> ?> DAT> CDR  
335. 12/30/69 Boston Tea Party - Boston, MA Source: SBD > MC > C > D > CD > SHN  
336. 12/31/69 Boston Tea Party - Boston, MA EAC of original shn set; via TOL; sbd> reel master> 2 cassette generations> dat> cdr> shn  
337. 12/31/69 Boston Tea Party - Boston, MA flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller  
338. 01/03/70 Fillmore East (Late Show) - New York, NY flac16; Source: Soundboard Master Reels > DAT Master [44.1] Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering in WaveLab with iZotope Ozone 4 > CD Wave > TLH > Flac Transfer and Mastering Bill Koucky March 6, 2009, Green Mountain Bros.  
339. 01/16/70 Springer's Inn Portland - Portland, OR flac16; restoration of source ID 7111; see info file for details  
340. 01/17/70 Gill Coliseum, Oregon State University - Corvallis, OR Master Soundboard Reel > DAT > CDR; via Scott Clugston  
341. 01/17/70 Gill Coliseum, Oregon State University - Corvallis, OR SBD>MR>D>CD>EAC>SHN; pitch corrected via J. Cotsman  
342. 02/02/70 The Fabulous Fox Theatre - St. Louis, MO SBD> MR> R> R> PCM> D> CD> EAC> SHN; pitch corrected; edits/encoding by JCotsman  
343. 02/04/70 Family Dog at the Great Highway - San Francisco, CA  
344. 02/11/70 Fillmore East (late show) - New York, NY flac16; late show conclusion; Soundboard (except misc patches as noted): MSR> DAT> CDR> EAC> FLAC; Patched, remastered by Dave Greenberg; DAE> FLAC by Marc Evans; Project coordinated by Jim Powell with a special thanks to DW  
345. 02/13/70 Fillmore East (Late Show) - New York, NY flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613)  
346. 02/14/70 Fillmore East - New York, NY complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman  
347. 02/14/70 Fillmore East - New York, NY flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
348. 03/20/70 Capitol Theater - Port Chester, NY mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz  
349. 03/20/70 Capitol Theater - Port Chester, NY flac16; SBD MR > ? > R @ 7.5 ips > CD > EAC > WAV > FLAC  
350. 03/21/70 Capitol Theater (Early) - Port Chester, NY early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch  
351. 03/21/70 Capitol Theater (Late) - Port Chester, NY late acoustic, electric-2; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch  
352. 03/21/70 Capitol Theater (Early) - Port Chester, NY early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch  
353. 03/21/70 Capitol Theater (Late) - Port Chester, NY late show; Cassette Master> Soundforge> cd> SHN; see more details in txt; Port Chester Resurrection Project  
354. 03/21/70 Capitol Theater (Early) - Port Chester, NY early show; Cassette Master> Soundforge> cd> EAC> SHN; Recorded by Ken & Judy Lee on a Sony 124 cassette deck with Sony dynamic mics on a Norelco 120 normal bias tape. Microphones were set up in the balcony with a 20 foot spread; Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance.; Cleanup performed by Peter G with Soundforge; EAC performed with correct offsets. SHN conversion with MKWact & retracking done with CD Wave and EAC by Evan Bellaff; Port Chester "Resurrection" Project #2  
355. 04/03/70 Field House, U. of Cincinnati - Cincinnati, OH flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source.  
356. 04/12/70 Fillmore West - San Francisco, CA combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan  
357. 04/15/70 Winterland Arena - San Francisco, CA MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed  
358. 05/01/70 Alfred College - Alfred, NY flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
359. 05/02/70 Harpur College - Binghamton, NY flac16; reel> cass > cass; Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell; Resampled from 96 to 44.1 khz in r8brain Pro > dithered in Izotope Ozone 3 (MBIT+, high noise shaping, 16 bit depth, normal dither, DC offset filter on) > exported to 16 bit in Audacity 2.0.0 > FLAC  
360. 05/06/70 Kresge Plaza, M.I.T. - Cambridge, MA MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)-> Otari MX 55 2 track (playback) ->  TC 2000 Studio Effects Processor (using only the A->D converter, no effects) ->  Sonic Solutions (at 20 bits resolution) -> mastered to CD using Sony SBM 2  (No DAT generations) -> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky, D. Gans,  R. Keshavan, D. Sacks; note reel splice at China/Rider transition (track boundary at splice)  
361. 05/14/70 Meramec Community College - Kirkwood, MO flac16; MSR > DAT > CDR > EAC > FLAC (with portions from MSR > MP3 > WAV > FLAC)  
362. 05/15/70 Fillmore East (Late Show) - New York, NY New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan.  
363. 05/24/70 Newcastle-Under-Lyme - Newcastle, England  
364. 07/12/70 Fillmore East - New York, NY flac16; unknown audience recording; edited and mastered by Jamie Waddell; all transfers and work performed in the 24 bit realm Weiss-Saracon for 16 BIT 44.1kHz; SBE Free, Flac Level 8 with TLH, Meta Data with Tag & Rename  
365. 08/30/70 KQED Studios - San Francisco, CA VOB program stream, SBD audio  
366. 09/19/70 Fillmore East - New York, NY flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell  
367. 09/20/70 Fillmore East - New York, NY flac16; MR > R Heavily Edited > R @ 71/2ips > CD * Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16  
368. 10/17/70 Cleveland Music Hall - Cleveland, OH flac16;Recording Info:Unknown Mic -> Cassette Master (Mono); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
369. 10/31/70 Gym, S.U.N.Y. (Late) - Stony Brook, NY SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006  
370. ??/??/70 Pacific High Recording Studio - San Francisco, CA flac16; studio sessions transfer and mastering by matt smith soundboard > master reel > Kidd Candelario dub > will boswell 7 1/2 ips reel > Apogee 24/96 (dithered to 16/44 via Wavelab 5.0) > CD  
371. 02/18/71 Capitol Theater - Port Chester, NY flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.  
372. 02/19/71 Capitol Theatre - Port Chester, NY flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell.  
373. 04/05/71 Manhattan Center - New York, NY flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; This source is a fix of shnid=110127 (Fixed track mark on d2t04); All Transfers and Mastering By Charlie Miller  
374. 04/13/71 Catholic Youth Center - Scranton, PA flac16; SBD > MR > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 6)  
375. 04/24/71 Wallace Wade Stadium, Duke University - Durham, NC  
376. 04/28/71 Fillmore East - New York, NY MR>R>CDR and MR>CDR with alt. SBD patches; Refined, patched, re-tracked and SHN'ed by Chris Frisco.  
377. 04/28/71 Fillmore East - New York, NY flac16; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16; All Mastering By Charlie Miller  
378. 04/28/71 Fillmore East - New York, NY flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Truckin thru Bird Song is from a second gen reel. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transfered and mastered by Matt Smith  
379. 06/21/71 Chateau D'Herouville - Herouville, France flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller  
380. 08/04/71 Terminal Island Correctional Fac. - San Pedro, CA flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
381. 08/05/71 Hollywood Palladium - Hollywood, CA flac 16; Sick Bits Vol. 29a - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=96540) + AUD (shnid=94260) as well as patch AUD sources (shnid=88859 and shnid=9768). Matrixed by Chris Chappell.  
382. 08/06/71 Hollywood Palladium - Hollywood, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009  
383. 08/06/71 Hollywood Palladium - Hollywood, CA flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell.  
384. 08/21/71 Mickey's Barn - Novato, CA AUDMC(Sony TC-24 with supplied Sony stereo mic) > Nakamichi Dragon (no Dolby) > Sony D7 DAT > optical digital cable (DTC-700 was the playback unit) through a Zefiro ZA2 soundcard tracked and normalized in Sound Forge. Known as "Mickey's Barn Jam"  
385. 12/04/71 Felt Forum, Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
386. 12/10/71 Fox Theatre - St. Louis, MO Source: MSR>C>DAT>CD; with FM patch  
387. 03/21/72 Academy Of Music - New York, NY flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
388. 03/23/72 Academy of Music - New York, NY flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller  
389. 04/08/72 Wembley Empire Pool - London, England flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller  
390. 04/08/72 Wembley Empire Pool - London, England flac16; partial Set 2, SBD Reels > DAT ? Transfer: Panasonic SV-3700 > M-Audio 2496 > Wavelab 5.0 (L3 multimaximizer, crossfades) > CD WAVE > FLAC Transfers, Remastering February 24, 2007 by Bill Koucky  
391. 04/11/72 Newcastle City Hall - Newcastle, England flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD.  
392. 04/14/72 Tivoli Theater - Copenhagen, Denmark flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed  
393. 04/16/72 Stakladen, Aarhus University - Aarhus, Denmark set 1 from a slightly better sounding cassette source; via Uli Teute and Hanno Bunjes  
394. 04/16/72 Stakladen, Aarhus University - Aarhus, Denmark Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN Set 2 Conversion and Editing By Charlie Miller  
395. 04/17/72 Tivoli Concert Hall - Copenhagen, Denmark flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac  
396. 04/21/72 Beat Club - Bremen, Germany SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon  
397. 04/26/72 Jahrhundert Halle - Frankfurt, Germany Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set via Matt Vernon  
398. 04/29/72 Musikhalle - Hamburg, Germany SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources  
399. 04/29/72 Musikhalle - Hamburg, Germany flac16; Matrix SBD Source: SBD > MR > ?? > DAT > CDR with Aud Patch Source: MR* > cass > SB Live! > wav > shn > CD-R. shnid 32877 (* believed to be Uher Reel Machine at 4.75 cm/sec) and Aud Source: MR* > 2 reels > cass > SB Live! > wav > shn > CD-R. shnid 5250 (* believed to be Uher Reel Machine at 4.75 cm/sec)  
400. 05/03/72 Olympia Theater - Paris, France flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano  
401. 05/04/72 Olympia Theater - Paris, France flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller  
402. 05/07/72 Bickershaw Festival - Wigan, England Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston  
403. 05/10/72 Concertgebouw - Amsterdam, Netherlands S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in  
404. 05/11/72 Rotterdam Civic Hall - Rotterdam, Netherlands 10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02.  
405. 05/13/72 Lille Fairgrounds - Lille, France SBD -> Rm -> Dat -> CD -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Converted To SHN BY Charlie Miller  
406. 05/13/72 Lille Fairgrounds - Lille, France sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing  
407. 05/16/72 Theatre Hall - Luxembourg, Luxembourg Shntool fix of previous sbd/reel source; SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN  
408. 05/16/72 Theatre Hall - Luxembourg, Luxembourg flac16; CD "Dead de luxe", Live in Luxembourg "European Bootleg" Source: Soundboard Transfer: CDR>EAC>Wave>Flac Frontend (Level 6)>Flac16 Transfered by: Scott Brown  
409. 05/18/72 Kongressaal Deutsches Museum - München, Germany flac16; source info: Master Soundboard Reel (Rex Jackson) > Reel (Jerry Garcia)> Reel (Will Boswell) @ 3 3/4 ips) > CD; CDs copied in EAC and Repairs and Adjustments in Wavelab 6.0 on the **GEMS* Edit Station by Jamie Waddell  
410. 05/23/72 Lyceum Ballroom - London, England flac16; 2 track soundboard recording Transferred by Matt Smith Reels > Apogee Mini ME 24/96 > Apogee Mini DAC(monitoring) > Wavelab 5.0(dithered to 16/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station in Wavelab 6.1 with UA DSP FLAC Level8 in TLH MetaData in Tag and Rename  
411. 05/24/72 Lyceum Ballroom - London, England flac16; Partial Set 2, Source: MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC  
412. 05/25/72 Lyceum Ballroom - London, England flac16; Recording Info: SBD -> Master Reel 10 inch reels recorded at 7.5 ips (1/2 track) -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat/0 (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
413. 05/26/72 Lyceum Ballroom - London, England flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8  
414. 05/26/72 Lyceum Ballroom - London, England flac16; Source: Soundboard Lineage: MR(film crew feed) at 7 1/2 i.p.s.>R at 7 1/2 i.p.s (Don Wolfe) >CD transfer info:Maxell UD XL reel tape>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD by Matt Smith  
415. 07/18/72 Roosevelt Stadium - Jersey City, NJ flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller  
416. 07/26/72 Paramount Theater - Portland, OR flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007 Mastering By Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed TLH level 8  
417. 08/12/72 Sacramento Memorial Auditorium - Sacramento, CA flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me > Wavelab 5.0 @ 24 bit 96kHz Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net)  
418. 08/12/72 Sacramento Memorial Auditorium - Sacramento, CA flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transferred by Matt Smith March 2014  
419. 08/27/72 Old Renaissance Faire Grounds - Veneta, OR Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels)  
420. 08/27/72 Old Renaissance Faire Grounds - Veneta, OR Unknown Standalone source > DVD Decrypter > Sony Vega 7.0 (original bitrate was 9600 with AC3 audio) rendered to 8400 bitrate to allow for audio upgrade.  
421. 09/03/72 Folsom Field, U of Colorado - Boulder, CO flac16; Composite sources: MR>cass, MR>cass>cass and multi generation sources; transfers were TascamMKII >Korg MR1000 at 1bit/5.6mHZ and cass> Apogee Mini Me>apogeeDAC>LynxOne at 24/96 PCM WAV; all edits and mastering by Jamie Waddell on the **GEMS** Edit Station at 32bitfloat/88.2kHz Weiss Saracon for SRC and POW-r3 dither to 16 bit/44.1 kHz  
422. 09/09/72 Hollywood Palladium - Hollywood, CA flac16; Matrix by Hunter Seamons using Final Cut Pro Pitch correction, normalization, and EQ work by Rob Bertrando  
423. 09/09/72 Hollywood Palladium - Hollywood, CA flac16; Matrix by Hunter Seamons using Final Cut Pro Pitch correction, normalization, and EQ work by Rob Bertrando  
424. 09/16/72 Music Hall - Boston, MA flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell  
425. 09/16/72 Music Hall - Boston, MA flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell  
426. 09/27/72 Stanley Theatre - Jersey City, NJ SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon  
427. 09/28/72 Stanley Theatre - Jersey City, NJ flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
428. 09/28/72 Stanley Theatre - Jersey City, NJ flac16; Bear's Cassette Copies Nakamichi Dr-1 > Lynx Studio Interface at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1 kHz Transfered and Lightly Mastered by Jamie Waddell  
429. 10/18/72 Fox Theatre - St. Louis, MO flac16; Unknown SBD source (probably shnid 7295) CD > wav > cool edit 2000 > flac  
430. 10/21/72 Alumni Lawn, Vanderbilt University - Nashville, TN flac16; SBD -> Master Reel -> Dat -> CD -> DC8; Reworked version of shnID 94453  
431. 10/24/72 Milwaukee Performing Arts Center - Milwaukee, WI flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-153/BASF Normal Bias 120 Min Tapes) Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD Mastering Info: CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller  
432. 10/24/72 Milwaukee Performing Arts Center - Milwaukee, WI flac16; A Dick Latvala SBD DAT Transfer is Apogee DAT > Tascam DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz Tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White  
433. 11/13/72 Soldiers and Sailors Memorial Hall - Kansas City, KS flac16; Dick's copy of Owsley's AUD; Transfer is Apogeee DAT > Tascan DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz TLH Flac Level 8 Tag & Rename for Meta-Data SBE FREE  
434. 11/18/72 Hofheinz Pavilion - Houston, TX 2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus  
435. 11/19/72 Hofheinz Pavilion - Houston, TX flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122783  
436. 11/19/72 Hofheinz Pavilion - Houston, TX flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122783  
437. 11/22/72 Austin Municipal Auditorium - Austin, TX flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC. fix of shnid 115730  
438. 11/26/72 San Antonio Civic Auditorium - San Antonio, TX flac16; Unknown SBD version of Dark Star > Bobby McGee; this alternate version has no cut in Dark Star, but is slightly hissier than the previous version  
439. 12/31/72 Winterland Arena - San Francisco, CA Bertha Remaster of the patched PreFM source, by Jay Ashley  
440. 02/09/73 Roscoe Maples Pavilion, Stanford University - Palo Alto, CA SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set  
441. 02/09/73 Roscoe Maples Pavilion, Stanford University - Palo Alto, CA Jay Ashley (Bertha) remaster of previous MR source; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA  
442. 02/09/73 Roscoe Maples Pavilion, Stanford University - Palo Alto, CA S : MR > R > DAT > SS > CDR > DAW (Bertha) > CDA > SHN > COOL EDIT PRO > SHN; See info file for 'additional edit' notes from seeder Alan Fink.  
443. 02/09/73 Roscoe Maples Pavilion, Stanford University - Palo Alto, CA MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR; via D Finney; Seeded to etree by Popi; Note- This is another eac of the same original Finney seed discs according to Popi  
444. 02/15/73 Dane County Coliseum - Madison, WI MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion)  
445. 02/15/73 Dane County Coliseum - Madison, WI flac16; two channel mono MAC> ? > normal bias cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traderslittlehelper  
446. 02/15/73 Dane County Coliseum - Madison, WI flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1580): MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD and Audience (shnid:124195): two channel mono MAC> ? > normal bias cassettes (see notes) Two 60 minute and one 90 minute mid 70's vintage Memorex cassettes, Cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traders little helper  
447. 02/15/73 Dane County Coliseum - Madison, WI flac16; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith  
448. 02/17/73 St. Paul Auditorium - St. Paul, MN flac16; SBD > MR > PCM > DAT > CDA > WAV > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 32580  
449. 02/17/73 St. Paul Auditorium - St. Paul, MN SBD:MR> PCM> DAT> CD; retracking etc of previous shn set, by Randy Carman  
450. 02/17/73 St. Paul Auditorium - St. Paul, MN flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller  
451. 02/19/73 International Amphitheatre - Chicago, IL SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03  
452. 02/19/73 International Amphitheatre - Chicago, IL flac16; Set 2 Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller  
453. 02/21/73 Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana, IL complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22  
454. 02/21/73 Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana, IL flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
455. 02/22/73 Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana, IL reworking of previous shn set, by Randy Carman (see notes in info file)  
456. 02/22/73 Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana, IL sets 1p,2; MR > DAT > 1 cass> DAT > CDR 3x; via G. Hamilton; see info file for misc flaws,  
457. 02/22/73 Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana, IL flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
458. 02/24/73 Field House, University Of Iowa - Iowa City, IA Single track jam segment; see info file for details; SBD>?>GDH CD; seeded to etree by Jools  
459. 02/24/73 Field House, University Of Iowa - Iowa City, IA Partial Set I - Last four songs SBD> MR> DAT> CDR by Sly_Wow Thanks to Raoul Duke  
460. 02/26/73 Pershing Municipal Auditorium - Lincoln, NE S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25  
461. 03/15/73 Nassau Veterans Memorial Coliseum - Uniondale, NY Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon  
462. 03/15/73 Nassau Veterans Memorial Coliseum - Uniondale, NY composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman  
463. 03/16/73 Nassau Veterans Memorial Coliseum - Uniondale, NY Source: Audience Lineage: ? > C > CDR > EAC > CE Pro > CDWAV > FLAV (level 8) Thanks to Dave Minor for the source. EAC etc by Matt Vernon  
464. 03/16/73 Nassau Veterans Memorial Coliseum - Uniondale, NY Fixed composite sbd version (based on shnid = 167) by Sean Cribbs. See info file for details.  
465. 03/16/73 Nassau Veterans Memorial Coliseum - Uniondale, NY fixup by Seth Jackson of 5 tracks from the previous shn set  
466. 03/16/73 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC  
467. 03/19/73 Nassau Veterans Memorial Coliseum - Uniondale, NY Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools  
468. 03/19/73 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Taper: Dan H. Location: Slightly too close to stage Transfer/editing/flac conversion: Dan McDonald Unknown Mic, Unknown Cassette recorder (mono) ->Master Cassette -> 24bit/96kHz wav -> slight edit (fade-in, out, azimuth adjustment, and slight level changes for crowd noise) -> 16-bit, 44.1 khz wav (triangular noise dither)  
469. 03/19/73 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> Adobe Audition CS6 -> FLAC; All Transfers and Mastering By Charlie Miller  
470. 03/21/73 Utica Memorial Auditorium - Utica, NY SBD> MR> ?> D> CD> SHN; shn EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Krakowka; see listening notes in info file  
471. 03/21/73 Utica Memorial Auditorium - Utica, NY Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm  
472. 03/22/73 Utica Memorial Auditorium - Utica, NY flac 16; Source: 10" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's Tape) > disk; Transferred by Tim Deibert 6-10-2002  
473. 03/22/73 Utica Memorial Auditorium - Utica, NY MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks  
474. 03/24/73 The Spectrum - Philadelphia, PA SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN  
475. 03/24/73 The Spectrum - Philadelphia, PA flac16; 10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk Transferred by Tim Deibert 5-18-02  
476. 03/24/73 The Spectrum - Philadelphia, PA S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes  
477. 03/26/73 Civic Center - Baltimore, MD flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller  
478. 03/26/73 Civic Center - Baltimore, MD SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes  
479. 03/28/73 Springfield Civic Center - Springfield, MA flac16; SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
480. 03/28/73 Springfield Civic Center - Springfield, MA flac16; Matrix 2 Source Mix - SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - matrix mixing by Kevin Tobin  
481. 03/28/73 Springfield Civic Center - Springfield, MA AudMC > R > DAT > WAV > SHN; taper: Andy Nourse - equipment unknown; via Noah Weiner; see background in txt  
482. 03/28/73 Springfield Civic Center - Springfield, MA flac16; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller  
483. 03/28/73 Springfield Civic Center - Springfield, MA flac24; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/24 All Transfers and Mastering By Charlie Miller  
484. 03/28/73 Springfield Civic Center - Springfield, MA Discs 1&2; AUD>MC>R>D>CD; Disc 3; SBD>MR>D>CD; Seeded to etree by J Cotsman  
485. 03/30/73 Rochester Community War Memorial - Rochester, NY AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman  
486. 03/31/73 Buffalo Memorial Auditorium - Buffalo, NY flac16; SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2  
487. 04/02/73 Boston Garden - Boston, MA Bertha remaster of the Master Reel Soundboard source. SBD>>MR>>DAT>>SS>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+  
488. 04/02/73 Boston Garden - Boston, MA SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source.  
489. 04/02/73 Boston Garden - Boston, MA Master 7.5 ips 2 Track reel> DAT> DAT> SONIC SOLUTIONS> CD> CD > EAC[secure] > SHN  
490. 05/13/73 Iowa State Fairgrounds - Des Moines, IA Complete; d1,2,3,5-SBD : MR > R > DAT > CDR via Paul B.; d4-SBD : MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN via David Minches  
491. 05/13/73 Iowa State Fairgrounds - Des Moines, IA Source: MSR>R>?>C>DAT>WAV>SHN except for 4th disc/end of second set which is from previously circulated SHN set (see below).  
492. 05/13/73 Iowa State Fairgrounds - Des Moines, IA flac16; Lineage-MR>??>TDK C90 cassettes(3)>R>Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs by Jamie Waddell on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH  
493. 05/13/73 Iowa State Fairgrounds - Des Moines, IA flac16; Set 3 Recording Info:SBD -> Master Reel -> Dat -> CD -> EAC -> FLAC; EAC -> FLAC conversion By Charlie Miller; fixed version now in circulation  
494. 05/13/73 Iowa State Fairgrounds - Des Moines, IA flac16; Set 3 Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 100239  
495. 05/20/73 Campus Stadium, UCSB - Santa Barbara, CA AUD (Sony Condenser): MC> R> C> DAT> HD> SHN> CD; see notes in info file; via Audience Devotional Tree  
496. 05/20/73 Campus Stadium, UCSB - Santa Barbara, CA flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller  
497. 05/20/73 Campus Stadium, UCSB - Santa Barbara, CA 7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)  
498. 05/20/73 Campus Stadium, UCSB - Santa Barbara, CA Patched Eyes with AUD source. Replaced AUD patch in Eyes with SBD source.  
499. 05/20/73 Campus Stadium, UCSB - Santa Barbara, CA Set 3 only; MSR> C> DAT> CD; edits, Aud patch from prior shn set; edits by Sean Cribbs  
500. 05/20/73 Campus Stadium, UCSB - Santa Barbara, CA flac16; 2 Source Matrix by dusborne Soundboard (shinid:86905) Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat -> CD; Transfer Info: CD -> EAC -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:5915) MC>R>C>DAT>HD>SHN>CD  
501. 05/26/73 Kezar Stadium - San Francisco, CA flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES (Beta HiFi) ( @ 44.055 kHz) > PCM501ES analog out > analog in Fostex D5 ( @ 48kHz) > Fostex D5 optical S/PDIF out (Jace's tape) > Sound Forge 5.0 > wav/shn Transferred by Tim Deibert 12-15-01  
502. 05/26/73 Kezar Stadium - San Francisco, CA MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003  
503. 05/26/73 Kezar Stadium - San Francisco, CA flac16; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>Audio DVD>DVD Audio Extractor 4.1.1>FLAC (44.1Khz/16bit)  
504. 05/26/73 Kezar Stadium - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller  
505. 06/09/73 Robert F. Kennedy Stadium - Washington, DC AUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips. Added to etree by Noah Weiner  
506. 06/09/73 Robert F. Kennedy Stadium - Washington, DC SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry!  
507. 06/09/73 Robert F. Kennedy Stadium - Washington, DC Original SBD Source (shnid = 172); Monte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). (This is a pitch corrected version of the previous patched SBD source.)  
508. 06/09/73 Robert F. Kennedy Stadium - Washington, DC flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft, w/arm raised up FOB center infield, between sbd platform and stage platform Lineage: MR cassette > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry; Upgrade in circulation  
509. 06/09/73 Robert F. Kennedy Stadium - Washington, DC flac16; Matrix Recording From: Audience Lineage (shnid 91236): MR cassette > Nakamichi 550 > Lexicon Alpha > 48 Khz / 24-bit > USB > Samplitude 7.22 > 44.1 Khz /16-bit and SBD Lineage (shnid 172): S:MR > PCM > cassette > DAT > CD > EAC > SHN; pitch-corrected and matrixed by Monte Barry  
510. 06/09/73 Robert F. Kennedy Stadium - Washington, DC flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag; fixed version in circulation  
511. 06/10/73 Robert F. Kennedy Stadium - Washington, DC flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin  
512. 06/10/73 Robert F. Kennedy Stadium - Washington, DC DTS Audio 5.1; SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin  
513. 06/10/73 Robert F. Kennedy Stadium - Washington, DC flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry  
514. 06/10/73 Robert F. Kennedy Stadium - Washington, DC flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin  
515. 06/10/73 Robert F. Kennedy Stadium - Washington, DC flac16; partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant  
516. 06/10/73 Robert F. Kennedy Stadium - Washington, DC SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available"  
517. 06/10/73 Robert F. Kennedy Stadium - Washington, DC flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640  
518. 06/10/73 Robert F. Kennedy Stadium - Washington, DC flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected  
519. 06/10/73 Robert F. Kennedy Stadium - Washington, DC flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag  
520. 06/22/73 P.N.E. Coliseum - Vancouver, BC flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
521. 06/22/73 P.N.E. Coliseum - Vancouver, BC AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner  
522. 06/22/73 P.N.E. Coliseum - Vancouver, BC composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs  
523. 06/22/73 P.N.E. Coliseum - Vancouver, BC flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details  
524. 06/22/73 P.N.E. Coliseum - Vancouver, BC flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller  
525. 06/24/73 Memorial Coliseum - Portland, OR partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman  
526. 06/24/73 Memorial Coliseum - Portland, OR flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller  
527. 06/26/73 Seattle Center Arena - Seattle, WA AUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner  
528. 06/26/73 Seattle Center Arena - Seattle, WA Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon  
529. 06/26/73 Seattle Center Arena - Seattle, WA flac 16 Sources: 1 - SBD>MR>C1 (Latvalla?)>GoodBear DAT>5/2000 edit by GoodBear>CD>EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006; 2 - SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in 11/2006>FLAC; 3 - AUDMC>Reel>Reel>DAT>WAV>SHN (from "12076")>GoodBear heavy edit>FLAC  
530. 06/26/73 Seattle Center Arena - Seattle, WA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009  
531. 06/26/73 Seattle Center Arena - Seattle, WA set 2 partial, labeled as d2; MR > C1 (Latvala cassette?) > DAT; via Mike Lai  
532. 06/29/73 Universal Amphitheatre - Universal City, CA Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman  
533. 06/30/73 Universal Amphitheatre - Universal City, CA flac16; remaster of shn id 6019: AudMR > R > DAT  
534. 06/30/73 Universal Amphitheatre - Universal City, CA AudMR > R > DAT > WAV > SHN; A > D transfer by Noah Weiner; d1 tracked for 80 min; see info file for notes; via Audience Devotional Tree  
535. 06/30/73 Universal Amphitheatre - Universal City, CA flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell  
536. 06/30/73 Universal Amphitheatre - Universal City, CA SBD>?>DAT>CD>EAC>SHN patched with AudMR>R>DAT>WAV>SHN. This is a patched and re-tracked version of the previously circulating soundboard source.  
537. 06/30/73 Universal Amphitheatre - Universal City, CA SBD> ?> DAT> CD> EAC> SHN; (note Tiedrich's site lists a circulating? SBD> reel master> 1 reel gen> DAT> 1 cass gen> DAT> circulation); Known Flaws: Some digi-noise beginning d1t1, Reel flip middle d1t6,? Reel flip beginnning d3t2; via A. Jerugim; note "E2 USB" is not listed in databases as an encore- may be filler? (has 2 drummers?)- thanks to J. Grimes for alert  
538. 06/30/73 Universal Amphitheatre - Universal City, CA flac16; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)  
539. 06/30/73 Universal Amphitheatre - Universal City, CA flac24; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8)  
540. 06/30/73 Universal Amphitheatre - Universal City, CA flac16; SBD > ? > DAT > CD; CD > Sound Forge 10 > flac; Upgrade to existing source SBD 19903  
541. 07/01/73 Universal Amphitheatre - Universal City, CA daud> Sony ec M22P mics >Sony 770 MR> R1> DAT> CDR; via M. Lai; note info file lists as 2 CDs but shn set is tracked for 3 CDs  
542. 07/01/73 Universal Amphitheatre - Universal City, CA DTS Audio 5.1; SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin  
543. 07/01/73 Universal Amphitheatre - Universal City, CA flac16 MOTB Release: 0055 16/44.1 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell  
544. 07/01/73 Universal Amphitheatre - Universal City, CA flac24 MOTB Release: 0055 24/96 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell  
545. 07/01/73 Universal Amphitheatre - Universal City, CA flac16; Matrix 2 Source Mix - SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin  
546. 07/01/73 Universal Amphitheatre - Universal City, CA flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA  
547. 07/01/73 Universal Amphitheatre - Universal City, CA flac16; Recording Info: SBD -> Master Reel -> Sound Devices 744T (24bit/96k); Transfer Info: WAV (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
548. 07/01/73 Universal Amphitheatre - Universal City, CA flac16; Recording Info: SBD -> Master Reel -> Sound Devices 744T (24bit/96k); Transfer Info: WAV (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
549. 07/27/73 Grand Prix Racecourse - Watkins Glen, NY flac16; Lineage: cassette (unknown gen) > HD Encoding: CDWave > flac frontend > flac Taped by: Unknown Transfered by: Pantagruel  
550. 07/27/73 Grand Prix Racecourse - Watkins Glen, NY flac16; source: aud (unknown gen) > ??? > wav > flac; remaster of shn id 28882  
551. 07/27/73 Grand Prix Racecourse - Watkins Glen, NY AudMC stereo> ? > C > DAT > WAV > SHN, unknown taper; A>D by Noah Weiner: Cassette playback on Nakamichi MR-1 > Fostex D5 DAT (A>D only)> Turtle Beach Montego II Digital I/O > Sound Forge(wav edits and track IDs)> SHNTOOL (SBE fix) > MKWAct (shn)  
552. 07/27/73 Grand Prix Racecourse - Watkins Glen, NY flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller  
553. 07/27/73 Grand Prix Racecourse - Watkins Glen, NY no regular info file (covers only); see 2 "history" posts; reported flaws: d2t3 (jam > wharf rat) has pops at 4:37, 9:22, 23:42; see pub comments for other flaw notes; circulated with 7/28/73  
554. 07/27/73 Grand Prix Racecourse - Watkins Glen, NY Soundcheck: Recording by Jeffrey Siniawsky and Joel Smith front row, 15' from stage, mic attached to top of lean-to tent via Noah Weiner Audience Devotional Tree Round 11 - Note: Soundcheck separated from 7/28/73  
555. 07/27/73 Grand Prix Racecourse - Watkins Glen, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>Soundtrack>WAV>FLAC)  
556. 07/27/73 Grand Prix Racecourse - Watkins Glen, NY flac24; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith  
557. 07/28/73 Grand Prix Racecourse - Watkins Glen, NY no regular info file (covers only); see 2 "history" posts; reported flaw: d2t6 (truckin) has pop at 2:15; see pub comments for other flaw notes; circulated with 7/27/73  
558. 07/28/73 Grand Prix Racecourse - Watkins Glen, NY Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another.  
559. 07/28/73 Grand Prix Racecourse - Watkins Glen, NY Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry]  
560. 07/28/73 Grand Prix Racecourse - Watkins Glen, NY flac16: AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)  
561. 07/31/73 Roosevelt Stadium - Jersey City, NJ FOB>CM>C>DAT>CDR; via Greg Weister; seeded to etree by Willy  
562. 07/31/73 Roosevelt Stadium - Jersey City, NJ AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck. TDK C-120SD master cassettes EAC & SHN transfer by Noah Weiner  
563. 08/01/73 Roosevelt Stadium - Jersey City, NJ AudMR > R > DAT > WAV > SHN; via ADT; Seeded to etree by Noah Weiner  
564. 08/01/73 Roosevelt Stadium - Jersey City, NJ AudMR > C > C > C > CD; Reported upgrade to previous Weiner seed, see info file for details; Seeded to etree by Noah Weiner  
565. 08/01/73 Roosevelt Stadium - Jersey City, NJ Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR; CD Mastering by D. Gans; EAC and encoding by M. Jungeblut  
566. 08/01/73 Roosevelt Stadium - Jersey City, NJ complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook  
567. 08/01/73 Roosevelt Stadium - Jersey City, NJ flac16; This is a remaster of shnid 12222 remastered by SIRMick June 2008  
568. 08/01/73 Roosevelt Stadium - Jersey City, NJ Complete; Discs One and Two; SBD>MSR>R2>D>CD; Disc Three; SBD>7.5ips Master Reel>Cassette>20 bit A/D>CDR; See info file for info and tracking notes; Seeded to etree by Seth Kaplan  
569. 08/01/73 Roosevelt Stadium - Jersey City, NJ flac16; Complete show AUD: source - ElectroVoice RE-15 mic > Nakamichi 550 cassette recorder w/ Dolby NR > Maxell UD C90 Chromium Tapes. Taped, transferred, and remastered by Monte Barry. lineage - MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag.  
570. 08/01/73 Roosevelt Stadium - Jersey City, NJ flac16; matrix of shnid 121129 (source 1) and shnid 92478 (source 2) Monte Barry on Dec 16, 2012  
571. 08/??/73 Record Plant - Sausalito, CA Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F.  
572. 09/07/73 Nassau Veterans Memorial Coliseum - Uniondale, NY AUDMC > DAT > CD > EAC > SHN: Recorded by Jerry Moore, AKG 1000 mic > Sony 110 deck. TASCAM 112MKII cassette deck (MC playback) > Sony PCM-500 DAT deck > HHB800 stand alone burner (CD) > EAC (secure) > mkwact (SHN). Added to etree by Noah Weiner.  
573. 09/07/73 Nassau Veterans Memorial Coliseum - Uniondale, NY SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds  
574. 09/07/73 Nassau Veterans Memorial Coliseum - Uniondale, NY Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD; 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?); via Teddy GoodBear to abgd; later to etree; see flaw notes in pub comments  
575. 09/08/73 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Reel>Cass1>DAT1 (not widely circulated source)>5/1999? edit (no hiss reduction)>CD>hiss edit w/Cool Edit Pro>FLAC  
576. 09/08/73 Nassau Veterans Memorial Coliseum - Uniondale, NY SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s)  
577. 09/08/73 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger  
578. 09/08/73 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Matrix 2 Source Mix - SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - matrix mixing by Kevin Tobin  
579. 09/08/73 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf:(original shn 183) - pitch correction and patches by Kevin Tobin  
580. 09/08/73 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; (original shnid = 126029) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - pitch correction and patches by Kevin Tobin  
581. 09/11/73 College Of William & Mary Hall - Williamsburg, VA MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes  
582. 09/11/73 College Of William & Mary Hall - Williamsburg, VA flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; transferred/seeded by Rob Berger  
583. 09/12/73 College Of William & Mary Hall - Williamsburg, VA SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow  
584. 09/12/73 College Of William & Mary Hall - Williamsburg, VA SBD>MR>C>DAT>CD>WAV>SHN encoded by Susan  
585. 09/15/73 Providence Civic Center - Providence, RI set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman  
586. 09/15/73 Providence Civic Center - Providence, RI set 2; SBD :Master Reel> DAT> Sonic Solutions workstation> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy  
587. 09/17/73 Onondaga County War Memorial - Syracuse, NY SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09)); SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09); Thanks to Peter Braverman; edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details  
588. 09/17/73 Onondaga County War Memorial - Syracuse, NY Source:MSR>C>DAT>DAT Conversion: DA-40>U2A>CDWave>MkW with seek tables appended  
589. 09/17/73 Onondaga County War Memorial - Syracuse, NY flac16; Source:MR>C>DAT>DAT provided by Jeff Tiedrich>Andrew Gustin Conversion: DA-40>U2A>CDWave>MkW with seek tables appended Transferred by Tyler Jensen tylerlundby@yahoo.com  
590. 09/20/73 The Spectrum - Philadelphia, PA Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman  
591. 09/20/73 The Spectrum - Philadelphia, PA Partial; Master Soundboard Reel > Reel to Reel > PCM > CDR; CD Re-Mastering, EAC'ed & SHN'ed by Scott Clugston; To fungus and abgd via Charlie Connor  
592. 09/21/73 The Spectrum - Philadelphia, PA flac16; analog>cd recorder on stereo>pc>goldwave>flac I used goldwave to only take the pop/clicks out. Casey Jones with Joe Ellis on trumpet and Martin Fierro on saxophone, last song of the 2'nd set right before the encore This is missing from all other copies out there. I got it from the tape I bought years ago.  
593. 09/21/73 The Spectrum - Philadelphia, PA SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller  
594. 09/21/73 The Spectrum - Philadelphia, PA SBD; via Mike Lai from Bruce Fried DAT; encore missing  
595. 09/21/73 The Spectrum - Philadelphia, PA flac24; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring > FLAC  
596. 09/24/73 Civic Arena - Pittsburgh, PA Mixed AUD/SBD sources; See info file for details; via Michael Dixon, Alan Fink, & Dan Stephens; Seeded to etree by JCotsman  
597. 09/24/73 Civic Arena - Pittsburgh, PA flac16; MAR>R>CD CD's supplied by Matt Smith; Edited and Mastered by Jamie Waddell as a GEMS production; audio patches by Kevin Tobin  
598. 09/24/73 Civic Arena - Pittsburgh, PA flac16; Matrix 4 Source Mix - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin  
599. 09/24/73 Civic Arena - Pittsburgh, PA DTS-Audio-CD 5.1 Mix; - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin  
600. 09/26/73 Community War Memorial Auditorium - Buffalo, NY flac16; Matrix 2 Source Mix - SBD (shnid 80198) + AUD (shnid 80665) mixed by Kevin Tobin  
601. 09/26/73 Community War Memorial Auditorium - Buffalo, NY flac16; Unknown Audience Lineage provided by Chuck Diliberto transfered by SirMick speed corrected and patched by Kevin Tobin  
602. 09/26/73 Community War Memorial Auditorium - Buffalo, NY DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> Dat (48k) and AUD:Unknown lineage transferred by SIRMick; mixed by kevtobin  
603. 09/26/73 Community War Memorial Auditorium - Buffalo, NY SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame  
604. 09/26/73 Community War Memorial Auditorium - Buffalo, NY flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01.  
605. 10/19/73 Oklahoma City Fairgrounds Arena - Oklahoma City, OK mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that  
606. 10/21/73 Omaha Civic Auditorium - Omaha, NE SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller  
607. 10/23/73 Metropolitan Sports Center - Bloomington, MN MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets.  
608. 10/23/73 Metropolitan Sports Center - Bloomington, MN partial of set 1 and set 2; source:MR>Dat>cdr using EAC v0.9 prebeta 11 in secure mode to extract, and mkw ver 0.97 beta1 to create shn's conversion to .shn done by Todd Norman norma023@tc.umn.edu  
609. 10/23/73 Metropolitan Sports Center - Bloomington, MN flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller  
610. 10/25/73 Dane County Coliseum - Madison, WI flac16; MSR > D > CD > EAC > WAV > CD > EAC > WAV > FLAC; DAE(EAC) of shn id 29668 by Sean Cribbs (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73)  
611. 10/25/73 Dane County Coliseum - Madison, WI Unsure if this is the "best in circ", but it is the most complete. SBD:MR>DAT>CD  
612. 10/25/73 Dane County Coliseum - Madison, WI SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon.  
613. 10/25/73 Dane County Coliseum - Madison, WI Partial set 2; SBD > Unknown Analog Generation(s) > DAT > Mac (via Lucid PCI25) > CDR; via Tim Buller  
614. 10/27/73 Indianapolis State Fair Coliseum - Indianapolis, IN Source: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine  
615. 10/29/73 Kiel Auditorium - St. Louis, MO flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC  
616. 10/29/73 Kiel Auditorium - St. Louis, MO MSR> C> DAT> Circulation> EAC> SHN; no El Paso, otherwise complete show; Source disks from Bob Murphy, eac/shn by Darrin Sacks; Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy; Bob Murphy reports seed sounds cleaner than corresponding 10/30/73  
617. 10/29/73 Kiel Auditorium - St. Louis, MO Reel master > 1 cassette gen > DAT > CD > SHN; no El Paso, otherwise complete show; via S. Kaplan, G. Hamilton; see info file and pub comments for flaw notes; note anomalies fixed by Darrin for other shn set seemed to be already lacking here- if they really are still present, please let us know  
618. 10/30/73 Kiel Auditorium - St. Louis, MO Reel master > 1 cassette gen > DAT > CD > EAC > SHN; seed via J. Merdler, DAE>SHN by G.S. Hamilton, retracking of d2 by A. J. Fink; some editing between songs; known flaws: d1t1 split-second cut into beginning, d1t6 cuts at 1:21, d2t1 volume change at 3:39, d3t3 cut/splice at 6:27  
619. 10/30/73 Kiel Auditorium - St. Louis, MO flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC  
620. 11/01/73 McGaw Memorial Hall, Northwestern University - Evanston, IL flac16; Set 2 only MR>C1>DAT>SHN (shnid=2178)>CD>EAC>CoolEdit Pro hiss reduction & minor other edits  
621. 11/01/73 McGaw Memorial Hall, Northwestern University - Evanston, IL [New Version] Set 2 MSR > C> DAT > PCM > DAT > CD (see notes in info file regarding correctness of genealogy) - Subsequent CD extraction (EAC), editing (Cool Edit Pro 2), and SHN encoding (mkwACT) by Sean Cribbs 12/2003  
622. 11/01/73 McGaw Memorial Hall, Northwestern University - Evanston, IL 2nd set only; SBDMR> Cass> DAT> CDR> EAC> Soundforge> DePopper> SHN; via Howling Bob; Seeded to etree by Mike Parrillo  
623. 11/01/73 McGaw Memorial Hall, Northwestern University - Evanston, IL set 2; MR> C1> DAT; via Teddy Goodbear to abgd  
624. 11/09/73 Winterland Arena - San Francisco, CA SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes  
625. 11/10/73 Winterland Arena - San Francisco, CA MSR> reel > PCM > DAT > CD; see info file for listening notes  
626. 11/11/73 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller  
627. 11/14/73 San Diego Sports Arena - San Diego, CA Lineage: 7" Master Reel > Cassette > CD Transferred, burned, shn'ed, and all by David Hollister  
628. 11/14/73 San Diego Sports Arena - San Diego, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC  
629. 11/14/73 San Diego Sports Arena - San Diego, CA Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file  
630. 11/14/73 San Diego Sports Arena - San Diego, CA edit of previous shn set by Bob Clevenger; see info file for notes  
631. 11/17/73 Pauley Pavilion, UCLA - Los Angeles, CA SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G (spreaddead@bellsouth.net)  
632. 11/17/73 Pauley Pavilion, UCLA - Los Angeles, CA SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected)  
633. 11/17/73 Pauley Pavilion, UCLA - Los Angeles, CA flac16; source: unknown sbd > ??? > shn > wav > flac  
634. 11/17/73 Pauley Pavilion, UCLA - Los Angeles, CA This is a FLAC composite of different sources that all have cassette/reel flip cuts at various points of the show. See text document for further info.  
635. 11/20/73 Denver Coliseum - Denver, CO S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details  
636. 11/20/73 Denver Coliseum - Denver, CO flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234) patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879)  
637. 11/20/73 Denver Coliseum - Denver, CO flac16; Partial set 2 matrix mix using Cary Wolfson AUD shnid=22879 and sbd shnid=1234 by Matt Vernon  
638. 11/20/73 Denver Coliseum - Denver, CO MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by David Minches EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet)  
639. 11/20/73 Denver Coliseum - Denver, CO flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:1234) MR > DAT > CD > EAC > SHN and Audience (shnid:22879) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)  
640. 11/21/73 Denver Coliseum - Denver, CO MAC (Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)  
641. 11/21/73 Denver Coliseum - Denver, CO via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38  
642. 11/21/73 Denver Coliseum - Denver, CO flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation  
643. 11/21/73 Denver Coliseum - Denver, CO MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4)  
644. 11/21/73 Denver Coliseum - Denver, CO flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.)  
645. 11/23/73 County Coliseum - El Paso, TX SBD > Reel > Cassette > Datx2 > CDR; via L. Orf; reel flips in d1t1, d1t7 (smoothed), d3t2; superior version relative to version circulated 3/8  
646. 11/23/73 County Coliseum - El Paso, TX flac16; Recording Info:SBD -> Reel Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
647. 11/25/73 Feyline Field - Tempe, AZ MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01  
648. 11/25/73 Feyline Field - Tempe, AZ flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
649. 11/30/73 Music Hall - Boston, MA sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go buy it  
650. 11/30/73 Music Hall - Boston, MA unknown audience recording via David Minor encoded by Matt Vernon and Marc Pujol  
651. 11/30/73 Music Hall - Boston, MA flac16; 2 source matrix by dusborne; Soundboard (shnid:8099) sbd > ? > CDR > EAC(secure) > mkwact(seekable) and Audience (shnid:17277) Source: AUDMC(unknown mics) > ? > C > DAT; DAT > WAV(48Khz) Marc Pujol Encoding: WAV(48kHz) > Cool Edit > CDWav > mkwact > SHN  
652. 12/01/73 Music Hall - Boston, MA Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston  
653. 12/01/73 Music Hall - Boston, MA AUDMC(unknown mics) > ? > C > DAT via David Minor, encoded by Marc Pujol and Matt Vernon  
654. 12/01/73 Music Hall - Boston, MA same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person?  
655. 12/01/73 Music Hall - Boston, MA flac16; Audience Analog Master>cdr>eac>flac; Joe Maloney Master Recording  
656. 12/01/73 Music Hall - Boston, MA SBD> MR> DAT> Sonic Solutions> CDR; shn by Tony Gardner, from Paul B.'s discs; note more complete than previous shn versions  
657. 12/01/73 Music Hall - Boston, MA flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.  
658. 12/01/73 Music Hall - Boston, MA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
659. 12/01/73 Music Hall - Boston, MA flac16; 2 source matrix by dusborne Soundboard (shnid:112205) SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC and Audience (shnid:110781) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.  
660. 12/02/73 Music Hall - Boston, MA Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd  
661. 12/02/73 Music Hall - Boston, MA unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol  
662. 12/02/73 Music Hall - Boston, MA same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person?; hosted by Mike Lai  
663. 12/02/73 Music Hall - Boston, MA flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassette, kindly provided by Tim Friend. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.  
664. 12/02/73 Music Hall - Boston, MA flac16; 3 source matrix by dusborne Soundboard (shnid:3415) Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; Audience (shnid:17278) Source: MAC > ? > C > DAT > CDR DAT > WAV(48kHz) by Marc Pujol; Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54@attbi.com; and Audience (shnid:110782) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.  
665. 12/02/73 Music Hall - Boston, MA flac16; 3 source matrix by dusborne Soundboard (shnid:3415) Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; Audience (shnid:17278) Source: MAC > ? > C > DAT > CDR DAT > WAV(48kHz) by Marc Pujol; Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54@attbi.com; and Audience (shnid:110782) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.  
666. 12/04/73 Cincinnati Gardens - Cincinnati, OH flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839).  
667. 12/04/73 Cincinnati Gardens - Cincinnati, OH flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller  
668. 12/06/73 Public Hall - Cleveland, OH partial; S:MR> Cass> SonicSolutions> DAT> ZA2> CD; via R. Nayfield (from Gans seed?); Reel Splice in Eyes from master  
669. 12/06/73 Public Hall - Cleveland, OH SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton  
670. 12/06/73 Public Hall - Cleveland, OH retracked, slightly edited version of previous shn set, for 1x90 min CD (see info), by Bob Clevenger  
671. 12/06/73 Public Hall - Cleveland, OH flac16; Recording Info: SBD > MR > cassette > DAT > CD; Transfer Info: CD > Wav > Sound Forge 9 for compression, volume and EQ > FLAC; remastered version of source ID 4452  
672. 12/06/73 Public Hall - Cleveland, OH flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 4452  
673. 12/06/73 Public Hall - Cleveland, OH flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
674. 12/08/73 Cameron Indoor Stadium, Duke University - Durham, NC SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source  
675. 12/08/73 Cameron Indoor Stadium, Duke University - Durham, NC Stereo Soundboard > Master Reel > ? > CD > SHN; via unknown person; May be a re-eac of previous shn set  
676. 12/08/73 Cameron Indoor Stadium, Duke University - Durham, NC flac16; Sbd > MR > C > DAT > CD Re-master of shnid 1811  
677. 12/10/73 Charlotte Coliseum - Charlotte, NC Partial; Half of last song and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools  
678. 12/12/73 The Omni - Atlanta, GA nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs  
679. 12/12/73 The Omni - Atlanta, GA souncheck apparently circulates as filler on circulating copy of 11/4/77.  
680. 12/12/73 The Omni - Atlanta, GA flac16; Remaster of SHNID 6023 (Recording Info: Sbd > MR > C > CDR) Transfer Info: CDR > Soundforge 8 for many adjustments > Flac Transfer notes: Soundcheck recording changes: Volume increase, EQ and balance adjustments. Main show recording changes: Pitch of entire show was slowed to match A=440. It's close but not perfect, as pitch varied throughout. Volume was increased to modern standards Tape hiss, while still present, was reduced, without compromising overall fidelity.  
681. 12/12/73 The Omni - Atlanta, GA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 105561  
682. 12/18/73 Curtis Hixon Convention Hall - Tampa, FL SBD Reel master > cassette > DAT > CDR (unknown gens); info file circulating with the shn set falsely says this is via G.S. Hamilton- it is not. Please use md5s to ID copies in circulation. This copy has 7 tracks in d2, Greg's real shn set has 9. Reel change in Wharf Rat (d3t04) @ 6:36; reported noise reduction on this copy- see comments  
683. 12/18/73 Curtis Hixon Convention Hall - Tampa, FL SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry  
684. 12/18/73 Curtis Hixon Convention Hall - Tampa, FL flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; Upgrade in circulation  
685. 12/18/73 Curtis Hixon Convention Hall - Tampa, FL further retracking and slight editing of previous retracked shn set, by Bob Clevenger  
686. 12/18/73 Curtis Hixon Convention Hall - Tampa, FL flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
687. 12/18/73 Curtis Hixon Convention Hall - Tampa, FL flac16; Audience Cassette->Nakamichi Dragon->Sony PCMR300 Dat (16/44.1)->Sound Forge eq and normalization  
688. 12/18/73 Curtis Hixon Convention Hall - Tampa, FL flac16; matrix of shnid 122508 (source 1 AUD) and shnid 116498 (source 2 SBD); matrixed by Monte Barry  
689. 12/18/73 Curtis Hixon Convention Hall - Tampa, FL flac16; 3 source matrix: Soundboard (shnid 97511); AdamG's audience recording (new flat transfer); and Dan McDonald's audience recording (new flat transfer)  
690. 12/19/73 Curtis Hixon Convention Hall - Tampa, FL Audience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; go buy it  
691. 12/19/73 Curtis Hixon Convention Hall - Tampa, FL "DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it  
692. 12/19/73 Curtis Hixon Convention Hall - Tampa, FL flac16; Recording Info:SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
693. 12/19/73 Curtis Hixon Convention Hall - Tampa, FL flac16; soundboard source shnid=97361: (Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC); Patch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-faded and cut on sector boundaries. Converted to flac with trader's little helper  
694. 12/19/73 Curtis Hixon Convention Hall - Tampa, FL flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
695. 12/19/73 Curtis Hixon Convention Hall - Tampa, FL flac16; Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer)  
696. 02/22/74 Winterland Arena - San Francisco, CA soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive  
697. 02/22/74 Winterland Arena - San Francisco, CA mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller  
698. 02/22/74 Winterland Arena - San Francisco, CA Sources: 1 - sbd > ? > shn > wav > shn 2 - sbd > cass? > cdr > wav > shn via SIRMick (thedarkstar@btinternet.com)  
699. 02/22/74 Winterland Arena - San Francisco, CA SBD > ? > SHN; Missing Sugar Mag's & UJB; Unknown seeder  
700. 02/22/74 Winterland Arena - San Francisco, CA Lineage: SBD > D > CD > SSSB *12-14-2002* Files were run through shntool to correct sector boundary errors. The date was also corrected as the soundcheck does not circulate from the 24th, because there wasn't one....FLAC encoding and shntool processing done by Mr. Marmar 12/2002 Converted from flac to shn by SIRMick (thedarkstar@btinternet.com)  
701. 02/22/74 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
702. 02/23/74 Winterland Arena - San Francisco, CA Bertha Remaster of the Master Reel source; SBD> MR> DAT> CDA> SHN> DAW (Bertha)> CDA/SHN, by Jay Ashley  
703. 02/23/74 Winterland Arena - San Francisco, CA complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min  
704. 02/23/74 Winterland Arena - San Francisco, CA incomplete; SBD > Reel > PCM > DAT > CD > EAC > SHN; via Jay Serafin, Seth Kaplan, G.S. Hamilton; missing Big River, Ramble On Rose, Me And My Uncle, Casey Jones; note complete copy now in shn  
705. 02/23/74 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
706. 02/24/74 Winterland Arena - San Francisco, CA SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed  
707. 02/24/74 Winterland Arena - San Francisco, CA SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net sector boundaries fixed with shntool, new shns and md5s SIRMick(thedarkstar@btinternet.com)  
708. 02/24/74 Winterland Arena - San Francisco, CA Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD  
709. 02/24/74 Winterland Arena - San Francisco, CA S:MR> PCM> DAT> CD (Jay Serafin); via David Hollister?  
710. 02/24/74 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
711. 03/23/74 Cow Palace - Daly City, CA flac16; Master Audience Cassette > Dat (or PCM?) Edits & Tracking in Wavelab 6.0 by **__** : BBE processing, Crystal Sample Rate converter, L3 multimaximizer>dithered44.1k/16>FLACfrontend SBE FREE Patches by Michael Hughey in Adobe Audition  
712. 03/23/74 Cow Palace - Daly City, CA Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it  
713. 03/23/74 Cow Palace - Daly City, CA flac16; Matrix 2 Source Mix - SBD (shnid 1689) + AUD (shnid 78599)  
714. 03/23/74 Cow Palace - Daly City, CA modification of previously-circulating shn set- d2 retracked by Leigh Orf; update: portions of show are now DP24- go buy it  
715. 03/23/74 Cow Palace - Daly City, CA DTS Audio 5.1; SBD (shnid 1689) Master Soundboard Reel > DAT + AUD shnid 79610 Master Audience Cassette > Dat (or PCM?)  
716. 03/23/74 Cow Palace - Daly City, CA incomplete; SBD> reel master> cassette> dat> cdr; via Mike Lai; update: portions of show are now DP24- go buy it  
717. 03/23/74 Cow Palace - Daly City, CA Sources: AUD MC>(PCM?)>DAT>DA-20>M-Audio 192 (Shnid=78599) Editing and mastering by The Wizard  
718. 03/??/74 Mars Hotel Outtakes - San Francisco, CA Mars Hotel Outtakes; SBD>?>CDR  
719. 05/12/74 University Of Nevada - Reno, NV MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file  
720. 05/12/74 University Of Nevada - Reno, NV flac16; Matrix 2 Source Mix - SBD (shn id 2224) MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks + AUD (shn id 10529) Partial 2nd Set; AUD>?>CD; via Jack Warner - matrix mixing by Kevin Tobin  
721. 05/12/74 University Of Nevada - Reno, NV MSR>C>DAT>CD w/ pitch corrected aud patches for disk 3 only of SBD seed via Sean Cribbs  
722. 05/12/74 University Of Nevada - Reno, NV DTS Audio 5.1; SBD (shn id 2224) MSR>C>DAT>CDRs>EAC>SHN + AUD (shn id 10529)AUD>?>CDRs>EAC>SHN Shns supplied by Jack Warner - dts mixing by Kevin Tobin  
723. 05/12/74 University Of Nevada - Reno, NV flac16; AUD>?>CDRs>EAC>SHN - original shnid 10529 - audio patches and speed correction by Kevin Tobin  
724. 05/12/74 University Of Nevada - Reno, NV Partial 2nd Set; AUD>?>CD; via Jack Warner; Seeded to etree by Matt Vernon  
725. 05/12/74 University Of Nevada - Reno, NV Appears to be reshn'd DAE version of SHNID=2224. Extraction and 'fix' performed by Matt.  
726. 05/14/74 Adams Field House, University Of Montana - Missoula, MT MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy  
727. 05/14/74 Adams Field House, University Of Montana - Missoula, MT flac16; Recording Info: Set 1: SBD -> Master Reel -> Cassette -> Dat (48k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professionl v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
728. 05/17/74 P.N.E. Coliseum - Vancouver, BC updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler  
729. 05/17/74 P.N.E. Coliseum - Vancouver, BC flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller  
730. 05/17/74 P.N.E. Coliseum - Vancouver, BC flac16; set 1,2p; hand-held external stereo mic> portable Sony cassette deck> BASF LH C120 MC> [1 cass gen for Promised only] > HD> CDWave > flac frontend > flac; Taped by: Mike Kent, transferred by Pantagruel  
731. 05/19/74 Portland Memorial Coliseum - Portland, OR complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston  
732. 05/19/74 Portland Memorial Coliseum - Portland, OR flac16; Remastered version of shn id 6957: Master Soundboard Reel > PCM > DAT> CDR with tweaks to the spectrum (Waves REQ 4-band), light compression (Waves R-Comp), slight warmth enhancement to the low-end (BBE2 lo-contour) and digitally maximized with the Waves L3 Multimaximizer.  
733. 05/19/74 Portland Memorial Coliseum - Portland, OR SBDMR -> DAT; DAT -> CD -> EAC -> SHN; via A. Jerugim; 5/21: copy retracked on sector boundaries by J. Kempka; see public comments for detailed flaw notes  
734. 05/19/74 Portland Memorial Coliseum - Portland, OR flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C) Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957) Source 3: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
735. 05/19/74 Portland Memorial Coliseum - Portland, OR flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:116983) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:115876) Source:Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC Transferred and Encoded by Cousinit  
736. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496 (shn id 2597) patched with AudMC > WAV > SHN (10150) via Charles Wier  
737. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA flac16; Matrix 2 Source Mix - SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV + AUD (shn id 10150) AudMC > WAV > SHN - matrix mixing by Kevin Tobin  
738. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of previous shn set, courtesy Josh Belkin  
739. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA DTS Audio 5.1; SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496 + AUD (shn id 10150) AudMC > WAV > SHN - dts mixing by Kevin Tobin  
740. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA DVD-VA; (Video Audio) 2 audio tracks; 1) SBD + AUD Matrix 2 Source Mix (shn id 87114) & 2) DTS Audio 5.1 (shn id 87124); SBD: MSR> C> Dats> CD> EAC> SHN> WAV and AUD: AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee; audio only - no video  
741. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA flac24; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee  
742. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA flac16; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee  
743. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner  
744. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA flac16; Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)  
745. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in; DAE/SHN by Seth Kaplan, upload by G.S. Hamilton; see info file for misc notes; previously uncirculated; note offbeat tracking- see pub comment  
746. 05/21/74 Edmundson Pavilion, University Of Washington - Seattle, WA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)  
747. 05/25/74 Campus Stadium, UCSB - Santa Barbara, CA MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track  
748. 05/25/74 Campus Stadium, UCSB - Santa Barbara, CA MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn; via Jonathan Miller, Adam Roux; David Hollister reports problems on USB track  
749. 05/25/74 Campus Stadium, UCSB - Santa Barbara, CA flac16; Recording Info: FOB Audience Recording by Jeremy Witt Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free  
750. 06/08/74 Oakland-Alameda County Coliseum - Oakland, CA flac24; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas  
751. 06/08/74 Oakland-Alameda County Coliseum - Oakland, CA flac16; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave >> TLH >> Flac 1644 Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas  
752. 06/08/74 Oakland-Alameda County Coliseum - Oakland, CA flac16; Set 1 & encores MR>R(JG)>R(WB & Pat Lee)@ 3 3/4 ips. Set 2 Lineage: MR>DAT Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH  
753. 06/08/74 Oakland-Alameda County Coliseum - Oakland, CA Master Audience Reel > Reel to Reel > PCM > DAT, plus Master Soundboard Reel > DAT (Playin' > Wharf Rat> Playin', plus Eyes); mastered and seeded by Scott Clugston with thanks to Skankweed; d3 tracked for 80 min; Ship cut on master  
754. 06/08/74 Oakland-Alameda County Coliseum - Oakland, CA flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller  
755. 06/08/74 Oakland-Alameda County Coliseum - Oakland, CA flac16; 2 source matrix by Dusborne; Soundboard (shnid:97268), Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC, Re-Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC, Re-mastered By Charlie Miller; Audience (shnid:94596), FOB Master Cassettes (MAC), Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> MAC, Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96],Mastering: WAV 24/96 > Audition 3.0 > Wavelab 5.0 > Izotope Ozone3(dithering) > CDWave > TLH > Flac 2496, Taped By: Louis Falanga, Transfer By: Bob Menke, Mastering By: Paul Gilbert  
756. 06/16/74 Des Moines State Fair Grandstand - Des Moines, IA mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt)  
757. 06/16/74 Des Moines State Fair Grandstand - Des Moines, IA S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself  
758. 06/16/74 Des Moines State Fair Grandstand - Des Moines, IA S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details  
759. 06/16/74 Des Moines State Fair Grandstand - Des Moines, IA SBD (could be MR> C> D); complete version via M. Bryan, G. Hamilton; Bertha- splice @ 4:04- serious mix problems prior to this; Sugaree- MR flip @ 3:59; Playin'- d/o @0:01, d/o @3:16; T.Jed- <1 sec. digi-noise @0:02; W.Rat- MR flip @2:50  
760. 06/18/74 Freedom Hall - Louisville, KY Bertha Remaster of the digitized Master Reel source. SBD>>MR>>DAT>>ZA2>>SHN>>DAW(Bertha) - Sound A  
761. 06/18/74 Freedom Hall - Louisville, KY flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller  
762. 06/18/74 Freedom Hall - Louisville, KY SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8  
763. 06/18/74 Freedom Hall - Louisville, KY flac16; Speed Corrected Version of the SBD>MR>1 cass>DAT>ZA2>SHN source Additional lineage for this version: SHN (id=209) > WAV > Cool Edit Pro (see notes) > FLAC(8)  
764. 06/20/74 The Omni - Atlanta, GA Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min  
765. 06/20/74 The Omni - Atlanta, GA Set II, E; SBD reel -> ??? -> CD; t4 8:50 small reel blip; via D. Finney; additional source info not forthcoming  
766. 06/22/74 Jai-Alai Fronton - Miami, FL flac 16; Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193). Matrixed by Chris Chappell.  
767. 06/22/74 Jai-Alai Fronton - Miami, FL SBDMR> CASS> DAT> CD> EAC> SHN> DC6> CD; THE OWEN BROTHERS VAULT; Editing and Mastering by The Wizard  
768. 06/22/74 Jai-Alai Fronton - Miami, FL flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller  
769. 06/22/74 Jai-Alai Fronton - Miami, FL MR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks  
770. 06/22/74 Jai-Alai Fronton - Miami, FL AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn)  
771. 06/22/74 Jai-Alai Fronton - Miami, FL Source: AUD>CASS>DAT>WAV>SHN>DC5>WAV>SHN ; THE OWEN BROTHERS VAULT ; mastering of SHNid=14193; Editing and Mastering by The Wizard  
772. 06/22/74 Jai-Alai Fronton - Miami, FL flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)  
773. 06/23/74 Jai-Alai Fronton - Miami, FL flac 16; Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265). Matrixed by Chris Chappell.  
774. 06/23/74 Jai-Alai Fronton - Miami, FL SBD, with patches (see updated info file for details, including about "blank" tracks); "painstakingly complete" version assembled by J. Belkin; also see additional comments from D. Sacks: contrary to original info file, primary SBD was not subject to NR; report from Skank: only discs 1&2 were posted? to abgd at first, fixed d3 before completing; to etree via A. Stern 2/2; pre-fixed d3 may have been etreed earlier- note fixed d3 has 10 tracks  
775. 06/23/74 Jai-Alai Fronton - Miami, FL Remaster of sbd w/ aud patches by Owens Brothers  
776. 06/23/74 Jai-Alai Fronton - Miami, FL MSR>DAT>CD w/ MAC>DAT patches  
777. 06/23/74 Jai-Alai Fronton - Miami, FL AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON.  
778. 06/23/74 Jai-Alai Fronton - Miami, FL flac16; source: aud cassette master akg d1000e's>Sony TC-152 taped by Jerry Moore lineage: aud c.m.>dat>cdr>eac>cd wave>flac transfered by Rob Berger '99, tracking by John Tallmadge  
779. 06/23/74 Jai-Alai Fronton - Miami, FL AudMC > DAT>CD>DC6>CD Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT, DAT > SHN/CD Editing and Mastering by The Wizard, see info file for details  
780. 06/23/74 Jai-Alai Fronton - Miami, FL flac16; Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)  
781. 06/23/74 Jai-Alai Fronton - Miami, FL flac16; Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)  
782. 06/23/74 Jai-Alai Fronton - Miami, FL flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith  
783. 06/23/74 Jai-Alai Fronton - Miami, FL flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin  
784. 06/26/74 Providence Civic Center - Providence, RI MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- go buy it  
785. 06/26/74 Providence Civic Center - Providence, RI AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones.  
786. 06/28/74 Boston Garden - Boston, MA set 1; SBD> MR> DAT> Sonic Solutions> CD> ?> EAC> SHN; EAC'ed / SHN'ed by Tom Snider, Jr., with thanks to Jeff Cook; other material from show is featured on Dick's Picks 12 itself, go buy it  
787. 06/28/74 Boston Garden - Boston, MA complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18  
788. 06/30/74 Springfield Civic Center - Springfield, MA SBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner  
789. 06/30/74 Springfield Civic Center - Springfield, MA SBD> MR> cass> DATx2> ZA2> CDRx1> EAC> SHN; via Andy, Tiedrich, Skank, A. Stern; to abgd and etree  
790. 06/30/74 Springfield Civic Center - Springfield, MA flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
791. 06/30/74 Springfield Civic Center - Springfield, MA flac16; SBD + AUD Matrix Mix (65%/SBD + 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN  
792. 06/30/74 Springfield Civic Center - Springfield, MA flac16; Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537)  
793. 06/30/74 Springfield Civic Center - Springfield, MA flac16; Set 2 only, Matrix of the following sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537). This source fixed a flaw in d2t04 of shn id 82179  
794. 06/30/74 Springfield Civic Center - Springfield, MA DTS Audio 5.1; DTS-Audio-CD 5.1 Mix of SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN  
795. 06/30/74 Springfield Civic Center - Springfield, MA DVD-Audio 5.1 Surround Sound (MLP Encoded 6ch x 16/44) Soundboard - Aud Matrix by Dan Haugh  
796. 06/30/74 Springfield Civic Center - Springfield, MA AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16  
797. 07/19/74 Selland Arena - Fresno, CA flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat  
798. 07/19/74 Selland Arena - Fresno, CA set 2 partial; MR> DAT> CDR; seed via D. Gans, D. Finney; md5s for shns and wavs given (complete show now in circulation (Upgrade now in circulation.)  
799. 07/19/74 Selland Arena - Fresno, CA MSR > D > CD patched with MAC > C > C > D Mastering and patches by Dave Greenberg. SHN conversion by Jay Gerland (EAC/mkwACT). Project instigated and organized by Jim Powell. Additional patching by Tim Symons 7-29-02; Note- This is the previous shn set with the 'additional patching'. (Upgrade now in circulation.)  
800. 07/19/74 Selland Arena - Fresno, CA complete; Master Reel> Cassette(1)> DAT@44.1K> DAT> WAV> Soundforge 4.0> CDWAV> SHN w/seek tables appended; DAT> WAV via Sony SDT-9000 DDS Drive using VDat DAT seed from Rob Eaton, DAT>SHN by Jamie Lutch, QC by dankseeds; see info file for flaw and editing notes; see pub comments for d2 md5 notes (Upgrade now in circulation.)  
801. 07/19/74 Selland Arena - Fresno, CA  
802. 07/21/74 Hollywood Bowl - Los Angeles, CA flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller  
803. 07/21/74 Hollywood Bowl - Los Angeles, CA Rob Bertrando's Sony ECM-22P mics > Sony TC-152 Cassette Master; AudMC >Reel > DAT > CD; Seeded to etree by Noah Weiner  
804. 07/21/74 Hollywood Bowl - Los Angeles, CA flac16; MOTB Release: 0056 16/44.1 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe  
805. 07/21/74 Hollywood Bowl - Los Angeles, CA flac24 MOTB Release: 0056 24/96 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe  
806. 07/21/74 Hollywood Bowl - Los Angeles, CA flac16; Recording Info: (FOB) Sony ECM-22P -> Cassette Master -> Reel -> Dat; Around & Around through 1:03 of Truckin' supplied by RB's Master: (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152/Sony CRO-90) Dat Transfer Info: Dat -> Samplitude Professional v9.11 -> FLAC Cassette Master Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.11 -> FLAC/16 Recorded By Rob Bertrando All Transfers and Mastering By Charlie Miller  
807. 07/25/74 International Amphitheater - Chicago, IL SBD -> Rm -> Dat -> Sonic Solutions -> CD seeded by Charlie Miller  
808. 07/25/74 International Amphitheater - Chicago, IL SBD MR > CASS > DAT > CD; original seed via Jim Wise; via Jon Miller, Alan J. Fink, Greg Hamilton; see info file and addendum for notes  
809. 07/27/74 Roanoke Civic Center - Roanoke, VA SBD> MR> C> DAT> CDR; via Seth Kaplan  
810. 07/27/74 Roanoke Civic Center - Roanoke, VA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
811. 07/27/74 Roanoke Civic Center - Roanoke, VA flac16; unknown gen audience recording > ? > FLAC  
812. 07/27/74 Roanoke Civic Center - Roanoke, VA flac16; Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr; Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16  
813. 07/29/74 Capital Centre - Landover, MD flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell  
814. 07/29/74 Capital Centre - Landover, MD SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd  
815. 07/29/74 Capital Centre - Landover, MD AudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner  
816. 07/29/74 Capital Centre - Landover, MD flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
817. 07/29/74 Capital Centre - Landover, MD flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut (2496) > AIFF CD tracking via Audacity [w/dither] > FLAC1644 via xAct)  
818. 07/29/74 Capital Centre - Landover, MD flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller  
819. 07/29/74 Capital Centre - Landover, MD flac16; Source: 2nd Set Mono AUD, 3rd Gen tape, kindly provided by Seaweed1010. Transfer: MX-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. Feb 2013  
820. 07/31/74 Dillon Stadium - Hartford, CT flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC  
821. 07/31/74 Dillon Stadium - Hartford, CT SBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies  
822. 07/31/74 Dillon Stadium - Hartford, CT AudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner  
823. 07/31/74 Dillon Stadium - Hartford, CT flac16; source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac  
824. 07/31/74 Dillon Stadium - Hartford, CT flac16; SBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD) SBD (shnid = 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC and AUD (shnid = 115499) source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - matrix mixing by Kevin Tobin  
825. 08/04/74 Philadelphia Civic Arena - Philadelphia, PA MSR> DATs> CDRs> EAC> SHN; small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; via Bob Fishman, Darrin Sacks  
826. 08/04/74 Philadelphia Civic Arena - Philadelphia, PA SBD> MR> DAT> CDR; transfer by Stephen Agan; via Bob Allred to vines, offer; tracked differently from Sacks shn set, but with same AUD patches: in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; see pub comments for additional notes  
827. 08/04/74 Philadelphia Civic Arena - Philadelphia, PA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC16)  
828. 08/04/74 Philadelphia Civic Arena - Philadelphia, PA AUDMC > DAT > WAV > SHN Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen DAT > SHN/CD by Noah Weiner  
829. 08/05/74 Philadelphia Civic Arena - Philadelphia, PA MSR> C> C> DATs> CDRs> EAC, with AUD patches from Jerry's Moore's MC>D>CD (AKG D1000s>Sony TC-152); via Darrin Sacks  
830. 08/05/74 Philadelphia Civic Arena - Philadelphia, PA AUDMC > DAT > WAV > SHN - Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Added to etree by Noah Weiner.  
831. 08/05/74 Philadelphia Civic Arena - Philadelphia, PA flac16; Source: MSR>C>C>DAT Conversion : DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC  
832. 08/06/74 Roosevelt Stadium - Jersey City, NJ fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy"  
833. 08/06/74 Roosevelt Stadium - Jersey City, NJ AUD (unknown mic) MR> R> DAT> HD> Soundforge> SHN> CD, recorded by Neil Merin; plus patches from Ihor Slabicky's AUD (see info file); A>D by Noah Weiner; via Audience Devotional Tree  
834. 08/06/74 Roosevelt Stadium - Jersey City, NJ flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1463) MR > DAT > CD > Sonic Solutions > CD Circulation > Plextor SCSI 40x Reader > EAC and Audience (shnid:5914) MR>R>DAT>HD>Soundforge>SHN>CD; Recorded by Neil Merinu sing an unknown mic (mono) onto a Uhrer 5" reel deck. The end of the show plus other missing parts from Neil's tapes are supplied by Ihor Slabicky's recording (AUDMC>DAT>HD> Soundforge>SHN>CD)  
835. 09/09/74 Alexandra Palace - London, England Dick's Picks Vol 7 Outtakes by Sir Mick  
836. 09/09/74 Alexandra Palace - London, England SBD>MR>DAT(X2)>CDR; Note- Missing 6 of last 8 songs; Seeded to etree by Sly_Wow  
837. 09/09/74 Alexandra Palace - London, England flac 16; Source: sbd > mr > dat (x2) > cdr > eac > mkwact > wav > flac  
838. 09/10/74 Alexandra Palace - London, England Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano  
839. 09/10/74 Alexandra Palace - London, England SBD>?>CD; May be missing up to three first set songs; See info file for details; Note- Many tracks appear on DP7, Buy it here ; via Craig Reimer; Seeded to etree by Willy  
840. 09/11/74 Alexandra Palace - London, England Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A  
841. 09/11/74 Alexandra Palace - London, England Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's  
842. 09/11/74 Alexandra Palace - London, England complete; SBD Reel master > DAT > CDR > EAC > SHN; Extraction and .shn encoding by Seth Kaplan; Slight retracking of discs 2 and 3 (CoolEdit/CDWav) and re-shn (v2) by G.S. Hamilton; to BUDD and etree; note parts of the run are on Dick's Picks 7- go buy it  
843. 09/11/74 Alexandra Palace - London, England SBD (as previous shn set), with added AUD patches- see info file for details; patching by Hanno Bunjes, some cleanup by Alasdair; to BUDD offer; Hanno's notes; note d3 tracked for 80 min; note parts of the run are on Dick's Picks 7- go buy it  
844. 09/11/74 Alexandra Palace - London, England flac16; Partial SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC  
845. 09/11/74 Alexandra Palace - London, England flac16; Recorded by unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a  
846. 09/11/74 Alexandra Palace - London, England flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:012183) Candelario Matrix MSR > D> CD; Soundboard 2(Shnid:121207) SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC and Audience (Shnid:131901) unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a  
847. 09/14/74 Olympiahalle - Munich, Germany flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller  
848. 09/14/74 Olympiahalle - Munich, Germany flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller  
849. 09/14/74 Olympiahalle - Munich, Germany AUD MR> D> CD; via Hanno Bunjes; Sugar Magnolia has dropout (seems to be on all copies); Hanno's notes  
850. 09/14/74 Olympiahalle - Munich, Germany Philips mic> Telefunken reel deck, taper Gerhard Schinzel; master AUD reel > CD with "safety cass" patch in WRS, transferred to CD by Uli Teute and were re-mastered by Dave Greenberg; SHN conversion by Jay Gerland, with thanks to Jason Chastain; circulated via Deadlists Project; see listening notes in info file  
851. 09/14/74 Olympiahalle - Munich, Germany aud remaster by Sir Mick  
852. 09/14/74 Olympiahalle - Munich, Germany flac16; Recording Info: SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller  
853. 09/18/74 Parc Des Expositions - Dijon, France Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon  
854. 09/18/74 Parc Des Expositions - Dijon, France flac16: **SOUNDCHECK ONLY** Lineage: SBD -> Master Reel -> Dat Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Mastered By Charlie Miller  
855. 09/18/74 Parc Des Expositions - Dijon, France SBD> MR> ?> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding By Jeff M.; Phil & Ned and Encore are missing  
856. 09/18/74 Parc Des Expositions - Dijon, France Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) SHN'd By Charlie Miller from Pre-FM GDH Production Discs charliemiller87@earthlink.net 11/19/03  
857. 09/18/74 Parc Des Expositions - Dijon, France SBD > pre-FM master (reel?) > DAT CD, patched with SBD > master reel > PCM > DAT > CD > SoundForge >CD; pitch modified, plus other editing- see notes in info file; missing USB, Phil and Ned  
858. 09/18/74 Parc Des Expositions - Dijon, France Bertha Remaster of the master reel source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+  
859. 09/18/74 Parc Des Expositions - Dijon, France US Vinyl Pressing > speed correction > FLAC > seeded to LL by Doinker 4-25-14  
860. 09/20/74 Palais Des Sports - Paris, France SBD > master reel > reel to reel > DAT > CD > SoundForge > CD; stemming from Marcello Gasperini?s and Julian's source material; see info file for various fixes and flaws; to a tree?, runs a bit slow? (see notes in info for companion 9/21/74 shns)  
861. 09/20/74 Palais Des Sports - Paris, France flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
862. 09/21/74 Palais Des Sports - Paris, France flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller  
863. 09/21/74 Palais Des Sports - Paris, France sets 2,3; SBD > master reel > reel to reel > DAT > CD > SoundForge > CD, plus patches; see info file for fixes and flaws; d2 tracked for 80 min; to a tree?; reportedly runs a bit fast; includes 1/24/69 filler  
864. 10/16/74 Winterland Arena - San Francisco, CA Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman  
865. 10/16/74 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller  
866. 10/16/74 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller  
867. 10/16/74 Winterland Arena - San Francisco, CA SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate  
868. 10/16/74 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller  
869. 10/16/74 Winterland Arena - San Francisco, CA flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:90145) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC and Audience (shnid:107036) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120; Analog Lineage: Sony ECM 250 >> Sony 110 (mono) >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga  
870. 10/17/74 Winterland Arena - San Francisco, CA MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon  
871. 10/17/74 Winterland Arena - San Francisco, CA MSR>DAT>CDR; Seeded to etree by Carl Royer  
872. 10/17/74 Winterland Arena - San Francisco, CA flac16; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData  
873. 10/17/74 Winterland Arena - San Francisco, CA flac24; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for POWr3 Dither 24bit/96 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData  
874. 10/18/74 Winterland Arena - San Francisco, CA Bertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+  
875. 10/18/74 Winterland Arena - San Francisco, CA SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN. SHN'd By Charlie Miller  
876. 10/18/74 Winterland Arena - San Francisco, CA Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II and III : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller  
877. 10/18/74 Winterland Arena - San Francisco, CA sets 2,3; SBD MR > PCM > DAT 44.1kHz > CD > shn; via Jack Romanski to gdlive  
878. 10/18/74 Winterland Arena - San Francisco, CA Recording Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN All Transfers Done By Charlie Miller  
879. 10/18/74 Winterland Arena - San Francisco, CA set 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- go buy it; see public commnets for flaw note on d2t5  
880. 10/18/74 Winterland Arena - San Francisco, CA flac16; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell  
881. 10/18/74 Winterland Arena - San Francisco, CA flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
882. 10/19/74 Winterland Arena - San Francisco, CA Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04  
883. 10/19/74 Winterland Arena - San Francisco, CA SBD multitrack > DAT > CD; via A. Fink, M. Ferguson; known flaw: d3 Beginning of Sugar Magnolia is cut; note some material from show appears on album Steal Your Face- go buy it  
884. 10/19/74 Winterland Arena - San Francisco, CA SBD; via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for flaw notes  
885. 10/19/74 Winterland Arena - San Francisco, CA flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith  
886. 10/20/74 Winterland Arena - San Francisco, CA mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for quality note  
887. 10/20/74 Winterland Arena - San Francisco, CA flac16; SBD>7" 1/2 track 7 1/2 IPS MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac  
888. 10/20/74 Winterland Arena - San Francisco, CA flac16; Lineage: Multitrack MR>2 track mixdown>?R>R>CD Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs>Trac'ed Cdwave Flac'ed level 8 TLH  
889. 10/20/74 Winterland Arena - San Francisco, CA flac24; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel(Garcia's) > R @ 3 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered December 2014 by Matt Smith  
890. 02/28/75 Bob Weir's Studio - Mill Valley, CA flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC  
891. 03/17/75 Ace's - Mill Valley, CA SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon  
892. 03/21/75 Ace's studio - Mill Valley, CA SNACK rehearsals, poss compilation of dates; ??> cass> cooledit> mkw> shn; Tracking/ re-shn (v3) from original single shn file, by terrapinstation  
893. 03/23/75 Kezar Stadium - San Francisco, CA SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36  
894. 03/23/75 Kezar Stadium - San Francisco, CA flac16; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Pat Lee)* > CD. Reel to reel transfer by Taper Pat - (R copied @ 7.5 ips using a Revox A-77>A-77) --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)  
895. 03/23/75 Kezar Stadium - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
896. 03/26/75 Ace's Studio - Mill Valley, CA rehearsals; sbd> ?> PCM> SEK'D Prodif96Pro> wav> SHN; 1-disc portion of 6 discs seeded to abgd, with seeking reshn on t1,2 by terrapinstation  
897. 03/??/75 Studio (Blues for Allah Outtakes) - Unknown, CA liberated bootleg CD-> EAC-> WAV-> SHN; via Dave Backus  
898. 04/02/75 Ace's Studio - Mill Valley, CA rehearsals; 1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; There's some question as to the accuracy of this date; via terrapinstation to etree  
899. 04/17/75 Ace's Studio - Mill Valley, CA rehearsals; sbd> ? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; SBEs fixed with shntool, renamed to fit Etree standards and re-shn'ed by terrapinstation  
900. 06/05/75 Club Front - San Rafael, CA rehearsal sessions from June 3, 4 & 5, 1975 from low-generation cassette. via Hanno Bunjes, Uli Teute  
901. 06/07/75 Bob Weir's Studio - Mill Valley, CA flac16; "Blues Ruffs" : SBD MR > R > Rs > CD * > EAC > WAV > FLAC via Matt Smith  
902. 06/17/75 Winterland Arena - San Francisco, CA flac16; AUD/SBD Matrix of 2 previously circulating sources: AUD - (shn ID #233) and SBD - (shn ID #20084). Edited and converted by Chris Chappell.  
903. 06/17/75 Winterland Arena - San Francisco, CA AUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the? left of dead center; via Alan Fink, Mark Ferguson  
904. 06/17/75 Winterland Arena - San Francisco, CA flac16; Matrix 2 Source Mix - SBD (shn id 96125) MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD (shn id 233) AUD CM>DAT>CD>EAC>SHN Recorded by Rob Bertrando - patches, timing and matrix mixing by Kevin Tobin  
905. 07/07/75 Ace's Studio - Mill Valley, CA sbd>? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; via terrapinstation to etree  
906. 09/28/75 Lindley Meadows, Golden Gate Park - San Francisco, CA Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A  
907. 09/28/75 Lindley Meadows, Golden Gate Park - San Francisco, CA sbd> reel (mic mix)> DAT> CD; via Mike Lai; modified info file courtesy Dave Laesser; note TLEO not included  
908. 09/28/75 Lindley Meadows, Golden Gate Park - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC16)  
909. 06/03/76 Paramount Theatre - Portland, OR MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008  
910. 06/09/76 Boston Music Hall - Boston, MA flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell  
911. 06/12/76 Boston Music Hall - Boston, MA SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file  
912. 06/14/76 Beacon Theatre - New York, NY flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell  
913. 06/15/76 Beacon Theatre - New York, NY Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD  
914. 06/15/76 Beacon Theatre - New York, NY flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky  
915. 06/15/76 Beacon Theatre - New York, NY flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
916. 06/24/76 The Tower Theatre - Upper Darby, PA flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin  
917. 06/26/76 Auditorium Theatre - Chicago, IL flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
918. 06/29/76 Auditorium Theatre - Chicago, IL flac16; SBD>>MR > PCM(Analog) > DAT > CDA > SHN > DAW(Bertha) > Audio DVD files > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > wav > downsampled to 44.1 wav with Wave Lab v.5.00a > SBEs fixed with shntool v.2.0.3 > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2  
919. 07/12/76 Orpheum Theatre - San Francisco, CA  
920. 07/13/76 Orpheum Theatre - San Francisco, CA Jay Ashley (Bertha) Remaster of Multi-Gen Reel source; SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA  
921. 07/14/76 Orpheum Theatre - San Francisco, CA SBD>MR>C>DAT>CDR patched with the Bob Menke audience recording via Raoul Duke encoding/patching by Matt Vernon  
922. 07/16/76 Orpheum Theatre - San Francisco, CA AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 -update: taped by Bob Menke using Rob Bertrando's mics) > R > DAT > DAW (Bertha by Jay Ashley) > CD  
923. 07/17/76 Orpheum Theatre - San Francisco, CA Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN)  
924. 07/17/76 Orpheum Theatre - San Francisco, CA flac16; Matrix: SBD Source: shnid=34708; AUD Source: shnid=18389 : Matrix created by Chris Chappell. Final matrix seed discs provided by Rob Betrando. EAC > FLAC by Noah Weiner (May 2008)  
925. 07/17/76 Orpheum Theatre - San Francisco, CA flac16; Sick Bits Vol. 25 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=34708) + AUD (shnid=18389). Matrixed by Chris Chappell.  
926. 07/18/76 Orpheum Theatre - San Francisco, CA S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.  
927. 07/18/76 Orpheum Theatre - San Francisco, CA flac16; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger  
928. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller  
929. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD): SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN (shn id 12519) and Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn (shn id 10179)  
930. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA flac16; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac agfa reel baked/transferred/seeded by Rob Berger  
931. 10/09/76 Oakland-Alameda County Coliseum - Oakland, CA partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN; No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler  
932. 10/10/76 Oakland-Alameda County Coliseum - Oakland, CA Reinhardt Hollwein Sony ECM-220 + Sony ECM-280>Sony TC-15; via JackySack; Seeded to etree by Matt Vernon  
933. 10/10/76 Oakland-Alameda County Coliseum - Oakland, CA Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80  
934. 12/31/76 Cow Palace - Daly City, CA Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - Fixed (pops removed) version of disk 3 of Jack Warner's "prefm" shn via Dave Winters
Check the .md5s for d3t03 to see whether you have this seed or #18524.
May circulate as either disc 3 solo with a short "Note added 9/1/2003", or as three discs, which is a combination of Source # 18524 and d3 from this source
 
935. 02/17/77 Sound City - Van Nuys, CA Source:SBD>Master Reel>DAT>CDR>SHN; Terrapin Station and Mars Hotel studio outtakes; DAE(EAC0.9 beta 4)>tracking(CDWAV)>SHN(MKWAct.96f)>FTP via Tripp  
936. 02/20/77 Sound City - Van Nuys, CA Terrapin Station Outtakes; sbd>?>cdr; Seeded to etree by Paul Moreno  
937. 02/26/77 Swing Auditorium - San Bernardino, CA SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog  
938. 02/26/77 Swing Auditorium - San Bernardino, CA flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB  
939. 02/26/77 Swing Auditorium - San Bernardino, CA SBD>MR>DAT>CD; Editing and mastering by The Wizard  
940. 02/26/77 Swing Auditorium - San Bernardino, CA From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD.  
941. 02/26/77 Swing Auditorium - San Bernardino, CA Betty Board; d1 overtime- see G. Hamilton's alternate tracking suggestions; no md5s originally- checksums here are generated from the alt tracking; a few dropouts and reel changes; via Datsit, Other1, Steve; listener Jason Palmer asserts that there may be NR applied to this version?; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; note d1 tracks are in correct order unlike later reshn of this version; upgrade in circulation  
942. 02/26/77 Swing Auditorium - San Bernardino, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)  
943. 02/27/77 Robertson Gym, U.C.S.B. - Santa Barbara, CA Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is.  
944. 03/18/77 Winterland Arena - San Francisco, CA SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06  
945. 03/18/77 Winterland Arena - San Francisco, CA Source info: SBD 1: SBDMR @ 7.5 ips>DAT>CD>EAC>SHN (track 2 and 3) SBD 2: SBD>(unknown analog/digital gens)>CD>EAC>SHN (track 1) AUD: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette>DAT>CD>EAC>SHN (patch in track 3)  
946. 03/18/77 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
947. 03/19/77 Winterland Arena - San Francisco, CA SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel  
948. 03/19/77 Winterland Arena - San Francisco, CA flac16; matrix of SBD: shnid=255 and an uncirculated AUD: shnid=xxxxx by hansokolow using ProTools  
949. 03/19/77 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; Mastered By Charlie Miller  
950. 03/20/77 Winterland Arena - San Francisco, CA Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller  
951. 03/20/77 Winterland Arena - San Francisco, CA flac16; Partial Recording by Gene Taback center-right balcony toward the front, deck and mics unlabeled and forgotten  
952. 04/22/77 The Spectrum - Philadelphia, PA FOB Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR; Samson is missing due to a tape flip; Seeded to etree by Dave Luzenske  
953. 04/22/77 The Spectrum - Philadelphia, PA Multiple sources; AUD>MC>D>CD; SBD>MR>D>CD; SBD>MR>?>CD; See info file for details; via Matt Vernon, Raoul Duke, & Jools; Seeded to etree by J. Cotsman  
954. 04/22/77 The Spectrum - Philadelphia, PA flac16; SBD (7 inch Master Reels @ 7.5ips 1/2trk)> Dat> Dat (44.1k), plus patches from FOB Sony ECM99A> Cassette; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller  
955. 04/23/77 Springfield Civic Center - Springfield, MA AUDMC(Sony ECM99A > Sony152TC) > DAT > CD taped by Steve Hopkins via David Minor encoded by Matt Vernon; upgrade in circulation  
956. 04/23/77 Springfield Civic Center - Springfield, MA Recorded by Jerry Moore; Sony ECM-33Ps> Sony 153 pole mounted from floor back of center line. AUDMC > SHN by David Minches.  
957. 04/23/77 Springfield Civic Center - Springfield, MA SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation  
958. 04/23/77 Springfield Civic Center - Springfield, MA flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
959. 04/23/77 Springfield Civic Center - Springfield, MA flac16; Recorded by Steve Hopkins Master Audience Cassette; Sony ECM-99a > Sony TC-152sd with dolby b encoding (see info file for details) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> Adobe Audition > Downsample/Dither> flac encoding > FLAC * Patch source; Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152  
960. 04/23/77 Springfield Civic Center - Springfield, MA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
961. 04/23/77 Springfield Civic Center - Springfield, MA retrack> SHNv3 of previous SBD/AUD patch shn set, by Tony Gardner; upgrade in circulation  
962. 04/25/77 Capitol Theater - Passaic, NJ AUD, via Teddy Good Bear's tree #1; note reported "unlistenable"  
963. 04/25/77 Capitol Theater - Passaic, NJ SBD:MR>?>DAT>CDR; Pitch corrected and de-clicked by Tim Symons; See info file for details  
964. 04/25/77 Capitol Theater - Passaic, NJ flac16; Recording Info: SBD > R > C> C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC  
965. 04/26/77 Capitol Theater - Passaic, NJ AUD, via Teddy Good Bear's tree #1; note quality reported on a par with 4/25 from same source  
966. 04/27/77 Capitol Theater - Passaic, NJ flac16; Lineage: FM Cast WNEW FM ->Reel Tapes -> Many Years of Playback ->Sound Forge 6.0-> +4.0DB/2.5 octave bell spread centered at 5Khz-> FLAC via Flac Frontend, level 6, sectors aligned and verified  
967. 04/27/77 Capitol Theater - Passaic, NJ sbd(fm)>mr>dat>cd; via Ray Hansen; Peter Braverman ; upgrade in circulation  
968. 04/27/77 Capitol Theater - Passaic, NJ Pre-FM Master Reel Soundboard->DAT x ?. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Dan Lynch. DAT patch provided by Joe Samaritano. Transfer and SHN by Joe Samaritano  
969. 04/29/77 The Palladium - New York, NY AUD MC> D> CDR> SHN; Jerry Moore recording Sony ECM-33P/Sony TC-158; via CDead  
970. 04/30/77 The Palladium - New York, NY Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon  
971. 05/01/77 The Palladium - New York, NY Aud Cass master > Reel > PCM > DAT > CD-R > EAC > .SHN: (Loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs. Originally taped by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.); Ending of Samson, 25:47 filler on CD2 & 20:10 filler on CD3 supplied by "Good Bear Source": Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> cass master -> computer -> CD > EAC > .SHN; See info file for extensive 'mastering' notes; Note- This shn set may circ with the abgd sbd of set 2; via Teddy "Good Bear", Jonathan Miller; Seeded to etree by Dave Backus  
972. 05/01/77 The Palladium - New York, NY Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D conversion by David Minches, EAC by Rango Keeshevan, shn encoding Matt Vernon  
973. 05/01/77 The Palladium - New York, NY flac16; A Mick Bit Matrix, Set 2 sources: 1) Recording Info: SBD > Master Reel > Dat > CD Transfer Info: CD > Samplitude Professional v7.02 > FLAC All Transfers and Mastering By Charlie Miller (shn id 81739) and 2) Source: Sony ECM-33Ps >Sony TC-152 taped by Jerry Moore from first row loge A > D Conversion: Master played back on Nak Dragon > ART D I/O > HD > Cool Edit 2000 > Feurio by David Minches (shn id 17953)  
974. 05/01/77 The Palladium - New York, NY Set 2; MSR> DAT> CDR> EAC> SHN; via PJ to abgd  
975. 05/01/77 The Palladium - New York, NY flac16; Set 2 Only, Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller  
976. 05/03/77 The Palladium - New York, NY AUD> MR> DAT> CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky, with thanks to Ron Speer; d1 tracked for 80 min  
977. 05/03/77 The Palladium - New York, NY Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge or orchestra row 6 or 8. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon  
978. 05/03/77 The Palladium - New York, NY SBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited And SHN'd By Charlie Miller  
979. 05/04/77 The Palladium - New York, NY Sony ECM-33Ps> Sony TC-152 taped by Jerry Moore from orchestra row 6 or 8. A>D conversion by David Minches, EAC by Rango Keeshevan, final shn encoding by Matt Vernon  
980. 05/04/77 The Palladium - New York, NY d1: SBD> CASSM?R?> DAT, except for BEW which is SBD> ?> CDR; d2: MASTER REEL> DAT> DAT> CD; via Joe McCarthy to vines; tracked for 2x80; assembled with help from various seeders; see info file for misc flaws and credits. [Note: An sbe-fixed-by-set version also circulates]; upgrade in circulation  
981. 05/04/77 The Palladium - New York, NY flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller  
982. 05/04/77 The Palladium - New York, NY Set 1 SBD S: MC > C > CDR patched with Jerry Moore audience tape. A>D Conversion and aud patches by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon  
983. 05/04/77 The Palladium - New York, NY flac16; Set 2, Matrix About 55% SBD/45% AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
984. 05/04/77 The Palladium - New York, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
985. 05/05/77 Veterans Memorial Coliseum - New Haven, CT Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details  
986. 05/05/77 Veterans Memorial Coliseum - New Haven, CT  
987. 05/07/77 Boston Garden - Boston, MA Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes  
988. 05/07/77 Boston Garden - Boston, MA Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing  
989. 05/07/77 Boston Garden - Boston, MA SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.  
990. 05/07/77 Boston Garden - Boston, MA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller  
991. 05/07/77 Boston Garden - Boston, MA SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around)  
992. 05/07/77 Boston Garden - Boston, MA flac16; 2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner  
993. 05/08/77 Barton Hall, Cornell University - Ithaca, NY freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin  
994. 05/08/77 Barton Hall, Cornell University - Ithaca, NY MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs  
995. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; MAC> R> CD Audience Recording by Jerry Moore; seeded by clarson; possibly different source CDR> DAE compared to similar-looking shn set; upgrade in circulation  
996. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt)  
997. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Recording And Transfer:Jeff Stevenson  
998. 05/08/77 Barton Hall, Cornell University - Ithaca, NY Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks  
999. 05/08/77 Barton Hall, Cornell University - Ithaca, NY Source Info: "3 Source Matrix Mix, SBD + AUD1 + AUD2"  
1000. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac24/96; SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)  
1001. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; Set 1 only; partial SBD (1st part of Set 1 Only) Lineage unknown, possibly RR > CD (unknown transfer) > EAC > SHN Originally posted as shn files to abgd-hs by ArtCube 2007-09-26 (The patch in Minglewood is from material performed on 5-7 and Lazy Lightning from 5-25.) Converted to flac by terrapinstation  
1002. 05/08/77 Barton Hall, Cornell University - Ithaca, NY w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation  
1003. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation  
1004. 05/08/77 Barton Hall, Cornell University - Ithaca, NY flac16; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller  
1005. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston  
1006. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY Sony ECM-33Ps > Nak 550>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon  
1007. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY S:bReel>P>D>CD; tunings and splice (in Music) edited; via Trick and Jason; note Music d1t10 is missing from one circulating version of the shn set (md5s listed here as d1p); complete md5 with d1t10 is listed here as d1tot; thanks to Patrick Murphy for assistance; upgrade in circulation  
1008. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
1009. 05/09/77 Buffalo Memorial Auditorium - Buffalo, NY flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k); Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Mastering By Charlie Connor; Remastered By Charlie Miller  
1010. 05/11/77 St. Paul Civic Center - St. Paul, MN SBD> Rm> Dat> Sonic Solutions> CD, Patched w/SBD> Rm> Dat> Cass> Dat> CD; via Charlie Miller; Seeded to etree by Steve Barbella; upgrade in circulation  
1011. 05/11/77 St. Paul Civic Center - St. Paul, MN flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller  
1012. 05/12/77 Auditorium Theatre - Chicago, IL Updated lineage: Master Audience Cassette > unknown mics/deck> DAT > CDR; fresh transcription of a previously circulating copy (see notes in txt); Re-Mastering by Scott Clugston; missing Cassidy, splice in NFA; d1 tracked for 80 min  
1013. 05/13/77 Auditorium Theatre - Chicago, IL Bertha Remaster of the Master Reel source. SBD>>MR>>Dat>>CDA>>SS>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+ Post Drums(Disc 3): PreFM>>???>>Dat>>CDA - Sound B-  
1014. 05/13/77 Auditorium Theatre - Chicago, IL SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Miller  
1015. 05/15/77 The Arena - St. Louis, MO flac16; Matrix, Sources: 1) Bertha Remaster of the Master Reel source sbd > mr > dat > wav > flac > daw(Bertha) > wav (24/48) > audio dvd > dvd audio ripper > wav > adobe audtion > flac, and 2) Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Matrixed by SIRMick May 2008  
1016. 05/15/77 The Arena - St. Louis, MO flac16; Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding  
1017. 05/15/77 The Arena - St. Louis, MO flac24/48; Bertha Remaster of the Master Reel source source: sbd > mr > dat > wav > flac > daw(Bertha) > wav > audio dvd > dvd audio ripper > wav > adobe audtion > flac Notes: This is a straight rip from the DVD. The flac files have been encoded at 24 bit/48,000 KHz and CANNOT be burned as an audio cd Original Notes with DVD: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on April 16, 2005. Although the sound of the original source is very good, the mix is a bit of a kick mix and the low bass was not able to be brought up without having an obtrusively thumping kick. Some compenstation was made in the mid bass frequencies which resulted in a nice balance between the bass and the kick. From the original text file, prior to Bertha Remastering: Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller 4/11/05 Thanks to RjHythloday for making the DVD available. SIRMICK November 2005  
1018. 05/15/77 The Arena - St. Louis, MO flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net  
1019. 05/15/77 The Arena - St. Louis, MO flac16; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>adobe 16/44>flac  
1020. 05/15/77 The Arena - St. Louis, MO flac24; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac  
1021. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL flac16; Recording by Steve Maizner: Sony ECM-990s>Sony TC153 Transfer of 1st Generation Cassette Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded  
1022. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL SBD>MR 7" (Baked)> DAT> Cass> DAT> CD; via Chuck Kiefe, Andy Singer, Brian Leonard; note tuning pauses have been shortened in some cases, very slight hiss, encore missing; upgrade in circulation  
1023. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner  
1024. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL S:Rm (7" - baked), D, C, D - 1x90Meter (and Potentially 2x60Meter?); CDR>EAC>Shn; missing encore; stemming from 10/00 BUDD tree, via Stretch N to etree; upgrade in circulation  
1025. 05/17/77 Memorial Coliseum, University Of Alabama - Tuscaloosa, AL flac16; 2 source matrix: Soundboard (shnid=18554): SBDMR > DAT > CD > EAC > SHN and Aud (shnid=88771): Recording by Steve Maizner: Sony ECM-990s>Sony TC153; Transfer of 1st Generation Cassette (Thanks Alan Z.) Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded  
1026. 05/18/77 Fox Theatre - Atlanta, GA SBD > MR > DAT > CDR > WAV > SHNv3; DAE: EAC (high n' secure, offset corrected) > shntool (boundaries confirmed) > mkwact > ftp via neo_levo from bear g.'s seed; upgrade in circulation  
1027. 05/18/77 Fox Theatre - Atlanta, GA flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC  
1028. 05/18/77 Fox Theatre - Atlanta, GA SBD > DAT > CDRs > EAC > WAV > SHNv3; EAC and SHNv3 encoding by Patrick Murphy, from Alan Topal seed discs; see info file for flaw notes; upgrade in circulation  
1029. 05/22/77 The Sportatorium - Pembroke Pines, FL SBD>MR>C>D>CD>Toast>SHN  
1030. 05/25/77 The Mosque - Richmond, VA flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed dropout in d3t02 Wharf Rat of source ID 87539  
1031. 05/25/77 The Mosque - Richmond, VA SBD MR > DAT > CDR > SHN; via Seth Kaplan, Greg Hamilton; upgrade compared to previously etreed version; note two-beat elision at d2t5-6 track break (see George Shannon's pub comment); upgrade in circulation  
1032. 05/25/77 The Mosque - Richmond, VA flac16; Genealogy: MR > DAT > CDR > SHN > CDR > SHN > shntool > FLAC; SBE fix of shn id 13399; upgrade in circulation  
1033. 05/25/77 The Mosque - Richmond, VA flac16; Matrix 2 Source Mix - SBD1 (shn id 87591)Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid 107757) Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. - matrix mixing by Kevin Tobin  
1034. 05/26/77 Baltimore Civic Center - Baltimore, MD AUD>MC>DAT>CDR>EAC>WAV>DC6>WAV Unknown microphones Patch Source: SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN  
1035. 05/26/77 Baltimore Civic Center - Baltimore, MD AUD>MC>DAT>CDR via Raoul Duke encoded by Matt Vernon  
1036. 05/26/77 Baltimore Civic Center - Baltimore, MD SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN; Bertha remaster of shn id 11614  
1037. 05/26/77 Baltimore Civic Center - Baltimore, MD Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits  
1038. 05/26/77 Baltimore Civic Center - Baltimore, MD SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB; Seeded to etree by Jay Serafin  
1039. 05/26/77 Baltimore Civic Center - Baltimore, MD SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN
Source: Bettyboard 7 inch master reel @ 7 ? ips > DAT>SS>CD
Patch Source: AUD>MC>DAT>CDR (contrary to popular belief, Jerry Moore did not record this show)
Editing and Mastering by The Wizard
 
1040. 05/26/77 Baltimore Civic Center - Baltimore, MD flac 16; Sick Bits Vol. 30a - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=11614) + AUD (shnid=32092) as well as a patch SBD source (shnid=3224). Matrixed by Chris Chappell.  
1041. 05/28/77 Hartford Civic Center - Hartford, CT Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74  
1042. 05/28/77 Hartford Civic Center - Hartford, CT SBD> DAT> CDA> WAV> DAW (Bertha)> CDA; Seeded by Jay Ashley; despite notes in info file, this is apparently not directly from Seth's shn set- Jay comments, "I extracted the wavs from CDs I received from Charlie Miller, and reassembled them prior to processing." (A flac version of this source was also distributed via bt.etree on 10/18/05 with the following lineage: SBD>MSR>DAT>CD>>SHN>>DAW(Bertha)>>CDA > SHN(non-seekable) > WAV(mkwACT v0.97 beta 1) > FLAC(frontend v1.7.1 at Level 8 with Align on sector boundaries enabled). flac done by Thomas Festa  
1043. 05/28/77 Hartford Civic Center - Hartford, CT Recorded by Jerry Moore; Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor. AUDMC > SHN by David Minches.  
1044. 05/28/77 Hartford Civic Center - Hartford, CT SBD>MSR>DAT>CD>EAC>SHN>DC6>SHN  
1045. 05/28/77 Hartford Civic Center - Hartford, CT flac16; For all of Set 1 & from "NFA" to the end of Set 2: Jim Wise used: 2 Sony 54P mics w/ Sennheiser 441 blend mic > Nakamichi 550 cassette deck FOB > reel @ 3 3/4 ips > DAT @ 48kHz > my computer > DAT @ 44.1kHz or CD. For Set 2, "Samson" through "Drums": (Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> CM (Cassette Masters) -> my computer* -> CD or DAT @ 44.1kHz 1) Sony 3-head cassette deck (TC-K615S) > 10 band equalizer > My computer using "CoolEdit96" see info file for details (note: The originally seeded shn files were seeded c. 1999; those checksums added to this listing June, 2007.)  
1046. 05/28/77 Hartford Civic Center - Hartford, CT flac 16; Sick Bits Vol. 30b - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=4983) + AUD (shnid=18439). Matrixed by Chris Chappell.  
1047. 06/04/77 The Forum - Inglewood, CA Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > Teddy GoodBear Computer (no edit) > SHN; to abgd; note track names with punctuated song titles may cause probs for some  
1048. 06/04/77 The Forum - Inglewood, CA flac24; 2 x AKG 224E => Sony TC-15XSD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096  
1049. 06/04/77 The Forum - Inglewood, CA flac16; 2 x AKG 224E => Sony TC-158SD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096  
1050. 06/07/77 Winterland Arena - San Francisco, CA flac16; AUD, Likely: MAR > Reel > DAT > CDs (See note below)  
1051. 06/07/77 Winterland Arena - San Francisco, CA SBD> MR> DAT, plus AUD patches (AKG D220 mics> Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein> Rob Bertrando's first-gen reel> DAT); DAT> CD transfer, patching by David Hollister; EAC> volume editing> SHN by Keith Bode  
1052. 06/07/77 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1053. 06/08/77 Winterland Arena - San Francisco, CA AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Bob Menke/Reinhardt Hollwein with AKG D224s> Tandberg 10XD; DAT transfer info unknown; EAC (secure, offset corrected)> SHN by D. Winters  
1054. 06/08/77 Winterland Arena - San Francisco, CA Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller  
1055. 06/08/77 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1056. 06/09/77 Winterland Arena - San Francisco, CA AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Dr. Rob Bertrando with AKG D220s>Tandberg 10XD; DAT transfer info unknown; EAC> SHN by D. Winters  
1057. 06/09/77 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC Transferred and Edited By Charlie Miller Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD  
1058. 06/09/77 Winterland Arena - San Francisco, CA flac16; flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
1059. 06/09/77 Winterland Arena - San Francisco, CA Master Reels> PCM> DAT> Delta DiO 2496> Sound Forge 4.5> CDWAV> SHN; no phasing probs; via John D'Auria; upgrade in circulation  
1060. 06/09/77 Winterland Arena - San Francisco, CA flac16; flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
1061. 06/09/77 Winterland Arena - San Francisco, CA flac16; Recording Info: Sbd -> Master Reel -> Dat -> Cd; Patch Source: AKG D224 -> Master Reel -> Reel -> DAT -> CD (shnid 26450); Transfer Info - Most Tracks: CD -> EAC -> Samplitude Profesional -> FLAC (shnid 28614); Transfer Info - d2t05: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> Peak Dv4 -> WAV -> FLAC; Transfer Info - d3t02 and d3t07: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> ProTools LE -> WAV -> FLAC; This is a partial upgrade to shnid 28614 (Charlie Miller's 2005 remaster) with three tracks repaired by Duane Day  
1062. 09/03/77 Raceway Park - Englishtown, NJ flac16; AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's. Recording Location: "I was right in front of a delay stack in center field." Transfer: MAC > unknown playback > Soundforge > CD-Wave > CDR. Concert recording and transfer to CDR by Tim "Sounddawg" Stiegler. CDR > EAC > TLH > FLAC by Andrew F.  
1063. 09/03/77 Raceway Park - Englishtown, NJ flac16; Recording by Bob Wagner: 2 Sony ECM 270s> Sony TC-158 Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Patch source used: SHNID 91230 AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's  
1064. 09/03/77 Raceway Park - Englishtown, NJ flac24; aud cassette master, tc-153 taped by Ken Flemming, lineage: tc-153 master, maxell ud-c90's, dolby b nak dragon>hd-p2 24/96>hd>adobe auditon 2.0(levels)>cd wave (tracking)>flactransfer by Rob Berger  
1065. 09/03/77 Raceway Park - Englishtown, NJ flac16; aud cassette master, tc-153, taped by Ken Flemming, lineage: tc-153 master, maxell ud-c90's, dolby b nak dragon>hd-p2 24/96>hd>adobe auditon 2.0(levels/resample 16/44.1)>cd wave(tracking)>flactransferred by Rob Berger  
1066. 09/03/77 Raceway Park - Englishtown, NJ flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000276) Source: Two-track Pre-FM reel > DAT > CD-R, except for (terrapin), which is unknown AUD and Audience (shnid:91650) 2 Sony ECM 270s> Sony TC-158; Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding  
1067. 09/28/77 Paramount Theatre - Seattle, WA Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>Dat @ 48 kHz>Tascam DA-20MKII (playback only)>RME Digi96/8>Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT) Source DAT via Joe Samaritano DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor  
1068. 09/29/77 Paramount Theatre - Seattle, WA SBD> MR> PCM> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon. [Note: an alternate md5 file for d3 circulates.]  
1069. 09/29/77 Paramount Theatre - Seattle, WA flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz First Reel has no DBX hence MR > P1 > D1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky November 24, 2008  
1070. 10/01/77 Paramount Theatre - Portland, OR SBD>>MR>>PCM>>DAT>>CDA>>DAW(Bertha)>>CDA; Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com  
1071. 10/01/77 Paramount Theatre - Portland, OR flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0  
1072. 10/01/77 Paramount Theatre - Portland, OR flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation  
1073. 10/01/77 Paramount Theatre - Portland, OR flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1074. 10/02/77 Paramount Theatre - Portland, OR flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).  
1075. 10/02/77 Paramount Theatre - Portland, OR WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation  
1076. 10/02/77 Paramount Theatre - Portland, OR flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1077. 10/06/77 Activity Center, Arizona State University - Tempe, AZ flac16; FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC  
1078. 10/06/77 Activity Center, Arizona State University - Tempe, AZ SBD> MR> C> C> DAT> CDR> EAC> SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; from Ron Speer seed; upgrade in circulation  
1079. 10/07/77 University Arena, University Of New Mexico - Albuquerque, NM flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller  
1080. 10/09/77 McNichols Sports Arena - Denver, CO flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller  
1081. 10/09/77 McNichols Sports Arena - Denver, CO flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller  
1082. 10/11/77 Lloyd Noble Center, University Of Oklahoma - Norman, OK flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
1083. 10/12/77 Manor Downs - Austin, TX SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches  
1084. 10/14/77 Hofheinz Pavilion - Houston, TX SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; woth thanks to Bill Golden  
1085. 10/14/77 Hofheinz Pavilion - Houston, TX Fix of shnid 6693 (sbd) by Bill Tetzeli - see info file for details  
1086. 10/14/77 Hofheinz Pavilion - Houston, TX flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation  
1087. 10/14/77 Hofheinz Pavilion - Houston, TX flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation  
1088. 10/15/77 Moody Coliseum, S.M.U - Dallas, TX SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected  
1089. 10/15/77 Moody Coliseum, S.M.U - Dallas, TX flac16; Master AUD -> 1st gen Hi-Fi VHS -> wav ->flac  
1090. 10/15/77 Moody Coliseum, S.M.U - Dallas, TX flac16; Recording Info: SBD > mc > r > d > CD; Transfer Info: CD > wav > Sound Forge 10 > TLH > flac  
1091. 10/16/77 Assembly Center, Louisiana State University - Baton Rouge, LA sdb> MR> C> D> CD; via Mike Lai  
1092. 10/16/77 Assembly Center, Louisiana State University - Baton Rouge, LA flac16; partial Set 1: Sony CR-O2 C-90 Cassette tape MASTER > JVC TD-W209 cassette playback deck >JVC XL-R5010 stand-alone>cdr (0)>your cdr  
1093. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy  
1094. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1095. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS flac16; Recording Info: Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding  
1096. 10/28/77 Soldiers & Sailors Memorial Hall - Kansas City, KS flac16; Matrix 2 Source Mix - SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - matrix mixing by Kevin Tobin  
1097. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL Sony ECM-990s>Sony TC-158>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon  
1098. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL flac16; MSR>PCM>DAT>CDx?>EAC>WAV>FLAC; patch source: shnid=8035; EAC extraction, editing, and FLAC encoding by Sean Cribbs 3/11/05  
1099. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka  
1100. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL flac16 Recording Info:SBD -> Master Reel -> PCM -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
1101. 10/29/77 Evans Field House, Northern Illinois University - DeKalb, IL flac16; matrix of SBD: shnid=92085 and AUD: shnid=8035 by hansokolow using ProTools  
1102. 10/30/77 Assembly Hall - Bloomington, IN Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki  
1103. 10/30/77 Assembly Hall - Bloomington, IN flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 99765  
1104. 11/01/77 Cobo Arena - Detroit, MI flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller  
1105. 11/02/77 Field House, Seneca College - Toronto, ON flac 16; Sick Bits Vol. 23 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=14743) + AUD (shnid=81012). Matrixed by Chris Chappell.  
1106. 11/02/77 Field House, Seneca College - Toronto, ON flac16; SBD/AUD Matrix by SIRMick; Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN (shn id 14743) and Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Recorded by Alan Zimmerman (shn id 81012)  
1107. 11/02/77 Field House, Seneca College - Toronto, ON Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy  
1108. 11/02/77 Field House, Seneca College - Toronto, ON flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC  
1109. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY MAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9 beta 4) > editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by John Steinthal, CD > SHN by Joe Jupille and Noah Weiner.  
1110. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell  
1111. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY SBD:MR > DAT > CD-R; material from previous shn set, plus patched intro from AUD (see notes in info file); seeded by Peter Braverman  
1112. 11/04/77 Cotterell Gym, Colgate University - Hamilton, NY flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC  
1113. 11/05/77 Community War Memorial Auditorium - Rochester, NY Master Audience Cassette > possible analog gen> DAT > CDR; Mastered to disc> EAC> SHN by Scott Clugston. [Note: An alternate shn set differeing only in disks 2 and 3 also circulates. This might have an additional EAC generation.]  
1114. 11/05/77 Community War Memorial Auditorium - Rochester, NY flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC  
1115. 11/05/77 Community War Memorial Auditorium - Rochester, NY A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs  
1116. 11/06/77 Broome County Arena - Binghamton, NY A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs  
1117. 11/06/77 Broome County Arena - Binghamton, NY flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) June 13, 2008  
1118. 11/06/77 Broome County Arena - Binghamton, NY Reel -> DAT -> CDR; Transfer: EAC -> SHN by D. Nawrocki  
1119. 12/27/77 Winterland Arena - San Francisco, CA Bertha Remaster of the Master Reel source. SBD>>MR>>SS>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN  
1120. 12/27/77 Winterland Arena - San Francisco, CA SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches  
1121. 12/29/77 Winterland Arena - San Francisco, CA Dick's Picks 10 outtakes SBD>?>SHN via Terrapin Station  
1122. 12/29/77 Winterland Arena - San Francisco, CA flac16; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith  
1123. 12/30/77 Winterland Arena - San Francisco, CA partial; SBD> MR> DAT> CD; via Candyman  
1124. 12/30/77 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Dat -> FLAC; Transfer Info: FLAC -> Samplitude Professional v11.2.1 -> FLAC; fixed version levels were increased approximately 14db; please do not circulate the original files; All Transfers and Mastering By Charlie Miller  
1125. 12/31/77 Winterland Arena - San Francisco, CA SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim  
1126. 12/31/77 Winterland Arena - San Francisco, CA Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com)  
1127. 12/31/77 Winterland Arena - San Francisco, CA Seamless fix of shn id 286 - SBD > Master Reel > DAT > CDR > EAC > SHN  
1128. 01/22/78 McArthur Court, University Of Oregon - Eugene, OR flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell  
1129. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL flac16; SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD) Mix consisting of SBD - shn id 81307, AUD - shn id 81494  
1130. 04/07/78 The Sportatorium - Pembroke Pines, FL flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller  
1131. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller  
1132. 04/10/78 Fox Theater - Atlanta, GA SBD -> Rm -> PCM -> Dat via Charlie Miller  
1133. 04/11/78 Fox Theater - Atlanta, GA flac16; SBD -> Rm -> PCM -> Dat - Seamless fix of shn id 18099 via Bill Tetzeli  
1134. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; fix of shind 106985  
1135. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC V: LOW GEN VHS>STANDALONE>DVD A: Bertha Remaster@48KBS  
1136. 04/14/78 Cassell Coliseum, Virginia Polytechnic - Blacksburg, VA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller  
1137. 04/15/78 William & Mary Hall - Williamsburg, VA flac 16; Sick Bits Vol. 24 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=33683) + AUD (shnid=18556). Matrixed by Chris Chappell.  
1138. 04/16/78 Huntington Civic Center - Huntington, WV flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller  
1139. 04/16/78 Huntington Civic Center - Huntington, WV flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1140. 04/18/78 Civic Arena - Pittsburgh, PA SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) patched with aud via Joey Browning, Matt Vernon, & Raoul Duke mastered by Jeff Cotsman  
1141. 04/19/78 Veterans Memorial Hall - Columbus, OH flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1142. 04/21/78 Rupp Arena, University Of Kentucky - Lexington, KY flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1143. 04/22/78 Nashville Municipal Auditorium - Nashville, TN flac16; Set 1 Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1144. 04/24/78 Horton Field House, Illinois State University - Normal, IL flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1145. 06/04/78 Campus Stadium, UC Santa Barbara - Goleta, CA flac16; Recording Info: SBD (Betty's Recording Mix) -> Master Cassette (Maxell UD C-90) -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller  
1146. 07/07/78 Red Rocks Amphitheatre - Morrison, CO flac16; 3-Source SBD/AUD Matrix Mix by OctopusRider  
1147. 07/08/78 Red Rocks Amphitheatre - Morrison, CO flac16; Matrix 2 Source Mix - SBD (shn id 294) SBD> [?]> DAT> CDR; via Jeff Hoelter + AUD (shn id 91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight - matrix mixing by Kevin Tobin  
1148. 08/30/78 Red Rocks Amphitheatre - Morrison, CO flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI) -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1149. 09/13/78 Gizah Sound and Light Theater - Cairo, Egypt Soundcheck from night before the shows; SBD>MR>??>CDR; Seeded to Etree by T. Wiley  
1150. 09/14/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC Transfered By Charlie Miller  
1151. 09/14/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder ,1st gen Maxell UDXL 2 cass Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > plugins > flac lvl 8 (tlh)  
1152. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Matrix 2 Source Mix - SBD (shn id 87782) Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC + AUD (shn id 4160) Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 - matrix mixing by Kevin Tobin  
1153. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Source: Audience Recording Lineage: 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder ,1st gen Maxell UDXL 2 cass > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave >Edited in Adobe Audition, mastered with iZotope Ozone, noise reduction with iZotope RX Advanced, tracked with CD Wave and flac'd with TLH  
1154. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
1155. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller  
1156. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh)  
1157. 09/??/78 Giza Sound and Light Theater - Giza, Egypt  
1158. 10/21/78 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller  
1159. 10/21/78 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1160. 10/22/78 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1161. 11/20/78 Cleveland Music Hall - Cleveland, OH flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell  
1162. 07/01/79 Seattle Center Coliseum - Seattle, WA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1163. 09/05/79 Madison Square Garden - New York, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16)  
1164. 10/24/79 Springfield Civic Center - Springfield, MA flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller  
1165. 10/27/79 Cape Cod Coliseum - South Yarmouth, MA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1166. 10/28/79 Cape Cod Coliseum - South Yarmouth, MA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1167. 10/31/79 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; SBD and Audience Matrix Mix  
1168. 11/01/79 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; SBD and Audience Matrix Mix from SBD: shnid 23445 SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller and Audience: shnid 22316 Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550  
1169. 11/25/79 Pauley Pavilion, UCLA - Los Angeles, CA flac16; Matrix 2 Source Mix - SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin  
1170. 12/01/79 Stanley Theatre - Pittsburgh, PA flac16; Sick Bits Vol. 15: SBD/AUD Matrix[SBD: (shnid=29429) AUD: (shnid=31330)] via Chris Chappell  
1171. 12/11/79 Soldiers & Sailors Memorial Hall - Kansas City, KS flac16; SBD + AUD Matrix (60%-SBD/40%-AUD) Mixed by Dan Haugh  
1172. 12/28/79 Oakland Auditorium Arena - Oakland, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1173. 05/10/80 Hartford Civic Center - Hartford, CT flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Dat -> Sound Forge -> WAV; Transfer Info: WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC  
1174. 06/19/80 West High Auditorium - Anchorage, AK flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller  
1175. 06/20/80 West High Auditorium - Anchorage, AK flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
1176. 06/20/80 West High Auditorium - Anchorage, AK flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller  
1177. 06/21/80 West High Auditorium - Anchorage, AK flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller  
1178. 08/30/80 The Spectrum - Philadelphia, PA flac16; Recording Info:Set 1: SBD -> Cassette Master -> ? -> CD; Set 2: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller  
1179. 09/04/80 Providence Civic Center - Providence, RI flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1180. 09/06/80 State Fairgrounds - Lewiston, ME flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller  
1181. 10/03/80 Warfield Theater - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1182. 10/10/80 Warfield Theater - San Francisco, CA flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell  
1183. 10/26/80 Radio City Music Hall - New York, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
1184. 11/30/80 Fox Theater - Atlanta, GA flac16; Source: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: (shnid=2416): Source: MSC>Reel>DATs>CDRs>EAC>SHN (Through Scarlet>Fire only), AUD1: 24 bit (set 1 only) Recording Info: Taped by Dr. Bob Wagner Nakamichi 700s (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B), and AUD2: 24 bit (shnid=90530) (Scarlet>Fire only) AUD3: 16 bit (shnid=90497) (rest of the show - no matrix) Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Matrixed by Chris Chappell  
1185. 02/26/81 Uptown Theater - Chicago, IL flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell  
1186. 02/27/81 Uptown Theater - Chicago, IL flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell  
1187. 02/28/81 Uptown Theater - Chicago, IL flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell  
1188. 03/09/81 Madison Square Garden - New York, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC16)  
1189. 03/21/81 Rainbow Theatre - London, England Master Soundboard Cassette > Cassette > CDR, with AUD Senn 421 patches (see info file); CD Mastering, Patching, EAC, SHN by Scott Clugston; tracked for 2x80; to abgd  
1190. 05/08/81 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%)  
1191. 05/09/81 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; MATRIX MIX: 1 SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 10, 2008  
1192. 05/12/81 Veterans Memorial Coliseum - New Haven, CT flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1193. 07/07/81 Kansas City Municipal Auditorium Arena - Kansas City, MO flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat; Transfer Info: Dat (sony R500) -> Samplitude Professional V11.1 -> Adobe Audition V3.0 -> Flac; All Transfers And Mastering By Charlie Miller; This Is A Remaster Of Shnid=30649  
1194. 08/16/81 McArthur Court, University Of Oregon - Eugene, OR flac16; SBD > ? > (Cx?) > CDR > EAC > WAV > WavMerge > Soundforge > CD-Wave > TLH (for checksums and SBE-OK) > FLAC Frontend  
1195. 08/28/81 Long Beach Arena - Long Beach, CA flac16; Recording Info: SBD -> Cassette Master -> ? -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1196. 09/26/81 Community War Memorial Auditorium - Buffalo, NY flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell  
1197. 10/03/81 Rainbow Theatre - London, England flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC ; All Transfers and Mastering By Charlie Miller  
1198. 10/16/81 Club Melk Weg - Amsterdam, Netherlands flac16; Sick Bits Vol. 27 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=1217) + AUD (shnid=80060). Matrixed by Chris Chappell.  
1199. 12/30/81 Oakland Auditorium Arena - Oakland, CA flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat -> CD; Set 2 Pre Drums: SBD -> Cassette Master -> PCM -> Dat -> CD; Set 2 Post Drums: SBD -> Cassette Master -> Reel -> Cassette -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1200. 12/31/81 Oakland Auditorium Arena - Oakland, CA electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files  
1201. 05/22/82 Greek Theatre, University Of California - Berkeley, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1202. 05/23/82 Greek Theatre, University Of California - Berkeley, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1203. 07/31/82 Manor Downs - Austin, TX flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell  
1204. 08/03/82 Starlight Theater - Kansas City, MO flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell.  
1205. 08/06/82 St. Paul Civic Center - St. Paul, MN flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
1206. 08/10/82 University Of Iowa Fieldhouse - Iowa City, IA flac16; MATRIX MIX: About 50%AUD/50%SBD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 7/25/07 Remastered 06/01/08; remastered version of shn id 86585  
1207. 08/28/82 Oregon Country Fair - Veneta, OR flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This is a re-patch of source ID 106749  
1208. 09/05/82 US Festival, Glen Helen Regional Park - Devore, CA flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1209. 09/20/82 Madison Square Garden - New York, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1210. 09/21/82 Madison Square Garden - New York, NY flac 16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1211. 10/09/82 Frost Amphitheatre - Palo Alto, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008  
1212. 10/10/82 Frost Amphitheatre - Palo Alto, CA flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 (A re-synchronized version of d2t06 was circulated in April, 2009. No other changes were made to the file set.)  
1213. 12/27/82 Oakland Auditorium - Oakland, CA flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell  
1214. 12/28/82 Oakland Auditorium - Oakland, CA flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell.  
1215. 03/26/83 Aladdin Theater - Las Vegas, NV flac16; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > *Adobe AUdition 1.5 > shntool > FLAC lvl8  
1216. 03/31/83 Warfield Theater - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1217. 04/09/83 Hampton Coliseum - Hampton, VA flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1218. 04/13/83 Patrick Gymnasium, U of Vermont - Burlington, VT flac16; Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)  
1219. 04/26/83 The Spectrum - Philadelphia, PA flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller  
1220. 09/02/83 Boise State University Pavillion - Boise, ID flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
1221. 09/06/83 Red Rocks Amphitheatre - Morrison, CO flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1222. 10/15/83 Hartford Civic Center - Hartford, CT flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1223. 10/17/83 Olympic Center - Lake Placid, NY flac16; MATRIX MIX: 2 SBD/ 1 AUD (About 60%/40%); Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC); yet another fix/ugrade of the previous matrix sources: shn id 91192 and shn id 91239  
1224. 04/26/84 Providence Civic Center - Providence, RI flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller  
1225. 04/26/84 Providence Civic Center - Providence, RI flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>Soundtrack>WAV>SHN) May 10, 2008 Remastered June 14, 2008. Cleaned up version of the previous Seamons matrix source  
1226. 07/13/84 Greek Theatre, U. Of California - Berkeley, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1227. 10/20/84 Carrier Dome, Syracuse U - Syracuse, NY SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs; Upgrade in circulation  
1228. 02/??/85 Unknown - Unknown, CA flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16  
1229. 03/28/85 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16;MTX by PLS SBD > MC > DAT > CDR > FLAC EAC'd and converted on 9/17/2001 by Randy Griesman and AUD Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac ; upgrade in circulation  
1230. 03/28/85 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1231. 03/28/85 Nassau Veterans Memorial Coliseum - Uniondale, NY flac16; Set 1 only, Matrix by Hunter Seamons using Soundtrack/Final Cut Pro (SHN & FLAC>AIFF>Soundtrack>Final Cut>WAV>FLAC)  
1232. 04/27/85 Frost Amphitheatre - Palo Alto, CA flac16; SBD + AUD Matrix 3 Source Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584  
1233. 06/14/85 Greek Theatre, U. Of California - Berkeley, CA flac16; Sick Bits Vol. 22a - SBD/AUD matrix of 3 previously circulating sources: SBD (shnid=13747) + Oade AUD (shnid=24451). Another AUD (shnid=32867) was used to patch crowd and tunings. Matrixed by Chris Chappell.  
1234. 06/15/85 Greek Theatre, U. Of California - Berkeley, CA flac16; Sick Bits Vol. 22b - SBD/AUD matrix of 3 previously circulating sources: set 1 SBD (shnid=5682) and set 2 SBD (shnid=28449) + Oade AUD (shnid=24586). Matrixed by Chris Chappell.  
1235. 06/16/85 Greek Theater, U. of California - Berkeley, CA flac16; Sick Bits Vol. 22c - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=79021) + Oade AUD (shnid=24611). Matrixed by Chris Chappell.  
1236. 06/24/85 River Bend Music Center - Cincinnati, OH SBD/AUD Matrix by Timothy Pytlik  
1237. 06/24/85 River Bend Music Center - Cincinnati, OH flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1238. 06/27/85 Saratoga Performing Arts Center - Saratoga Springs, NY flac16; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller  
1239. 06/27/85 Saratoga Performing Arts Center - Saratoga Springs, NY flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) July 6, 2008 Speed Corrected July 20. (This source fixes the speed of the previous Seamons source.)  
1240. 06/28/85 Hershey Park Stadium - Hershey, PA flac16; source: Soundboard > ??? (cass or pcm) > DAT > DAT > WAV > SHN > WAV > FLAC see text file for full details  
1241. 06/30/85 Merriweather Post Pavilion - Columbia, MD flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1242. 07/01/85 Merriweather Post Pavilion - Columbia, MD flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1243. 08/24/85 Boreal Ridge Ski Resort - Donner's Summit, CA flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller  
1244. 09/03/85 Starlight Theater - Kansas City, MO flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
1245. 09/05/85 Red Rocks Amphitheatre - Morrison, CO flac16; Matrix 4 Source Mix - SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. + AUD2 (shn id 27680) Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac + AUD3 (no shn id) low generation audio from vhs located somewhere in taper section - matrix mixing by Kevin Tobin  
1246. 09/07/85 Red Rocks Amphitheatre - Morrison, CO flac16; Sick Bits Vol. 26 - SBD/AUD matrix of 2 previously circulating sources: CM PCM SBD (shnid=33954) + Oade AUD (shnid=17078). Matrixed by Chris Chappell.  
1247. 09/07/85 Red Rocks Amphitheatre - Morrison, CO flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) June 4, 2008 (This source fixes flaws in the two previous Seamons sources of this matrix, shn id 92111 and shn id 92124.)  
1248. 10/29/85 Fox Theater - Atlanta, GA 2nd set only; Source: SBD>Cassette>Cassette>DAT Conversion: Tascam DA-20 MK II >SoundForge (48KHz>44.1KHz)>Cool Edit 2000 (10db hiss reduction and FFT filter to reduce treble from Dolby)>CD Wave>MKW (SHN) Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net) 7/8/02. Includes filler from GDH #461 - Warfield, 2/17/82  
1249. 11/02/85 Richmond Coliseum - Richmond, VA flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell  
1250. 11/11/85 Meadowlands Arena - East Rutherford, NJ flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)  
1251. 02/11/86 Henry J. Kaiser Convention Center - Oakland, CA flac16; Matrix of SBD (shnid=117263) and AUD (shnid=74961) by Jubal H. Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)  
1252. 07/04/86 Rich Stadium - Buffalo, NY flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller  
1253. 07/04/86 Rich Stadium - Buffalo, NY JVC SRV10U S-VHS w/ Time Base Corrector & Digital NR engaged > s-video > ATI All-in-Wonder 128 > VirtualDub Sync mod w/ HuffYUV > AVIsynth 2.5.4 (w/ script to fix aspect ratio and crop video head-switching noise [bottom 16 lines], then center image) CAPTURE: NTSC D1 (704x480, 29.97fps). DVD: CinemaCraft Encoder 2.67 encoded @ 8000kbps CBR interlaced & 1536kbps PCM WAV.  
1254. 09/18/87 Madison Square Garden - New York, NY flac16; matrix of DSBD: shnid=19002 and AUD: shnid=82359 by hansokolow using ProTools  
1255. 04/08/89 Riverfront Arena - Cincinnati, OH flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1256. 10/09/89 Hampton Coliseum - Hampton, VA flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)  
1257. 10/20/89 The Spectrum - Philadelphia, PA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1258. 10/22/89 Charlotte Coliseum - Charlotte, NC flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1259. 10/23/89 Charlotte Coliseum - Charlotte, NC flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1260. 03/29/90 Nassau Coliseum - Uniondale, NY Fix of shnid 26341 - SBD> DAT> CD> EAC> SHN> WAV> FLAC patched with shnid 1317 (FOB>DAT>?>CD). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details  
1261. 05/05/90 Cal State Dominguez Hills - Carson, CA DSBD>DAT>CDR; Encore from FM source; via Paul B; Seeded to Etree by T. Wiley  
1262. 12/31/90 Oakland-Alameda County Coliseum - Oakland, CA flac16; Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08.  
1263. 04/08/91 Orlando Arena - Orlando, FL flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1264. 04/28/91 Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas, NV flac16; Main source: (purported) SBD> Phil Lesh's cassette master>DAT>CDR>EAC>mkw>SHN Patch source A: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN (shnid 19161) and Patch source B: FOB Neumann U87's > ? > CDR > EAC(secure) > mkwact(seekable) (shnid 8196) by Bill Tetzeli  
1265. 09/10/91 Madison Square Garden - New York, NY flac16; Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz)  
1266. 09/26/91 Boston Garden - Boston, MA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)  
1267. 03/20/92 Copps Coliseum - Hamilton, ON flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)  
1268. 09/13/93 The Spectrum - Philadelphia, PA flac16; SBD -> Master Dat (48k) All Transfers and Mastering By Charlie Miller  
1269. 10/01/94 Boston Garden - Boston, MA flac16; Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC)  

Grateful Dead Compilations  
  Date Venue - City, State Media  
1. ??/??/39 Tapers Section Jam Of The Week 2016 dead.net - Various, Various  
2. 01/01/05 Playin' In The Band Mix - Various, Various  

Jazz Is Dead  
  Date Venue - City, State Media  
1. 01/11/98 rehearsal - North Hollywood, CA sbd>dat>dat>sony pcm-r500>pc>adobe audition 2.0>cd wave>flac  
2. 01/13/98 Gibson's - Tempe, AZ sbd>dat>dat>sony pcm-r500>pc>adobe audition 2.0>cd wave>flac  
3. 01/17/98 Keswick Theatre - Glenside, PA AUD  
4. 02/02/98 Ram's Head - Annapolis, MD Source: SBD > Sony D7 Master > DAT Gen C3 Transfer: DAT > TASCAM DA-40 > COAX to COAX cable > M-AUDIO Audiophile 2496 > CD Wave > TLH > flac24 > wav > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > CD Wave > TLH > Flac  
5. 02/03/98 Ziggy's - Winston-Salem, NC  
6. 02/04/98 Metropol - Pittsburgh, PA  
7. 04/17/98 Roseland Theater - Portland, OR Matrix~ AKG C-460b's w/ ck-61's~>Mackie 1202 VLZ w/ soundboard feed~>Tascam DAP1.  
8. 04/21/98 Cafe Tomo - Arcata, CA SBD From Master lineage: CD > WAV > FLAC  
9. 05/04/98 Fox Theatre - Boulder, CO B&K 4011 > Lunatec 316 > HHB > Panasonic 3800 > Nuendo Multiset > WaveLab 4.0 > CD Wave > .flac  
10. 05/30/98 Wilmers Park - Brandywine, MD SBD > ? > CD > EAC > WavMerge > CDWav > Flac  
11. 06/06/98 Variety Playhouse - Atlanta, GA SBD > DAT > ?? > CDr > EAC (Secure/offset corrected) > .WAV > FLAC (L5/SBA) > TorrrentSpy > DIME > YOU  
12. 06/09/98 Keswick Theater - Glenside, PA Nak CM300+cp1 (3) > Nak mx100> d8 > pcm r500 > Audiophile2496 > aiff > flac  
13. 06/12/98 The Tralf - Buffalo, NY  
14. 06/16/98 Club Casino - Hampton Beach, NH sbd>sony pcm-r300>sony pcm-r500>pc>adobe audition 2.0>cd wave>flac transferred & seeded by Rob Berger 12/30/09  
15. 06/17/98 Higher Ground - Winooski, VT sbd>sony pcm-r500>pc>adobe audition 2.0>cd wave>flac  
16. 06/19/98 Irving Plaza - New York, NY sbd>sony pcm-r300 dat master,  
17. 11/15/98 House Of Blues - Chicago, IL Shure SM-81 mics > Lunatec v2 > SBM-1 > Sony M-1> Panasonic SV-3800 > Monster Coax > Audigy Soundcard > Soundforge 6.0 > CD Wave > flac  
18. 11/21/98 Keswick Theater - Glenside, PA AUD  
19. 04/14/99 Fox Theater - Boulder, CO SBD > DAT > Sony PCM-R500 > Marantz PMD-671 > Sound Forge 6.0 > CD Wave > Sound Forge 6.0 > Flac  
20. 04/24/99 Maritime Hall - San Francisco, CA sbd>dat master>jerry moore's dat clone>sony pcm-r500>hd-p2>hd>adobe audition 2.0 (levels)>cd wave>flac  
21. 04/30/99 Phoenix Theater - Petaluma, CA sbd > dat master transfer: Tascam DA-20mkII > Lynx ONE > Samplitude 6.0 > SoundForge 4.5 > MKWact > shn  
22. 07/24/99 Cicero`s - St. Louis, MO  
23. 11/24/99 Tarrytown Music Hall - Tarrytown, NY SBD > Dat > Dat > Sony pcm-r500 > Adobe Audition 2.0 > CDWav > Flac  
24. 08/06/15 The 1 Up - Denver, CO 2 Source Matrix: DPA4022 | SBD Feed  

Marin County Bluegrass Festival  
  Date Venue - City, State Media  
1. 04/27/74 Golden State College - San Rafael, CA jerry moore's SBD master reels  

Mickey Hart & The Marin County Collective  
  Date Venue - City, State Media  
1. ??/??/72 Mickey's Barn - Novato, CA MASTER STEREO REEL TO REEL > EQUALIZER > CD > EAC > WAV > FLAC.  

Mickey Hart Band  
  Date Venue - City, State Media  
1. 08/10/07 Seaside Park - Bridgeport, CT AKG 480/ck61 > UA-5(Busman2P+mod) > JB3>USB > CDWave > flac5.0  

Mickey Hart: Bembe Orisha  
  Date Venue - City, State Media  
1. 10/30/01 Philharmonic Center - Naples, FL DSBD  

Old & In The Way  
  Date Venue - City, State Media  
1. 07/21/73 The Lion Share - San Anselmo, CA Lineage:MR@7.5 ips(Recorded by Betty Cantor on her Nagra)>R@ 3.3/4ips.(Jerry Garcia copy)>R @3.3/34 ips(Will Boswell)
Transfered and mastered by Matt Smith 5/11
Cd > flac using dbpoweramp, Checksums created with TLH gballen 05-29-2011
 

The Other Ones www.otherones.net
  Date Venue - City, State Media  
1. 06/30/98 Nassau Veterans Memorial Coliseum - Uniondale, NY digital soundboard, digitally remastered, edited & SHN'ed by BRUNO bruno@kabsi.at using a Mac G4 w/ Bias Peak 3.0 and various plugins  
2. 07/01/98 Great Woods Center for the Performing Arts - Mansfield, MA FM-SBD > DAT > CD > .WAV (with EAC) > .SHN (alternate md5 version)  
3. 07/19/98 Fiddler's Green Amphitheatre - Englewood, CO Lineage: SBD > D (unk. sample rate) > ? > CD-R > SSSB  
4. 07/22/98 Irvine Meadows - Irvine, CA Source:SBD >> DAT >> CDR >> WAV(EAC) >> FLAC >> DAW(Bertha )>> CDA/FLAC; CDR > FLAC by Ben Wirth, remastered by Jay Ashley.  
5. 07/24/98 Shoreline Amphitheatre - Mountain View, CA Source: SBD>DAT>CD; Conversion: CD>EAC>WAV>MKW>SHNv3 By Dan Carr  
6. 07/25/98 Shoreline Amphitheatre - Mountain View, CA Source: Digital Soundboard - digitally remastered, edited & SHN(v3)'ed by BRUNO using a Mac G4 w/ Bias Peak 3.0 and various plugins; bruno@kabsi.at  
7. 08/04/02 Alpine Valley Music Theatre - East Troy, WI Set II Pro Shot  
8. 11/23/02 First Union Spectrum - Philadelphia, PA Source: Neumann TLM 170's(hypercardiod setting)7' stand front row of ts dead center > Apogee Minime > Sony PCM-M1 - Transfer: tascam DA 30mkII > zoltrix nightengale 6.0 @44.1 > soundforge 6.0 > cdwav > mkw > shn; rec by chun; transfer by spoogles  
9. 11/24/02 First Union Spectrum - Philadelphia, PA Source: Schoeps ccm4 (ortf,12\'stand,1st row ots,dfc)> Apogee MiniMe (44.1k)> Sony D10pro2> Sony D7 DAT - Conversion: DAT> Emagic EMI 2|6> Sound Forge 5.0 (rec,fades), CDWav (tracks), MKW (shn); Recorded by Ray Ackerman; Converted by Craig Taraszki  

Phil Lesh & Friends http://www.phillesh.net
  Date Venue - City, State Media  
1. 09/24/94 Berkeley Community Theater - Berkeley, CA Matrix: sbd > dat(s) > cdr + scheops cmc4 > dat > za2 > wav > shn  
2. 08/07/98 Fillmore Auditorium - San Francisco, CA flac16;Recording Info:(FOB) AKG C61/CK1 -> Master Dat (Tascam DA-P1/48k); Transfer Info:Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; Recorded By Pat "PC" Cooper; All Transfers and Mastering By Charlie Miller  
3. 08/08/98 Fillmore Auditorium - San Francisco, CA flac16;Recording Info:(FOB) AKG C61/CK1 -> Master Dat (Tascam DA-P1/48k); Transfer Info:Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; Recorded By Pat "PC" Cooper; All Transfers and Mastering By Charlie Miller  
4. 04/15/99 Warfield Theatre - San Francisco, CA SBD + AUD Matrix Mix (50%-SBD/50%-AUD) via Dan Source info: SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN Schoeps Mk21 > KC5 active cables > CMC6 amplifier bodies > AD1000 > DAT > My DAT > M-Audio 24/96 > Wave  
5. 04/16/99 Warfield Theater - San Francisco, CA SBD + AUD Matrix Mix (50%-SBD/50%-AUD) via Dan Source Info SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD (FOB Drink Rail) Schoeps Mk21 > KC5 active cables > CMC6 amplifier bodies > AD1000 > DAT > My DAT > M-Audio 24/96 > Wave  
6. 04/17/99 Warfield Theatre - San Francisco, CA SBD + AUD Matrix Mix (50%-SBD/50%-AUD) via Dan (sans Phish filler) Source Info SBD SBD (24 Track Recording Mix) > Dat (44.1k) > DAT (Sony D8) > RME Hammerfall Digiface > Sony Vaio C1VP > Samplitude v7.02 Professional > SHN AUD (FOB Drink Rail) Neumann U89 (cardiod setting) > Apogee AD-1000 @ 44.1 > P1 > My DAT > M-Audio 24/96 > Wave  
7. 11/05/99 Pittsburgh Civic Arena - Pittsburgh, PA  
8. 11/10/99 New Haven Coliseum - New Haven, CT 2 Hi8 Masters were mixed on a mixing board sometime ago and the mix was transfered over to a 1st Gen Hi8 tape. 1st Gen Hi8>DVD rendered at avg 8,000 ntsc 4:3  
9. 11/13/99 Continental Airlines Arena - East Rutherford, NJ Source:AKG 393's->Aerco preamp->Dap1 Transfered:Tascam DA-20 mkII->HHB CDR850 (Dat->cd) CD->EAC->Flacfrontend Mastered and transfered by Frank D'Auria  
10. 11/14/99 Worcester Centrum Centre - Worcester, MA FOB AKG 391 > Aerco Pre-amp > Sony D8 > DAT > CD > EAC(secure w/ offsets) > SHN (mkw seekable)EAC and shn conversion by mvernon54@attbi.com  
11. 07/14/00 Target Center - Minneapolis, MN SBD->(CD?)->EAC->TLH(flac8)  
12. 07/29/00 Merriweather Post Pavilion - Columbia, MD unknown aud source and transfer  
13. 09/21/00 Roseland Ballroom - New York, NY Source: Audio Technica at853rx(card caps) > Beyer MV-100 > Sony D-8 Master DAT 48 khz Location: FOB 1st Row in front of Right Stack - Warren’s Side Recorded by Casey Coniff Transfer: SV-3700 > UA-5 > WaveLab 6.0 Mastering with iZotope Ozone 4.0 dithered to 44.1khz Transfer and Mastering by Bill Koucky March 14, 2010 Green Mountain Bros.  
14. 09/30/00 Memorial Auditorium - Burlington, VT Source: Audio Technica at853rx(card caps) > Beyer MV-100 > Sony D-8 Master DAT 48 khz. Transfer: SV-3700 > UA-5 > WaveLab 6.0. Mastering with iZotope Ozone 4.0 dithered to 44.1khz. Transfer and Mastering by Bill Koucky March 9, 2010 Green Mountain Bros.  
15. 10/01/00 Memorial Auditorium - Burlington, VT Source: Audio Technica at853rx(card caps) > Beyer MV-100 > Sony D-8 Master DAT 48 khz. Recorded by Casey Coniff. Transfer: SV-3700 > UA-5 > WaveLab 6.0. Mastering with iZotope Ozone 4.0 dithered to 44.1khz. Transfer and Mastering by Bill Koucky March 10, 2010 Green Mountain Bros.  
16. 12/31/00 Henry J. Kaiser Auditorium - Oakland, CA Source: DAUD Master ATM-35 Hyper Cardioid Capsules > Sony D-7 DAT Recorded by Casey Connif (VT taper) FOB 5 feet in front of right speaker stack. Stealth recording with mics in a straw hat. Transfer: Panasonic SV-3700 XLR analog outputs > M-Audio Audiophile 24/96 > recorded to 24 bit/44.1 KHz WAV with WaveLab 5.0 > mastered with Waves L3 Multimaximizer (threshold of -4.5 dB, ceiling -0.1 dB)> rendered to 16 bit /44.1 KHz WAV using UV22-HR dithering > tracked with CDWAV 1.9 > FLAC. Transfers, Remastering and Seeded to shnflac.net February 2007 by Bill Koucky  
17. 04/18/01 Atlanta Civic Center - Atlanta, GA  
18. 04/27/01 Electric Factory - Philadelphia, PA No source. EAC -> wav->Mkw -> SHN. Created and verified MD5 with seekables. By Patrick Hayes.
Please note that the flac files do not decode to wav files that can produce shn files to match the shn.md5
However, at this time, the shn files can not be found, so the flac derivative is all that we have to work with.
The flac.md5 registered here has been made from the available files (Not a historic reference).
In addition, there is a known corruption of D1T02.flac towards the end where a 2MB piece was missing (Not known whether audible).
 
19. 04/30/01 Roseland Ballroom - New York, NY Soundboard + Audience Matrix (50% SBD + 50% AUD) Source info: SBD - shnid: 4689 - Phillesh.net SBD release AUD - sndid: 4165 - Microtech-Gefell M210>Oade M248>Sony SBM-1>Dat - Taped by Charlie Miller Lineage: SBD FLAC > xACT > AIFF/AUD FLAC > xACT > AIFF > Soundtrack Professional (track alignment/mixdown/mastering) > Sound Studio (tracking) > WAV > xACT > FLAC (verified, level 8) - All trnasfers, Mixing, and mastering done by: ekoostikal (capt.krinklebeiniii@yahoo.com)  
20. 04/30/01 Roseland Ballroom - New York, NY Soundboard + Audience Matrix (50% SBD + 50% AUD) Source info: SBD - shnid: 4689 - Phillesh.net SBD release AUD - sndid: 4165 - Microtech-Gefell M210>Oade M248>Sony SBM-1>Dat - Taped by Charlie Miller Lineage: SBD FLAC > xACT > AIFF/AUD FLAC > xACT > AIFF > Soundtrack Professional (track alignment/mixdown/mastering) > Sound Studio (tracking) > WAV > xACT > FLAC (verified, level 8) - All trnasfers, Mixing, and mastering done by: ekoostikal (capt.krinklebeiniii@yahoo.com)  
21. 06/10/01 Sweetwater Saloon - Mill Valley, CA Recording Info:(FOB) B+K 4011 -> Lunatec V2 -> Sonic AD2K+ -> Master Dat (Sony D8/48k). Transfer Info: Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC. Recorded, Transferred and Mastered By Charlie Miller  
22. 06/12/01 Ex'pression Center For Media/ KFOG-Live Archives - Emeryville, CA Phil Lesh & Friends 6.12.01 Ex'pression Center For New Media Emeryville, CA KFOG-Live from the Archives FM>HDD>SoundForge 4.5>CD Wave>SHN  
23. 06/27/01 The Greek Theatre - Los Angeles, CA Recorded by Neil Sturtevant (FOB): Sennheiser ME40's > M1(48kHz) Mastered & Tracked by Mike Boden: Tascam DA-P1 > Apogee PSX-100 DA convertor > Behringer PEQ 2200 EQ> dbx 166XL Compressor > Apogee PSX-100 AD convertor > PC w/ Celeron II 600 MHz overclocked to 900MHz > Samplitude V.5.55.0.0 > Converted to SHNs w/ MkwACT 1.0.0.1 Notes: Mics were mounted on the front of a ball cap, and Neil was standing dead center.  
24. 06/29/01 The Greek Theatre - Berkeley, CA flac16;Recording Info:Rode NT2 -> Lunatec V2 -> Sony SBM-1 -> Dat (Sony D8/44.1k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; Recorded, Transferred and Mastered By Charlie Miller  
25. 06/30/01 Greek Theater - Berkeley, CA flac16;Recording Info:Rode NT2 -> Lunatec V2 -> Sony SBM-1 -> Dat (Sony D8/44.1k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; Recorded, Transferred and Mastered By Charlie Miller  
26. 07/01/01 Greek Theater - Berkeley, CA Recording Info:Rode NT2 -> Lunatec V2 -> Sony SBM-1 -> Dat (Sony D8/44.1k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC;Recorded, Transferred and Mastered By Charlie Miller  
27. 07/03/01 Cuthbert Amphitheatre - Eugene, OR Source: 1st row behind Soundboard Sonic Studios DSM-300's > Sony D8 > DAT > Tascam CDRW 700 > CDR > SHN crackling in 1st set compliments of p.a. system.  
28. 07/04/01 Snoqualmie Amphitheater - Snoqualmie, WA From the tapers section, center, 10' stand neumann km184's>lunatec v2@35db> apogee ad1000@44.1khz>tascam da-p1 harmonic tech cables this was a very windy day da-p1>sek'd prodif plus card> sek'd red roaster (tracks & fades only)> plextor cd>eac>mkw Recorded, transferred, & seeded by Dale S  
29. 07/06/01 Red Rocks Ampitheatre - Morrison, CO flac16;Recording Info:Microtech Gefell M210 -> Oade M248 -> Sony SBM-1 -> Master Dat (Sony D8/48k); Transfer Info:Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; Recorded By Charlie Miller and Jon Pasternak; All Transfers and Mastering By Charlie Miller  
30. 07/07/01 Red Rocks Ampitheatre - Morrison, CO Master/Conversion: Microtech Gefell M210's>Oade M248>SBM-1>D8, D8>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.66 (cdparanoia)>WAV>FLAC by Dave Mallick  
31. 07/07/01 Red Rocks Ampitheatre - Morrison, CO Bertha Remaster of the Official Soundboard Release by jashley@deadacated.com. SBD>>DAT>>SHN>>WAV>>DAW(Bertha)>>CDA  
32. 07/09/01 Zoo Amphitheatre - Oklahoma City, OK Original Source: AT 4051a>AETA PSP-2>Tascam DA-P1Tascam DA-P1>Echo Gina 24>Cool Edit 2000>CDWAV>EAC>SHN (shnid=5598); Remaster: CDA>EAC>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT by MattMan.  
33. 07/10/01 Riverport Amphitheatre - Maryland Heights, MO Source: MBHO 603a/ka-200n > Sound Devices MP-2 > ADC-20 > D8 @ 48k; DFC, 1st row T.S. Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac Taped By: Marty S. Patched & Transferred By: Ryan Burns (mstrpce420@aol.com)  
34. 07/11/01 Sandstone Amphitheatre - Bonner Springs, KS Bertha Remaster of Chad Basnett source by Jay Ashley AUD(AKG 481's)>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A  
35. 07/12/01 River's Edge Amphitheater - Somerset, WI Source: Nakamichi CM-700s (CP-701 card caps) > M1 > Delta Dio 2496 > Sound Forge 4.5 > cdwav > cd Taped by Nic Brokenleg (nnbroken@home.com) from front corner of taper's section just left of SBD encode to shn by groovewagon.dyndns.org  
36. 07/14/01 Alpine Valley Music Theatre - East Troy, WI Source: MBHO603a 200n> MP-2> ADC-20>Sony D-7> PioneerPDR-509 > CDR, 16th Row Dead Center Lawn by Tapecat.  
37. 07/15/01 Deer Creek Music Center - Noblesville, IN Source: Schoeps MK4V > KC5 > CMC6 > AD1000 > D8 Just left of SBD. Transfer: DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN Taped and Transfered by Jeff Kempka  
38. 07/17/01 DTE Energy Music Theater - Clarkston, MI Source: FOB 16th Row DFC mics run 7'high ORTF AK40 > LC3KA > KM100 > AD1000 > D8 Transfer: D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHNv3  
39. 07/18/01 Polaris Amphitheatre - Columbus, OH Taper: Ben Ehrsam Location: Front Center of Taper's section Source: MBHO 603a/KA200 > MP-2 > Tascam DAP1 > DAT > DIGI > HHB 830 > CDR Conversion by mvernon54@home.com EAC > Cool Edit (fix track boundaries, remove some pops and claps) > SHN (mwkact with seektables appended)  
40. 07/20/01 Tweeter Center for the Performing Arts - Mansfield, MA Taped by Eric McRoberts FOB/DFC 17th row on 6'6" stand using schoeps cmc64 -> lunatec 316 -> SBM-1(Oade mod) -> DA-p1@44.1kHz D8 (master) -> Sony POC-DA12P -> DiO 2448 -> Sek'd Samplitude -> CDWav -> .shn v3. Transfered, tracked, and encoded by James Tierney (grizzly@ne.mediaone.net)  
41. 07/21/01 The Meadows Music Centre - Hartford, CT Unknown audience source via Patrick Hayes  
42. 07/22/01 Saratoga Performing Arts Center - Saratoga Springs, NY Taper: Ben Ehrsam Location: Taper section Source: MBHO 603a/KA200 > MP-2 > Tascam DAP1 > DAT > DIGI > HHB 830 Conversion: mvernon54@home.com EAC > CoolEdit 2000 (remove track boundary pops) > CDwav (split tracks on sector  
43. 07/24/01 Finger Lakes Performing Arts Center - Canandaigua, NY Location:5th Row Source: FOB>Schoeps ccm4>mp2>Dat>CD Conversion by mvernon54@home.com EAC (secure with correct offsets) > SHN (mwkact with seektables appended)  
44. 07/26/01 Jones Beach Theater - Wantagh, NY Nak's > D8 > CDR > EAC (secure w/ offsets) > SHN (seekable mkwact) converion by mvernon54@home.com  
45. 07/27/01 PNC Bank Arts Center - Holmdel, NJ Unknown audience source via Patrick Hayes  
46. 07/28/01 Tweeter Center - Camden, NJ Taper: Jordan Shapiro Source Info: Oktava MC012 (card) > Samson Mixpad 4 > TCD-D8 @ 44.1khz Location: 10th row center, ORTF with windscreens, varying heights bewteen 5' and 13' Conversion: Jordan Shapiro Equipment: TCD-D8 > Montego Beach > Sound Forge 4.5 > CDWav > MKw > SHN (No EAC)  
47. 07/28/01 Tweeter Center - Camden, NJ Pro-shot DVD (NTSC)  
48. 07/29/01 Star Pavilion - Hershey, PA source: aud > Sony ECM-MS957's > Sony WM-D6 > mac transfer: mac > Nakamichi BX-125E > Creative Extigy > Wavelab > wav > flac taped by John Bleich conversion by SirMick  
49. 07/31/01 Merriweather Post Pavilion - Columbia, MD Source: DAUD -> CEP -> CDWAV -> FLAC(level 8) EAC etc by Matt Vernon  
50. 07/??/01 Various - Various, Various SBD > ? > CDR > EAC > SHN. EAC & SHN encoding by mvernon54@attbi.com. see info file for track edits. Odyssey of the Spirit 2001 Summer Tour Soundboard Sampler released by Phil to give to participants in his the "Odyssey of the Spirit" program.  
51. 08/02/01 Virginia Beach Amphitheatre - Virginia Beach, VA Source: MBHO603a 200n> MP-2> ADC-20>Sony D-7> PioneerPDR-509 > CDR Location: 16th Row Dead Center Lawn by Tapecat. shn Conversion by mvernon54@home.com  
52. 08/03/01 Alltel Pavillion - Raleigh, NC Taper: Tapecat (www.tapecat.com) Source: MBHO603a 200n> MP-2> ADC-20>Sony D-7> PioneerPDR-509 > CDR Location: 16th Row Dead Center Lawn encoding by Matt Vernon  
53. 08/04/01 Verizon Wireless Amphitheater - Charlotte, NC Source: Microtech Gefell SMS200/M210 > SX-M2 > SBM 1 > D8 > CD > EAC > SHN mics at 100 degrees, slightly right of dfc, row T, Seat 12  
54. 08/05/01 Lakewood Amphitheater - Atlanta, GA Source: Neumann ak43(ortf,row Y,14'stand,dfc)> lc3ka> km100> Oade m248> Oade Mod.SBM1> DAT (48k) Conversion: DAT> Zoltrix Nightingale> SoundForge 4.5 (rec,48>44,fades)> CDWav (splits)> .shn Taped by J.Madry Converted by inshnerator@hotmail.com 8/18/01  
55. 11/17/01 Stabler Arena - Bethlehem, PA Remasterd shnid=6405 by Patrick Hayes  
56. 12/30/01 Henry J. Kaiser Auditorium - Oakland, CA Unknown audience source via Patrick Hayes  
57. 12/31/01 Henry J Kaiser Convention Center - Oakland, CA Taped by Mike (Bodenzord) Boden with Neumann KM150's (aimed at the stacks, front and center in taper's section and about eight feet high. F) > Tascam DA-P1(48kHz) > Waves L2 > Sontec 250C > Manley Variable-MU > Apogee PSX-100 AD convertor > PC w/ Celeron II 600 MHz overclocked to 900MHz > Samplitude V.5.50.0.0 > Yamaha 8x4x24 CDRW external SCSI  
58. ??/??/01 7 Special Jams - Various, Various  
59. 06/23/02 Great Stage Park - Manchester, TN Master Audience DATs (MAD)start; then battery died) Schoeps CMC321 (sub-Cardiod) -> Apogee AD1000 -> Casio DA-R100MAD -> TASCAM DA-20 (spdif out) -> Lynx Two Soundcard (spdif in) -> Soundforge 8.0  
60. 07/14/02 Jones Beach Amphitheater - Wantagh, NY Set II Pro Shot  
61. 07/20/02 Tweeter Center - Camden, NJ Source: SBD (possibly the monitor mix) > (?) > DVD LPCM 16/48 Lineage: DVD VOB Files > DVD Remaster Pro (extract 16/48 WAV > Izotope RX Advanced (resample to 44.10) > Amadues Pro (tracking) > xACT > Flac16 (verified, level 6) - Conversions done by ekoostikal (capt.krinklebeiniii@yahoo.com) 6/28/2009  
62. 08/31/02 Red Rocks Ampitheatre - Morrison, CO FOB Schoeps mk4 via Patrick Hayes  
63. 06/25/06 Hi-Fi Buys Ampitheatre - Atlanta, GA Pre-FM SBD, CD-R(1st gen)>LG SP60NB50>CDex(DAE)>WAV>Trader'sLittle Helper>FLAC16 Transferred by BigTuna  
64. 06/03/07 Hunter Mountain - Hunter, NY Source: JWmod AKG 461's>Lunatec V3>722 @24/96 Location: OTS, left side of SBD Transfer: 722>Adobe Aud.>16 bit>CDwav>flac16 Taped, transfered and uploaded by Tony Suraci  
65. 07/07/07 Sweetwater Saloon - Mill Valley, CA Neumann skm 140s->sound devices 722 (@ 24/192) via rosemary.dyndns.org  
66. 10/06/07 Riviera Theater - Chicago, IL  
67. 05/07/08 KBCO-FM Studio C - Boulder, CO Source = KBCO FM Broadcast: Lineage = McIntosh MR 77 Tuner -> RME DIGI Interface -> Samplitude 6.0 -> Flac via Patrick Hayes  
68. 05/13/08 Warfield Theatre - San Francisco, CA FREE SBD from PHILLESH.NET  
69. 09/30/08 Merriweather Post Pavilion - Columbia, MD Source: Schoeps CCM4V'S(din)>Lunatec V2>Sound Devices 722 (24/48) location: FOB/DFC/KFC/ZFC/AARP Row K, Between Seats 113 and 114, 6' High DSP: Sound Devices 722>Sound Forge 7.0>CD Wave>flac(16) Recorded By: The Z-Man Seeded By: The Z-Man  
70. 02/16/12 1st Bank Center - Broomfield, CO SBD

The aud patch is from http://etreedb.org/shn/119030
 
71. 02/17/12 1st Bank Center - Broomfield, CO Soundboard (Thanks!)  

Ratdog www.rat-dog.com
  Date Venue - City, State Media  
1. 03/16/06 The Plex - North Charleston, SC flac 16; Source: ctava MC-012 (cards) -> d-mic 20 -> coax -> CO2 -> Nomad JB3; Location: fob/dfc/30' from stage/stand @ 8' (at beam); Transfer: B3 -> Creative Play Center -> FLAC -> wav -> CD Wave Editor > FLAC (Level 6); Taped and transferred: Todd Trego; Tracked and seeded: Chris Davis  
2. 08/25/08 Star Pavillion - Hershey, PA Source Info:Superlux SMK-H8K>XLR>Ua-5>Nomad Jukebox 3>Cdwav>Goldwave 9.9>Nero  

Robert Hunter http://www.hunterarchive.com/
  Date Venue - City, State Media  
1. 03/18/78 Warner Theater - Washington, DC Source: FM (WHFS) > Reel Master > DATs Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac  
2. 05/09/79 Lupo's Heartbreak Hotel - Providence, RI flac16: MSC > Aiwa 850 > Turtle Beach Santa Cruz > CoolEdit > CD > shn > wav > SBE's fixed > flac  
3. 05/09/79 Lupo's Heartbreak Hotel - Providence, RI flac16: MSC > Aiwa 850 > Turtle Beach Santa Cruz > CoolEdit > CD > shn > wav > SBE's fixed > flac  
4. 08/09/79 My Father's Place - Old Roslyn, NY flac16: SBD > Reel > PCM > DAT > CDR  
5. 09/27/86 Graffiti Showcase - Pittsburgh, PA SHN: sbd>mac>cassette>cd>eac>wav>shn  
6. 04/05/03 Barrymore Theatre - Madison, WI Midas 200 XL Mixing Console > Tascam DAP1 > Sony TCD-D100  
7. 06/25/03 Avalon Ballroom - San Francisco, CA SHN: SBD > DAT > Sound Forge > CD-Wav > SHN  
8. 07/30/03 St. Pete Times Forum - Tampa, FL Source: SBD > Tascam DA-P1  
9. 07/31/03 Hi-Fi Buys Amphitheater - Atlanta, GA Source: SBD > Tascam DA-P1  
10. 08/03/03 Float Rite Amphitheater - Somerset, WI Source: SBD > Tascam DA-P1  
11. 08/05/03 Verizon Wireless Music Center - Noblesville, IN Source: SBD > Tascam DA-P1  
12. 08/06/03 Germain Ampitheatre - Columbus, OH Source: SBD > Tascam DA-P1  
13. 08/08/03 Darien Lakes Ampitheatre - Darien, NY Source: SBD > Tascam DA-P1  

San Franciscan Nights  
  Date Venue - City, State Media  
1. ??/??/39 San Franciscan Nights, Vol. 1 - San Francisco, CA  

Seastones  
  Date Venue - City, State Media  
1. 11/28/73 Palace of Fine Arts - San Francisco, CA Seastones collection: 4 disc set includes 3 separate sessions labelled as 11/28/73, plus 6/6/75; misc. filler bits; via D. Finney  

SNACK (various artists)  
  Date Venue - City, State Media  
1. 03/23/75 Kezar Stadium - San Francisco, CA  

Wake The Dead http://www.wakethedead.org
  Date Venue - City, State Media  
1. 11/14/01 KFPA 94.1 FM Studios - Berkeley, CA Pre-FM sbd>DAT>CDR>SHN  
2. 01/12/08 Dance Palace Community Center - Point Reyes Station, CA SBD > Marantz PMD 660 > USB 2 Mac PowerBook > Audacity to Flac  

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